Sony

From the Walkman to the ES series — relentless innovation

History

Key Facts

Legendary Products

Sony PS-X75 Biotracer (1979)

Sony TA-N77ES / TA-E77ES (1985)

Sony STR-7065 (1970s)

Sony TC-366 / TC-377 (1970s)

Sound Signature

Sony's best vintage gear has an unmistakable character: precision without sterility. Where some analytical brands leave you admiring the equipment instead of the music, Sony's ES-series amplifiers and top receivers deliver detail that pulls you deeper into a recording. The STR-7065 has a midrange clarity that makes vocals feel immediate and present, while the V-FET output stage in the TA-N77ES adds just enough warmth to keep things musical across long listening sessions.

The turntables tell a different story entirely. The Biotracer tonearm on the PS-X75 achieves a kind of black-background silence that lets micro-details emerge — the decay of a cymbal, the room ambience on a jazz recording. Sony's direct-drive motors are among the quietest ever made, and paired with their low-resonance plinths, the result is a presentation that feels effortlessly open. If you grew up thinking Japanese gear sounds "cold," a well-set-up Sony ES system will change your mind.

Collecting Sony

The PS-X75 Biotracer is the crown jewel — a turntable so technically ambitious that nothing else from the era quite compares. Clean examples fetch $1,500-3,000 depending on condition, and they're worth every penny. The PS-8750 professional turntable is even rarer and commands similar prices. For receivers, the STR-7065 remains the sweet spot: gorgeous to look at, wonderful to listen to, and still findable in the $400-800 range.

The ES separates — particularly the TA-N77ES power amp and matching TA-E77ES preamp — are where serious collectors focus. V-FET output transistors are no longer manufactured, which makes working units increasingly precious. Sony's reel-to-reel decks, especially the TC-377 and TC-366, offer a more accessible entry point: they're beautifully built, sound fantastic, and typically run $200-500. When buying any vintage Sony, check that direct-drive motors hold speed and that all ES-badged units have their original faceplates — replacement parts for these are nearly impossible to source.

Competitors & Comparisons

Amplifiers

• TA 1080 — An all-silicon transistor stereo integrated amplifier released as a sister unit to the TA-1120. This page has the complete spec table and when it was made.
• TA-AX22 — Sony TA-AX22 integrated amplifier (1982), 30W per channel, with built-in sound effect display and tape-to-tape dubbing. Little-documented slimline model.
• TA-AX6 — Sony TA-AX6 (1980–1981): Japan-only flagship integrated amplifier, 100W/ch DC design with twin-mono construction and S-FET output devices.
• TA-F37R — Sony TA-F37R (1997) — compact Japanese-market integrated amplifier, 50W into 6Ω, with source direct switch and RM-S317 remote.
• TA-F55 — Sony TA-F55 integrated amp: 2x65W RMS, dual MM/MC phono stage, slim 80mm chassis. A clean low-distortion vintage integrated with serious phono flexibility.
• TA-F555ESR — Sony TA-F555ESR (1988) — Japanese-market integrated amplifier from the ES series, rated 120W/ch into 8Ω, built on the vibration-damping G-chassis with S.T.D. twin-drive power supply.

Cassette Deck

• TC-250 — Sony TC-250 quarter-track stereo tape deck — 19/9.5 cm/s, 50 Hz–15 kHz, 0.19% wow and flutter, germanium-to-silicon revisions.
• TC-500A — Sony TC-500A four-track stereo reel-to-reel with bundled speakers and mics; period tests measured ±3.5 dB from 50 to 15,000 cps at 7½ ips.

Cassette Decks

• ECR-500 — Little is documented about the Sony ECR-500. A 1980 High Fidelity fragment may describe its electret headphone specs, but the record is thin.
• TC FX77 — Sony TC-FX77 (1981–1982) cassette deck: 5.5kg of Dolby C, amorphous heads, and microcomputer control. A precise, underrated workhorse.
• TC K7II — A stereo cassette deck built with precision engineering and advanced tape transport for its time. Includes detailed specs and production dates.
• TC PB5 (1970s) — Sony TC PB5 (1981) — playback-only cassette deck with S & F head, 20Hz–19kHz response, and RMS programming. Rare, compact, and engineered for fidelity.
• TC-2150SD (1978) — Sony TC-2150SD (1978–1980) — 4.8kg stereo cassette deck with Dolby B, F&F head, and SQ4 playback. Built for durability and high-fidelity tape recording.
• TC-2200A (1972) — One of Sony's first high-quality cassette decks, helped establish the cassette format as a serious audio medium, featured advanced transport system for its time.
• TC-2250SD (1974) — Sony's flagship cassette deck during the mid-1970s, representing high-end consumer tape technology with professional-grade transport stability and features uncommon in home decks at the time.
• TC-355 (1976) — Sony TC-355 reel-to-reel tape deck (1968), 10 kg, 3-head system, 19 cm/s, NAB equalization — built for audiophiles seeking studio-grade fidelity at home.
• TC-377 (1977) — Sony TC-377 three-head reel-to-reel tape deck, c. 1972 — a little-documented budget model known for its reversible slanted base and $289.95 price.
• TC-4550SD (1978) — Sony's flagship cassette deck during the late 1970s, representing the pinnacle of their consumer cassette technology before digital formats emerged.
• TC-850 — Sony TC-850: the early-1970s three-motor reel-to-reel flagship, listed at $895. A rare deck documented mainly through Sony's own period advertising.
• TC-D5M (1981) — Sony TC-D5M (1980) portable cassette recorder with 0.06% wow and flutter, metal tape support, and rugged field design — a broadcast-grade workhorse.
• TC-FX1010 (1981) — Sony TC-FX1010 (1981–1985) — 8kg flagship cassette deck with dual capstan, S&F heads, and microcomputer calibration. A precision relic of analog mastery.
• TC-FX2 (1978) — Part of Sony's high-end ES (Elevated Standard) series, represented Sony's commitment to quality cassette decks during the peak of analog audio.
• TC-FX33 (1982) — Mid-range model from Sony's popular FX series, representing the transition to fully-featured auto-reverse decks in the early 1980s consumer market.
• TC-FX4 (1980) — Sony TC-FX4 (1980) cassette deck — SD head for metal tape, logical control, 58 dB S/N, 20 Hz–17 kHz. Compact 430mm slimline deck with optional RM-80/RM-50/RM-65 remotes.
• TC-FX500R (1982) — Sony TC-FX500R (1982–1983) auto-reverse cassette deck with laser-amorphous head and Dolby C. 4.7kg of precision tape engineering.
• TC-FX66 (1984) — Sony TC-FX66 cassette deck (1981) — 5.5kg workhorse with Dolby B/C, DC servo, and Sendust-ferrite head. Solid mid-tier performer.
• TC-K22 (1979) — Part of Sony's first generation of high-performance cassette decks with 3-motor transport, establishing Sony as a serious competitor in the high-end cassette market during the late 1970s.
• TC-K5 (1977) — Sony TC-K5 (1977) stereo cassette deck: 6kg, 20Hz–18kHz response, green motor, F&F heads — a durable middleweight with pro features.
• TC-K55 (1977) — Sony TC-K55 (c. 1979) stereo cassette deck — 2-head design, 0.04% wow & flutter, 5.2kg metal chassis. A mid-tier analog workhorse with microcomputer control.
• TC-K555 — Sony TC-K555ES (1982) — high-end cassette deck with S&F heads, dual sapphire capstans, and twin mono amplifier. A precision machine for analog tape enthusiasts.
• TC-K555ES (1982) — Sony TC-K555ES (1982) — 3-head cassette deck with laser amorphous heads, dual capstan transport, and Dolby C. Flagship of Sony's ES series.
• TC-K65 (1981) — Mid-range model in Sony's ES (Elevated Standard) series, representing Sony's commitment to high-quality cassette decks during the peak of analog audio.
• TC-K7 (1978) — Sony's first 3-head cassette deck, establishing their high-end cassette deck reputation and competing with Nakamichi. Covers the complete spec table.
• TC-K75 (1982) — Sony TC-K75 (1979–1981) cassette deck: 3-head, dual capstan, 0.04% wow/flutter, 20Hz–20kHz response. A precision metal-tape machine built for audiophiles.
• TC-K77R (1981) — Sony TC-K77R (1981–1983) — metal-tape-capable cassette deck with rotobilateral head, 0.05% wow and flutter, and logical control.
• TC-KA7ES — A three-head cassette deck with full-logic transport and Dolby S, built as Sony's final high-end analog statement. With the complete spec table.
• TC-R303 (1984) — Sony TC-R303 Cassette Deck (1987) – 3.9kg bi-directional deck with LC-OFC amorphous head, Dolby B/C, and dual mic inputs.

Cassette Decks

• TC-2050SD (1978) — The Sony TC-2050SD (1981) is a 3-head, 3-motor cassette deck with Dolby B/C NR and 0.04% wow and flutter. Specs, history, and collector pricing.
• TC-2130A (1974) — The Sony TC-2130A (1971) pioneered the F&F head for better tape contact and high-fidelity Chrome cassette playback. Specs, history, and collector insights.
• TC-2220 (1972) — The Sony TC-2220 (1976) is a portable cassette recorder with Super Permalloy head, 4-power support, and analog VU meters. Specs, history, and collector pricing.
• TC-2260SD (1979) — The Sony TC-2260SD (1974) is a 2-head stereo cassette deck with Dolby B, 0.07% wow and flutter, and a closed-loop dual capstan system.
• TC-2860SD (1980) — Sony TC-2860SD (1975) portable cassette recorder with Dolby B, F&F head, DC servo, and multi-power support. This page has detailed specs and production dates.
• TC-3250SD (1978) — Sony's first 3-head cassette deck, representing their entry into high-end cassette technology and competing with established brands like Nakamichi.
• TC-C5 (1980) — The Sony TC-C5 (1992) is a rare 5-cassette changer with Dolby C, HX Pro, and a rotating drum mechanism. Specs, history, and collector pricing.
• TC-FX6 (1982) — Mid-range model from Sony's popular FX series, representing the transition to electronic controls in consumer cassette decks during the early 1980s.
• TC-FX606R (1982) — Mid-range model in Sony's ES (Elevated Standard) series, representing Sony's commitment to high-quality cassette decks during the peak of analog audio.
• TC-FX707R (1982) — Part of Sony's high-end ES (Elevated Standard) series, represented the pinnacle of consumer cassette deck technology in the early 1980s with professional-grade features.
• TC-K222ESA (1990) — High-end cassette deck from Sony's ES series featuring Dolby HX Pro, quartz-locked direct drive, and amorphous sendust head for accurate analog playback.
• TC-K222ESG (1986) — High-performance cassette deck from Sony's ES series featuring HX Pro, Dolby B/C, and dual-capstan transport for audiophile-grade playback.
• TC-K222ESJ (1985) — High-end cassette deck from Sony's ES series featuring SAF heads and Dolby B/C noise reduction. This page has full specifications and production years.
• TC-K222ESL (1984) — High-end cassette deck from Sony's ES series featuring advanced transport and noise reduction for accurate analog playback.
• TC-K333ES (1988) — High-end 3-head cassette deck from Sony's ES series with metal tape compatibility and precision engineering. With detailed specs and production dates.
• TC-K333ESA (1991) — High-end cassette deck from Sony's ES series featuring advanced tape transport and noise reduction technologies. With full specifications.
• TC-K333ESG (1989) — High-end cassette deck from Sony's ES series featuring advanced tape transport and noise reduction technologies for accurate analog reproduction.
• TC-K333ESJ (1991) — High-end cassette deck from Sony's ES series, featuring advanced transport and noise reduction technologies for accurate analog tape reproduction.
• TC-K333ESL (1988) — High-end cassette deck from Sony's ES series featuring advanced transport and auto calibration for superior tape fidelity.
• TC-K333ESX (1991) — High-end analog cassette deck from Sony's ES series with advanced transport and recording technologies for audiophile performance.
• TC-K444 (1984) — Sony TC-K444 cassette deck from the mid-1980s, part of the ES series with high-fidelity performance and advanced tape transport features.
• TC-K501ES (1987) — High-end cassette deck from Sony's ES series featuring advanced transport and low-noise performance. Includes detailed specs and production dates.
• TC-K555ESA (1989) — High-end cassette deck from Sony's ES series with advanced recording features and audiophile-grade performance. Find full specifications here.
• TC-K555ESII (1986) — High-end cassette deck from Sony's ES series featuring advanced transport and noise reduction technologies. Covers the complete spec table.
• TC-K555ESJ (1985) — High-end 3-head cassette deck from Sony's ES series with metal tape support and precision engineering. Find the complete spec table and when it was made here.
• TC-K555ESL (1986) — High-end cassette deck from Sony's ES series, featuring 3-head design and advanced tape transport for exceptional analog performance.
• TC-K555ESX (1987) — High-end cassette deck from Sony's ES series featuring advanced transport and noise reduction technologies for superior analog recording fidelity.
• TC-K600 (1981) — High-end cassette deck from Sony's ES series featuring three-head design and Dolby B/C noise reduction. Covers the complete spec table and when it was made.
• TC-K666ES (1987) — High-end audiophile cassette deck from Sony's ES series featuring advanced tape transport and noise reduction technologies.
• TC-K700S (1982) — High-performance mid-range cassette deck from Sony's ES series, featuring Dolby B/C noise reduction and direct-drive transport.
• TC-K71 (1981) — Mid-range model in Sony's highly regarded K-series, representing the peak of analog cassette deck engineering before digital formats dominated.
• TC-K777 (1982) — High-end cassette deck from Sony's ES series with dual capstan transport and Dolby B/C noise reduction. Includes the complete spec table and when it was made.
• TC-K777ES (1987) — High-end cassette deck from Sony's ES series featuring dual capstan transport and advanced noise reduction for audiophile-grade tape playback and recording.
• TC-K777ESII (1985) — High-end cassette deck from Sony's ES series, featuring advanced transport design and high-fidelity audio performance. This page has detailed specs.
• TC-K80 (1981) — Part of Sony's high-end ES (Elevated Standard) series, represented the pinnacle of cassette deck engineering in the early 1980s with advanced transport and head technology.
• TC-K96R (1986) — Top-tier model in Sony's ES (Elevated Standard) series, representing the pinnacle of cassette deck technology in the late 1980s with exceptional build quality and performance.
• TC-KA5ES (1993) — High-end cassette deck from Sony's ES series featuring advanced automation and premium analog sound quality. With full specifications and production years.
• TC-PX100 (1983) — Sony TC-PX100 auto-reverse cassette deck from 1983 with Dolby B noise reduction and LED level meters. Find full specifications and production years here.
• TC-R302 (1980) — Sony TC-R302 single cassette deck from 1980 featuring Dolby B noise reduction and soft-touch controls. Includes detailed specs and production dates.
• TC-RX2000T (1990) — High-end cassette deck from Sony's ES series featuring 3-head design and advanced recording technology for audiophiles. With full specifications.
• TC-RX300 (1989) — Mid-range cassette deck from Sony featuring auto-reverse, Dolby B/C, and HX Pro for improved tape performance. Includes full specifications.
• TC-RX311 (1990) — Double cassette deck with auto-reverse, Dolby B/C noise reduction, and timer recording functionality from Sony's consumer lineup.
• TC-RX50 (1989) — Sony TC-RX50 3-head auto-reverse cassette deck with Dolby B/C and AMS calibration from the late 1980s. Includes full specifications and production years.
• TC-RX51 (1989) — Double cassette deck with auto-reverse and Dolby B/C noise reduction from Sony's late 1980s lineup. Covers detailed specs and production dates.
• TC-RX55 (1990) — Mid-range cassette deck from Sony's ES series with auto-reverse and HX. Pro technology. Includes detailed specs and production dates.
• TC-RX70 (1990) — Mid-range cassette deck from Sony's 1990 lineup featuring auto reverse, dual capstan drive, and Dolby B/C noise reduction.
• TC-RX715 (1990) — High-end 3-head cassette deck from Sony's ES series with auto reverse and quartz-locked direct drive. Covers full specifications and production years.
• TC-RX77 (1988) — Dual cassette deck with auto-reverse and Dolby B/C noise reduction from. Sony's late-1980s consumer lineup. With what it sells for today.
• TC-RX80 (1989) — Sony TC-RX80 double cassette deck with auto-reverse and Dolby noise reduction from 1989. Includes detailed specs and production dates.
• TC-TX717 (1990) — Mid-range cassette deck from Sony featuring auto-reverse playback and Dolby noise reduction. With full specifications and production years.
• TC-TX9 (1983) — High-end cassette deck from Sony featuring auto-reverse, Dolby B/C noise reduction, and quartz-locked direct drive for precise tape handling.
• TC-U2 (1981) — High-end cassette deck from Sony's ES series featuring 3-head design and Dolby B/C noise reduction. Covers the complete spec table and when it was made.
• TC-U4 (1980) — High-end 3-head cassette deck from Sony with Dolby B/C NR and dual capstan transport, released in 1980. This page has detailed specs and production dates.
• TC-U40 (1983) — Sony TC-U40 auto-reverse cassette deck from 1983 with Dolby B noise reduction and metal tape compatibility. With detailed specs and production dates.
• TC-V7 (1982) — Sony TC-V7 (1982) cassette deck — 70mm slim cabinet, LaserAmorphous roto-bilateral head, Dolby B/C, auto-reverse, 0.065% WRMS wow and flutter.
• TC-V910WR (1985) — Sony TC-V910WR dual cassette deck with auto-reverse, Dolby B/C noise reduction, and mic mixing for home Hi-Fi recording and playback.
• TC-V9900 (1989) — Sony's flagship 3-head cassette deck from 1989 featuring HX Pro, Dolby B/C, and precision dual capstan transport for professional-grade analog performance.
• TC-W7R (1988) — High-end double cassette deck with auto-reverse and advanced calibration from Sony's late 1980s lineup. Includes the complete spec table and when it was made.
• TC-WE435 (1999–2002) — Sony TC-WE435 (1999–2002) double cassette deck — dual auto-reverse wells, Dolby B/C, 0.09% WRMS wow and flutter. A late-era workhorse that still dubs.
• TC-WE505 (1998) — Dual cassette deck with high-speed dubbing and Dolby noise reduction from Sony's mid-range WE series. Covers what it sells for today and full specifications.
• TC-WE725 (1999–2002) — Sony TC-WE725 (1999–2002) dual cassette deck — logic-controlled transports, pitch control, remote, Dolby B/C, and auto-calibration at the end of the tape era.
• TC-WE805S (1999) — Double cassette deck with auto-reverse and advanced recording features from Sony's late-era cassette lineup. Find detailed specs and production dates here.
• TC-WE825S (1998) — Sony TC-WE825S (1998) dual cassette deck — Dolby S, auto-reverse both wells, auto-cal, synchro dubbing. Mid-tier Japanese-built deck from the cassette's final wave.
• TC-WR705S (1998) — Dual cassette deck with auto reverse and Dolby noise reduction from Sony's late 1990s lineup. This page has the complete spec table and when it was made.
• TC-WR720 (1998) — Sony TC-WR720 dual cassette deck from 1998 featuring auto reverse, Dolby. B/C noise reduction, and timer recording for home audio use.
• TC-WR730 (1998) — Sony TC-WR730 dual cassette deck with auto reverse and Dolby noise reduction from the late 1990s. Includes full specifications and production years.
• TC-WR750 (1998) — Dual cassette deck with auto reverse and Dolby noise reduction from Sony's late-era consumer lineup. Includes full specifications and production years.
• TC-WR775 (1998) — Dual cassette deck with auto reverse and Dolby noise reduction from Sony's late-era consumer lineup. Includes the complete spec table and when it was made.
• TC-WR790 (1999) — Sony TC-WR790 dual cassette deck from 1999 featuring auto reverse, Dolby noise reduction, and timer recording functions.
• TC-WR795 (1998) — Dual cassette deck with auto-reverse and Dolby noise reduction from Sony's late 1990s lineup. Covers the complete spec table and when it was made.
• TC-WR810 (1990) — Sony TC-WR810 double cassette deck with auto-reverse and Dolby noise reduction from the 1990s. With the complete spec table and when it was made.
• TC-WR870 (1996) — Dual cassette deck with auto-reverse and Dolby noise reduction from Sony's late 1990s lineup. Find full specifications and production years here.
• TC-WR900 (1997) — Sony TC-WR900 dual cassette deck from 1997 with auto reverse, Dolby noise reduction, and tape calibration for reliable analog recording and playback.
• TC-WR905S (1994) — Mid-range dual cassette deck from Sony with auto-reverse and Dolby noise reduction, designed for home dubbing and convenience.
• TC-WR910 (1990) — Sony TC-WR910 dual cassette deck with auto-reverse and Dolby noise reduction from 1990. Covers full specifications and production years.
• TC-WR930 (1997) — Dual cassette deck with auto reverse and Dolby noise reduction from Sony's late-1990s consumer lineup. Find the complete spec table and when it was made here.
• TC-WR950 (2000) — Dual cassette deck with auto-reverse and auto-calibration from Sony's late-era consumer lineup. Includes full specifications and production years.
• TC-WR965S (1999) — Dual cassette deck with auto-reverse and advanced tape features from Sony's late-era cassette lineup. Includes the complete spec table and when it was made.
• TC-YX50 (1989) — Mid-range cassette deck from Sony featuring auto-reverse, Dolby noise reduction, and music sensor track search. Find the complete spec table here.
• TC-YX7 (1990) — High-end cassette deck from Sony's ES series featuring 3-head design, Dolby B/C noise reduction, and auto tape calibration for superior audio performance.
• TC-YX70 (1990) — High-end Sony ES series cassette deck with 3-head mechanism and auto reverse from the early 1990s. With the complete spec table and when it was made.

Cd Players

• CDP 502 ES — The Sony CDP 502 ES (1987) is a durable, musical CD player from Sony's ES line, prized for its KSS-120C laser, discrete output stage, and enduring reliability.
• CDP-228ESD — Sony CDP-228ESD (1988) — Japanese-market ES-class CD player with 8fs 45-bit CXD 1244 digital filter, floating transport, and twin-mono audio circuits.
• CDP-55 — Sony CDP-55 (circa 1990): a two-box CD player with Burr-Brown PCM58P dual-mono DACs and 8x oversampling, priced at $380.
• CDP-555ESJ — Sony CDP-555ESJ (1992) — Japanese-market ES-series CD player from Sony's 10th-anniversary line, featuring the SCORE digital filter, CXD-2562 pulse D/A, and sapphire spindle bearing.
• CDP-557ESD — Sony CDP-557ESD (1987-1988): Sony's flagship ES-series CD player with 18-bit/8x oversampling, BU-1 die-cast transport, and dual Burr-Brown PCM64P DACs. Sold in the US as CDP-707ESD.
• CDP-590 — Sony CDP-590 CD player — 16-bit/8x oversampling, $225 in 1990, 2Hz–20kHz ±0.5dB, 100dB S/N. A cheap, honest mid-line Sony deck.
• CDP-650ESD — The CDP-650ESD was Sony's top-of-the-line CD player when it was reviewed in Audio's July 1985 issue, priced at $1,300. Audio (April 1986, p.75) later
• CDP-701 — Sony CDP-701 — Sony's top-of-the-line early CD player, $1,500 at launch, profiled in Audio (Sept 1983). Thin but genuine record.
• CDP-701ES — Sony CDP-701ES — Sony's first high-end ES-series CD player, launched 1983 at 1,500 DM. DSP-based Digital Servo Control, jewel-like build, 11 kg.
• CDP-797 — Little is documented about the Sony CDP-797—or, as it appears in period reviews, the CDP-797ESD.
• CDP-950 — Sony CDP-950 CD player — 2 Hz–20 kHz ±0.3 dB, 104 dB S/N, coaxial digital out on some versions. A documented, workmanlike early Sony spinner.
• CDP-970 — Sony CDP-970 CD player: 2 Hz–20 kHz ±0.3 dB, 110 dB S/N, optical digital out, 28 mW headphone amp. Service-manual favorite.
• CDP-990 — Sony CDP-990 CD player (circa 1984-85) — the poor man's CDP-302ES, a highly regarded early Sony player based on the acclaimed ES design.
• CDP-C10 — Sony CDP-C10 ten-disc magazine CD changer, $800 at launch, XA-10 magazine shared with Sony car decks. The DiscJockey that moved your library between home and auto.
• CDP-C910 — Sony CDP-C910 (1992–1994) — flagship 5-disc carousel CD changer with single-beam mechanism, custom file disc memory, and RM-D910 remote.
• CDP-CE515 — Sony CDP-CE515 5-disc CD changer. Little documented beyond basic specs: 430x125x365mm, 5.2kg, 14W. Confirmed as a late-90s carousel changer.
• CDP-M51 — Sony CDP-M51 (1990) — a compact Japanese CD player with Sony's pulse 4D/A converter, KSS-240A pickup, and CXD2552Q DAC.
• CDP-R1 — Sony CDP-R1/DAS-R1 — the $8,000 two-box reference CD system of 1988, with 0.1 ns clock jitter, 18-bit/8x conversion, and 45-bit filtering.
• CDP-S1 — Sony CDP-S1 (1994) — compact S-Series CD player with Advanced Pulse D/A converter, 45-bit noise shaping, ¥32,000.
• CDP-X77ES — Sony CDP-X77ES ES-series CD player — one-bit conversion, 0.0015% THD, 17 kg build, and a reviewer's sub-$2,000 reference pick.
• CDP-XA7ES — Sony CDP-XA7ES (1996-1998), flagship ES-series CD player with twin discrete 18-bit DACs, 8x oversampling, and balanced outputs. Called CD player heaven by The Audio Critic.
• CDP-XE500 — Sony CDP-XE500 budget single-play CD player, $180 in 2001, with Toslink digital output and remote — a sturdy metal-chassis bargain that reviewers bought twenty of.
• D-101 — Sony D-101 portable CD player, early 1990s Discman. Known from a single 1992 dealer ad pricing it at $156 alongside the D-202 and D-303.
• D-15 — Sony D-15 portable CD player from circa 1988 — 4.9x0.8x5.3 inches, under 1 lb, played CD-3 discs without adapter. This page has production dates.
• D-303 (circa 1991) — Sony D-303 portable CD player (circa 1991), the first portable with 1-bit DAC conversion, plus Toslink optical out, MegaBass, and cord remote.

Dat Deck

• DTC-500ES — Sony DTC-500ES DAT deck — second-generation ES machine, 32/44.1/48 kHz, $1,750 when new. Digital-to-digital recording with no hiss.

Digital Processor

• PCM-1610 — Sony PCM-1610 digital audio processor — 16-bit, 90dB+ dynamic range, SMPTE time code, U-matic based. The converter behind early CD mastering.

Headphones

• MDR-1 (2012) — Sony MDR-1 over-ear headphones from 2012, featuring a warm sound signature and lifestyle-oriented design for portable audiophile listening.
• MDR-100 (1975) — Sony MDR-100 (c. 1975) — early Sony headphone, largely undocumented, $20–$50 used, 2/10 collectibility. A footnote for completists.
• MDR-20 (1975) — Lightweight on-ear headphones from Sony's early portable audio era, designed for personal listening and portability. Find detailed specs here.
• MDR-3 (1982) — Sony MDR-3 lightweight open-back headphones from 1982, notable for pioneering portable personal audio. With current market value and detailed specs.
• MDR-32 (1975) — Lightweight on-ear headphones from Sony's early consumer lineup, known for portability and affordability during the rise of personal audio.
• MDR-4 (1978) — Sony MDR-4 open-back dynamic headphones from 1978, an early lightweight consumer model with a bright sound signature and historical significance in personal audio.
• MDR-5 (1979) — Sony MDR-5 open-back dynamic headphones from 1979, notable for their early role in personal audio and lightweight design.
• MDR-6 (1982) — Vintage Sony MDR-6 open-back headphones from 1982, designed for portable use with balanced sound and lightweight comfort.
• MDR-62 (1990) — Lightweight open-back headphones from Sony's MDR series, designed for portable audio use in the 1990s. Covers full specifications and production years.
• MDR-70 (1980) — Lightweight on-ear headphones from Sony's early portable audio era, designed for personal stereos with a bright sound signature and foldable design.
• MDR-7506 — A closed-back professional headphone introduced in 1991, widely used in studio environments for mixing and recording. With detailed specs.
• MDR-8 (1980) — Sony MDR-8 lightweight open-back headphones from the 1980s with dynamic drivers and 50-ohm impedance. With detailed specs and production dates.
• MDR-80 (1975) — Lightweight supra-aural headphones with neodymium magnets and high sensitivity, designed for portability and clarity during the personal audio revolution.
• MDR-90 (1989) — Sony MDR-90 lightweight portable headphones from 1989 featuring neodymium drivers and foldable design. Find detailed specs and production dates here.
• MDR-A60 (1975) — Vintage over-ear headphones from Sony's early headphone lineup. Includes detailed specs and production dates. Includes detailed specs and production dates.
• MDR-CD100 (1984) — Sony MDR-CD100 headphones from 1984, designed for Compact Disc playback with open-back design and 40mm drivers. Covers full specifications.
• MDR-CD6 (1986) — Sony MDR-CD6 lightweight closed-back headphones from 1986, designed for early portable CD players with balanced sound and durable build.
• MDR-CD900 (1990) — Professional-grade closed-back headphones from Sony known for accurate vocal reproduction and studio monitoring use. Includes detailed specs.
• MDR-M33 (1988) — Lightweight on-ear headphones from Sony's portable lineup, designed for use with Walkman and Discman devices. Includes detailed specs and production dates.
• MDR-M66 (1975) — Closed-back dynamic headphones from Sony's MDR series, designed for portable consumer use in the 1970s. This page has detailed specs and production dates.

Microphones

• C-37 — Sony C-37 condenser microphone — Sony's first condenser mic from circa 1955. Cardioid/omni patterns, 20-20kHz response, FET version. Collectible broadcast mic.

Monitors

• PVM — Sony PVM-9L3 (2004): 9-inch HR Trinitron broadcast monitor, 450 TV lines, $1,400 list, option slot for SDI/DV/component boards.

Power Amplifiers

• 5000W — The Sony 5000W is a little-documented FM tuner from 1967, known for its 5-gang silver-plated tuning capacitor and long linear slide-rule dial.
• 560-D — Sony TC-560D: late-1960s auto-reverse reel-to-reel tape deck, the deck-only version of the TC-560 system, with ServoControl motor and optional RM-6 speed control.
• 666-D — Sony 666-D (c. 1969): an obscure automatic-reverse four-track stereo tape deck; surviving record is thin — ad claims and an Audio test report.
• 777-S (advertised 1962–1964) — Sony 777-S (Sterecorder 777-S), an all-transistorized professional stereo tape recorder advertised 1962–1964 at under $695 with Electro BiLateral heads.

Preamplifiers

• TA-2000 — Sony TA-2000 preamplifier (1968–1971). Professional-grade control amp with moving-coil phono input, step tone controls, and unusually wide bandwidth.

Processors

• PCM-1 — Sony PCM-1 early consumer PCM processor for use with NTSC VCRs – 44.056 kHz, 13-bit quantization, 85+ dB dynamic range. Includes when it was made.
• PCM-2500 — Sony PCM-2500 professional DAT recorder, 1988 — three sampling rates, AES/EBU/SDIF-2/S-P DIF, and a transport with known reel-table faults.
• PCM-501 (1985–1987; sources conflict, with some giving circa 1984-88-inch) — Sony PCM-501 (1985–1987): a 6 kg PCM processor with switchable 14/16-bit 44.1 kHz conversion, 90 dB dynamic range in 16-bit, and a $750 original price.
• PCM-701 (1983–1984) — Sony PCM-701 (1983–84): 14-bit PCM processor that turned a Betamax into a digital recorder. 44.056 kHz, 9 kg, noisy fan, no S/PDIF.

Receiver

• STR-VX22 — Sony STR-VX22: early-'80s 24 W/ch stereo receiver with all-discrete audio circuitry. Documentation is thin; known specs come from period reviews.

Receivers

• SQR-6650 — Sony SQR-6650 quadraphonic receiver from c. 1972 — $329.50 at launch, 25+25W RMS stereo, little documentation survives. Covers when it was made.
• STR 6550A — An FM/AM stereo receiver with improved performance over its predecessor, featuring advanced filtering and low-distortion audio circuitry.
• STR-6040 — Sony STR-6040 FM stereo/FM-AM receiver (1969–1970) — a budget-friendly 30W/ch entry-level receiver with a passive tuner front end and solid-state i.f. filters.
• STR-6060 — Little formal documentation survives for the Sony STR-6060. What the record shows comes down to two things: Sony's own advertising from late 1968 through.
• STR-6120 — Sony STR-6120 receiver, circa 1968-1970. 120W IHF, exceptionally sensitive FM tuner logged 55 stations per High Fidelity. Priced $699.50.
• STR-6800SD — Sony STR-6800SD stereo AM/FM receiver, 80W/ch, Dolby NR, MOS FET. Little documented beyond period ads and Audio's spec sheet.
• STR-DH190 — A stereo receiver with Bluetooth connectivity and approximately 100 watts per channel at 8 ohms. Find recent sold prices and the complete spec table here.

Reel To Reel

• TC 2010 — A compact cassette deck from Sony’s early lineup, featuring AGC recording and a DC motor for stable tape transport. Covers detailed specs.
• TC 2020 — A stereo cassette deck released by Sony in 1973, featuring a tape selector for chromicassette use and an auto shut-off mechanism.
• TC 2120 — The first Sony cassette deck, released around 1969 with transistorized circuitry and automatic level control. This page has the complete spec table.
• TC 2140 — A stereo cassette deck released by Sony in 1975, featuring an F&F head and integrated recording limiter. With detailed specs and production dates.
• TC 2160SD — A professional-grade cassette deck from Sony’s 1970s lineup, built for accurate home recording with Dolby noise reduction and a durable ferrite head.
• TC 2350SD — A stereo cassette deck with Dolby NR and an upright, see-through design, released by Sony in 1975. This page has detailed specs and production dates.
• TC 2500 — A portable cassette deck with multi-power support and professional-grade recording controls. Find the complete spec table and when it was made here.
• TC 2800 — A portable stereo cassette recorder from Sony’s Densuke series, built for field use with professional-grade components. With full specifications.
• TC 2810 — A portable cassette recorder from 1975 with Type IV F & F head and multi-power capability. Includes full specifications and production years.
• TC 2890SD — Sony TC-2890SD (1975) cassette recorder: 5.4kg portable with 4 power options, F&F head, Dolby NR, and 30Hz–15kHz response. A field-ready 1970s workhorse.
• TC 3000SD — A portable stereo cassette recorder built for field use with professional-grade specs and multiple power options. With full specifications.
• TC 350 — A solid-state stereo reel-to-reel tape deck with 3-head design and off-tape monitoring, built for high-fidelity recording and playback.
• TC 366 — Sony TC-366 — a solid-state three-head reel-to-reel deck with 4-track stereo, noise suppressor, and quad variant. Favored by serious enthusiasts in the early 1970s.
• TC 4250SD — SONY TC-4250SD (1973) cassette deck: 7kg of solid Sony engineering, 0.07% wow & flutter, and a durable F & F head. A top-tier 4250-series workhorse.
• TC 4260SD — A stereo cassette deck from Sony's 1975 lineup, featuring Dolby C noise reduction and a ferrite & ferrite head configuration.
• TC 4300SD — A component-style stereo cassette deck with an upright, see-through design released by Sony in 1975. With detailed specs and production dates.
• TC 500 — Sony TC 500, c. 1963–65: four-track stereo open-reel tape recorder known mainly from period ads — detachable speakers, mics, 500-A variant under $400.
• TC 5350SD — A high-fidelity upright cassette deck with Dolby B, F&F head, and see-through tape window, released by Sony in 1975. This page has full specifications.
• TC 6150SD — A high-end 3-head cassette deck from Sony’s first wave of professional-grade tape recorders, released in late 1973. With detailed specs and production dates.
• TC AV1 — A mini component size double reverse cassette deck released by Sony in 1987, featuring dual-deck operation and Dolby NR-B noise reduction.
• TC FX5C — Sony TC-FX5C (1981–1985) two-head cassette deck with Dolby B/C, 0.04% wow & flutter, metal tape support — a mid-tier analog workhorse.
• TC FX6C — A stereo cassette deck from 1981 featuring Dolby C noise reduction, one of the first models to include the system. Includes full specifications.
• TC K50 — A feature-rich cassette deck from Sony’s late-1970s lineup, emphasizing recording precision and automation. Includes the complete spec table.
• TC K500R — A feature-rich stereo cassette deck from Sony with advanced tape automation and high-fidelity recording capabilities. With detailed specs.
• TC K555ESR — A high-end stereo cassette deck built for the Japanese market, representing the top of Sony’s ES series in 1988. This page has detailed specs.
• TC K60 — A front-loading stereo cassette deck with AMS sensing and dual-mode peak hold meters. Includes full specifications and production years.
• TC K61 — A mid-tier stereo cassette deck from Sony’s 1979–1981 lineup, supporting metal tape and featuring logic-controlled transport with Dolby C NR.
• TC K88 — A high-end stereo cassette deck from Sony’s 88 series, featuring a motorized linear transport and metal tape compatibility.
• TC K8B — A high-end stereo cassette deck from Sony’s late-1970s lineup, notable for its pioneering LCD peak program meter and precision tape handling.
• tc-4350sd — A stereo cassette deck from Sony with Dolby noise reduction and support for Duadferi chrome tape. With detailed specs and production dates.

Speakers

• SS 1010 — A passive two-way bookshelf speaker system with bass reflex design, sold in Japan for ¥19,800 as a pair around 1975. Covers full specifications.
• SS 1800 — A large 3-way passive bookshelf speaker system with bass reflex design and a natural walnut finish. Includes full specifications and production years.
• SS 2121 — A two-way floor-standing bass reflex speaker system with and a horn-type high-frequency driver. Find full specifications and production years here.
• SS 2250 — A Japanese-made 3-way passive bookshelf speaker from the mid-1970s featuring Carbocon drivers and a sealed enclosure. With detailed specs.
• SS 22XR1 — A compact, magnetically shielded speaker system designed to match Sony's 22-inch Profile Star TV. Includes detailed specs and production dates.
• SS 3300 — A floorstanding, 3-way speaker system released by Sony with a 16 Ω impedance and a 30 Hz to 20,000 Hz frequency range. Find detailed specs here.
• SS 3800 — A floorstanding, passive 3-way speaker system from Sony’s ES series, featuring dual 38 cm woofers and a sealed enclosure.
• SS 460 — A 2-way bass reflex speaker system released by Sony in 1982 with a silver metallic finish. With detailed specs and production dates.
• SS 5050 — A high-end 3-way passive loudspeaker from Sony’s 1970s flagship lineup, notable for its Carbocon construction. This page has the complete spec table.
• SS 5050II — Sony SS-5050II bookshelf speakers, 20.5kg, 40Hz-20kHz, 91dB/W/m — a dense, magnetically advanced 1970s design with CARBOCON woofer and rare collectibility.
• SS 555 — Designed as a compact bookshelf speaker, it uses a 2-way, 2-speaker configuration with a bass reflex enclosure. Specs, history & review.
• SS 7100 — Sony SS-7100 ULM1 (c. 1972) bookshelf speakers: 20 cm woofer, 2.5 cm dome tweeter, 60 Hz–20 kHz, 6 Ω, hermetically sealed.
• SS 7200 — Sony SS-7200 ULM2 (1973–1976) bookshelf speaker with 50Hz–20kHz response, 6Ω impedance, and LC network disconnect switch.
• SS 7220 — A 3-way bookshelf speaker system using Sony’s Ultra Linear Magnetic Path (ULM) technology for reduced distortion. This page has the complete spec table.
• SS 7300 — A 3-way bookshelf speaker system developed by Sony featuring Ultra Linear Magnetic (ULM) driver technology and a bass reflex enclosure.
• SS 7330 — A bookshelf speaker system using Sony's Ultra Linear Magnetic Path technology for reduced distortion. This page has full specifications and production years.
• SS 7400 — A passive bookshelf speaker system developed by Sony after fundamental research into speaker design, featuring advanced magnetic circuitry and a tri-amped.
• SS 74F — A passive, magnetically shielded bookshelf speaker system designed for use near TVs. With detailed specs and production dates.
• SS 7600 — Sony SS-7600 (1971–1974) floor speakers: 30Hz response, 39kg weight, tri-ampable vintage giants with horn tweeters and variable bass reflex.
• SS 7660 — A floor-standing 3-way speaker system with variable bass tuning and ULM magnetic circuit technology, built for high-fidelity audio performance.
• SS 9300 — A barrel-shaped, omnidirectional speaker system designed for full-room sound dispersion. This page has the complete spec table and when it was made.
• SS 9500 — A 1970s omni-directional floor speaker with a barrel-shaped walnut cabinet and six full-range drivers for 360° sound. Includes detailed specs.
• SS G333ES — A 3-way bookshelf speaker from Sony’s ES series, engineered for precision with advanced driver materials and a tuned enclosure.
• SS G5A — Sony SS-G5a (c. 1980) — 27kg bookshelf speaker with 30Hz–20kHz response, CARBOCON woofer, and balanced drive tweeter. A rare, high-end Japanese classic.
• SS G777ES — A high-end 3-way bookshelf speaker system built with exotic materials and precision engineering, representing Sony's pre-1991 commitment to natural sound.
• SS G7A — A large floor-standing, three-way bass-reflex speaker system developed as a revision of the SS-G7, featuring advanced driver materials and a symmetrical.
• SS L500 — A passive bookshelf speaker system released by Sony in 1981, designed for compact placement and setting-free operation. With detailed specs.
• SS S10 — A passive bookshelf speaker system with a 2-way bass reflex design, produced around 1981. Includes detailed specs and production dates.
• SS X170 — A compact 2-way passive bookshelf speaker system with bass reflex enclosure, made in Japan. Includes full specifications and production years.
• SS X1A — A compact, magnetically shielded bookshelf speaker system designed for use with Sony Trinitron televisions and stereo systems.
• SS X200 — A compact 2-way passive speaker system released by Sony in 1981, featuring a balance drive tweeter and bass reflex enclosure.
• SS X2A — A compact 2-way bookshelf speaker system originally used with Sony Profeel monitors. Includes detailed specs and production dates.
• ss-1250 (Late 1970s (approximately 1977-1979)) — The Sony SS-1250 is a late '70s bookshelf speaker with Carbocon drivers and a passive radiator, known for tight bass and balanced sound.
• ss-3gx (Late 1970s (approximately 1977-1979)) — 2-way bass reflex design, 8-inch woofer with butyl rubber surround, 2-inch cone tweeter, walnut veneer cabinet, front-firing port.
• ss-4050 (Late 1970s (approximately 1977-1979)) — The Sony SS-4050 (1974–1979) packs CARBOCON woofers, a sealed cabinet, and 91dB sensitivity into a 16.5kg bookshelf tank.
• ss-505av (Late 1980s to early 1990s) — 2-way bass reflex design, 6.5-inch woofer with polypropylene cone, 1-inch soft dome tweeter, ferrofluid cooling, magnetic shielding for TV/CRT compatibility.
• ss-550 (Late 1970s) — The Sony SS-550 (1970) is a 3-way bookshelf speaker with 20 cm woofer, 8 Ω impedance, and walnut finish. Specs, history, and context.
• ss-5gx (Late 1980s to early 1990s) — Sony SS-5GX (1978) bookshelf speaker with heat-pipe cooling, 86dB/W/m, 55Hz–20kHz. A compact engineering statement from Sony's G Series era.
• ss-7010 (1970-1973) — Sony SS-7010 ULM10 bookshelf speakers from ~1973: 20cm corn paper cone, ULM magnetic circuit, 6Ω, 87dB, sealed cabinet. Find full specifications here.
• ss-7050 (1970s (exact years uncertain)) — 2-way bass reflex design, 10-inch woofer, 2-inch horn tweeter, wood veneer cabinet. Covers full specifications and production years.
• ss-7070 (Late 1970s (approximately 1977-1979)) — The Sony SS-7070 (circa 1974) delivers warm, detailed sound from its 20cm woofer and sealed cabinet. Specs, restoration tips, and current market prices.
• ss-7090 (Late 1970s) — The Sony SS-7090 (late 1970s) is an 8-inch sealed bookshelf speaker with 45Hz–20kHz response and a cult following in Vietnam.
• ss-7110 (1970s (circa 1974-1976)) — Sony SS-7110 ULM11 (circa 1973) bookshelf speakers feature 20cm woofer, 2.5cm tweeter, ULM magnetic tech, 45Hz–25kHz response.
• ss-7220a (1970s) — The Sony SS-7220A (1970s) packs a 25cm woofer, 40Hz bass, and room-adjustable mids into a bookshelf cabinet. Specs, design, and collector pricing.
• ss-7330a (Late 1970s (approximately 1977-1979)) — 3-way speaker system, 12-inch woofer, 4-inch midrange, 2-inch tweeter, bass reflex design, wood grain vinyl cabinet, front-firing port.
• ss-8150 — A high-end 3-way bass reflex speaker system using carbon-fiber composite drivers and a balanced drive woofer design. Find full specifications here.
• ss-97 (Late 1970s (approximately 1977-1979)) — The Sony SS-97 (late 1970s) delivers warm, smooth sound with a 12-inch woofer and acoustic suspension design. Specs, flaws, and real market prices.
• ss-999 (Late 1970s (approximately 1977-1979)) — The Sony ss-999 (late 1970s) packs a ribbon tweeter capable of 50kHz into an entry-level bookshelf speaker. Specs, sound, and collectibility.
• ss-g9 (1980-1983) — Sony SS-G9 (1979) floorstanding speaker: 87kg, 27Hz-22kHz, 94dB/W/m. Rare flagship with Carbocon drivers and SBMC-potted crossover.
• ss-l150a (Late 1970s to early 1980s) — Sony SS-L150A (1983) floorstanding speaker: 20cm woofer, 92dB sensitivity, 8Ω. Compact vintage design with bass reflex. Includes the complete spec table.
• ss-r1 (1992-1994) — The Sony SS-R1 (late 1970s) is a compact 2-way bookshelf speaker with a 20cm woofer and 5cm titanium tweeter. Rare, detailed.
• ss-r5 (1990s (exact years uncertain)) — Sony SS-R5 (circa 1979) bookshelf speakers feature a 30cm woofer, titanium tweeter, and FFT-designed cabinet for neutral sound and deep bass — a technical standout from Sony's R Series.
• ss-r55 (1990s) — The Sony SS-R55 speaker used spacecraft vibration analysis to shape its woofer—overbuilt, understated, and oddly fascinating.
• ss-rx3 (1980s) — 2-way bass reflex design, polypropylene woofer, soft dome tweeter, wood veneer cabinet. Includes full specifications and production years.
• ss-rx5 (1990s) — The Sony SS-RX5 (1983) delivers 35Hz–30kHz clarity with MRC woofers and POM midranges. Specs, sound, and collector pricing for this underrated bookshelf speaker.
• ss-rx7 (1990s) — The Sony SS-RX7 (1982) is a 3-way bookshelf speaker with POM whisker drivers, NASTRAN-designed woofer, and grooved cabinet for controlled resonance.
• ss-s11 (Late 1980s to early 1990s) — The Sony SS-S11 (c. 1979) is a 3-way bookshelf speaker with deep 38Hz bass, 90dB sensitivity, and a European-sourced soft dome tweeter.
• ss-s30 (Late 1980s to early 1990s) — The Sony SS-S30 (1981) is a 3-way bookshelf speaker with a 20cm woofer, titanium dome tweeter, and 92dB sensitivity. Specs, history, and collector notes.
• ss-s440 (1980s) — Sony SS-S440 (1990s) floorstanding speakers with 25 cm carbocon woofer, 6 ohm impedance, 45Hz–20kHz response — vintage Japanese hi-fi favorites
• ss-s50 (Late 1970s to early 1980s) — The Sony SS-S50 (1981) packs a 25cm woofer and titanium tweeter into a bookshelf frame. Balanced sound, 35Hz bass, and easy to drive—specs, history.
• ss-s550 (Late 1980s to early 1990s) — The Sony SS-S550 (late 1980s) is a 4-way floor speaker with 30 cm woofer, 92dB sensitivity, and bass-reflex design. Full specs, dimensions.
• ss-wm20 (1990s (exact years unknown)) — The Sony SS-WM20 (1982) is a rare, foldable passive speaker for Walkman, prized for its compact design and tension film drivers.
• ss-x1 (Late 1970s (approximately 1977-1979)) — The Sony SS-X1 (late 1970s) is a compact, magnetically shielded bookshelf speaker with an 8.5 cm cone woofer and 5 cm cone tweeter.
• ss-x100 (Late 1970s to early 1980s) — The Sony SS-X100 (1981) packs a zinc die-cast cabinet and ribbon tweeter into a tiny bookshelf speaker. Specs, sound, and real collector pricing.
• ss-x10a (Late 1980s to early 1990s) — The Sony SS-X10A (late 1980s) are Made-in-Japan bookshelf speakers with a 35 Hz–50 kHz response and mica-filled woofers. Specs, build, and market reality.
• STR 202 (1972) — Sony STR-202 (1972–1974) stereo receiver with 12W/channel output, FET front end, and Music plus You mic function — a compact entry into early solid-state audio.
• STR 6000 (1973) — Sony STR-6000 FM/AM receiver, 13.8kg, 50W+50W output, walnut cabinet, FET front end — a high-performance 1970s flagship with known antenna mount fragility.
• STR 6450 (1973) — Sony STR 6450 (1971) FM/AM receiver with 44W output, solid-state filters, FET tuner front end, and 8kg build — a precision 1970s audio workhorse.
• STR 6450A (1972) — The Sony STR 6450A wasn't just another receiver—it was a declaration. Launched in 1972, it marked Sony’s bold entry into the high-fidelity power race
• STR 6500 (1973) — Sony STR-6500 (1970s) FM/AM stereo receiver: 15W+15W output, 70dB FM S/N, direct mixer tuner, front aux input. A technical classic from Sony's early high-fidelity era.
• STR 6550 (1970) — Sony STR-6550 (1971) FM/AM receiver: 8.5kg of solid-state precision with FET front end, 25W output, and modular design. A tuner-first classic.
• STR 6800 (1978) — Sony STR 6800 (1978): late-70s FM/AM receiver with built-in Dolby FM, MOS FET input, 80W/ch into 8Ω, $565 retail. Little independent documentation survives.
• STR 7035 (1973) — Sony STR 7035 (c. 1975) AM/FM stereo receiver with 26W output, FET front-end, solid-state filters, and dual power supply — a compact yet powerful piece of Sony's 1970s audio legacy.
• STR 7065 (1972) — Sony STR-7065 (1972–1974) — 60W/channel AM/FM receiver with FET tuner, direct-coupled amp, and 3-speaker switching. A flagship from Sony's golden audio era.
• TA 1055A (1971) — Part of Sony's first generation of high-quality integrated amplifiers, notable for its advanced DC amplifier design that eliminated coupling capacitors…
• TA 1066 (1970) — The Sony TA-1066 wasn’t just another amplifier—it was a statement. Released in 1970, it marked Sony’s bold entry into the high-fidelity separates market.
• TA 1120 (1969) — The Sony TA 1120 — vintage audio equipment. Specifications, history, and review. This page has when it was made. This page has when it was made.
• TA 1120A (1969) — Sony TA-1120A (1967) all-silicon transistor stereo premain amplifier with 60W/channel output and quasi-complementary SEPPP OTL circuit — a landmark in early Japanese high-end audio.
• TA 1120F (1968) — Sony TA-1120F (1972) — 80W+80W integrated amplifier with FET input, direct-coupled output, and 200+ damping factor. A flagship from Sony's golden era.
• TA 1130 (1972) — Sony TA 1130 (1972–1974) — 50W/channel integrated amplifier with FET preamp, DC coupling, and 100+ damping factor. A durable ES-series workhorse.
• TA 1140 (1971) — Sony TA 1140 (1972) integrated amplifier: 35W/ch, direct-coupled design, 9.8kg of precision 70s engineering. This page has the complete spec table.
• TA 1150D (1974) — Sony TA 1150D integrated amplifier, 30W+30W, 8.3kg, direct-coupled SEPP design, 1970s vintage audio. With detailed specs and production dates.
• TA 1166 (1970) — Sony TA-1166 (1969) premain amplifier: 30W+30W, direct-coupled, 7.8kg. Rare all-silicon transistor design with 50V preamp supply.
• TA 1630 (1978) — Sony TA 1630 (1975–1977) integrated amplifier with 22W output, discrete transistors, wooden side cheeks, and 10–40kHz response — a compact mid-tier workhorse from Sony's 70s lineup.
• TA 2000F (1972) — Sony TA-2000F (1971–1977) — 9kg FET-first preamp with MC phono, 1200mV mic input, and passive filters. A rare, sought-after precursor to Sony's ES line.
• TA 2650 (1973) — Sony TA-2650 (1976–1979) stereo integrated amplifier with 50W/channel, OCL circuit, tape dubbing, and brushed aluminum faceplate
• TA 8650 (1978) — Sony TA-8650 (1973) — 80W/channel V-FET integrated amplifier, first of Sony's ES-II series, weighs 20.8kg, modular DC design
• TC RX1000T (1985) — This helps support our independent vintage technology research. Full specifications and review. Includes detailed specs and production dates.

Tuners

• SAT-333ESG — Sony SAT-333ESG (1990) — an ES-series BS satellite tuner with pulse D/A conversion, CCD comb filter, and digital outputs. Little-documented model from Sony's early Japanese satellite broadcasting era.
• ST 1950 — A late-1970s FM/AM stereo tuner developed with FM air check in mind. This page has full specifications and production years.
• ST 5090 — A solid-state FM/AM stereo tuner from Sony with high sensitivity and dual output options, finished in Lawrence Oak. With the complete spec table.
• ST 5130 — Sony ST 5130 (1972) FM/AM tuner — 7.5 kg solid-state beast with 5-gang varicon, 8-filter IF, and scope-out for DXing. With full specifications.
• ST 5300 — SONY ST-5300 FM/AM tuner from ~1969, 7.2kg, FET-based design, 70dB S/N ratio — a precision Japanese solid-state receiver
• ST A40 — A compact FM/AM tuner featuring Sony's Acute Servo Lock tuning system and LED-based signal indicators. Find detailed specs and production dates here.
• ST A7B — SONY ST-A7B (1976–1981) FM/AM tuner — 14.5 kg of analog precision, crystal-locked tuning, Numitron display, and legendary sound. One of the best ever made.
• ST J55 — A digitally tuned AM/FM stereo tuner using a crystal-locked synthesizer system, produced by Sony from 1979 to 1981. Find the complete spec table here.
• ST J75 — Sony ST-J75 (1980–1982) FM/AM tuner with 0.07% distortion and 92dB S/N ratio — a precision synthesizer tuner praised for its clarity and stability.
• ST JX22 — A compact AM-FM stereo tuner from Sony’s early 1980s lineup, featuring LED-assisted tuning and a space-saving thin front design.
• ST JX3 — A stereo FM/AM tuner from Sony featuring precise tuning technology and visual signal indicators. Covers full specifications and production years.
• ST JX4 — A digital synthesizer tuner from Sony's early 1980s lineup, delivering stereo FM/AM reception with quartz-locked precision.
• ST P7J — A digitally tuned FM/AM stereo receiver from Sony’s Precise P7 series, featuring quartz-locked tuning and feather-touch controls.
• ST S222ESX — A stereo FM/AM tuner made in Japan during the mid-1980s as part of Sony’s ES series. With detailed specs and production dates.
• ST S333ES — Sony ST-S333ES (1984–1987) ES tuner with Wave Optimizer, 93dB S/N, 4.1kg. Precision FM/AM reception in compact chassis. This page has detailed specs.
• ST S333ESG — Sony ST-S333ESG (1989) FM/AM tuner with 0.004% distortion and Wave Optimizer Tech — a hidden high-end gem praised for its clarity and ergonomics.
• ST S333ESXII — A high-end FM/AM tuner from Sony’s ES series, released in 1987 with advanced digital tuning and noise reduction technologies.
• ST S500 — A quartz-locked digital synthesizer AM/FM stereo tuner from Sony’s ES series, produced from 1987 to 1989. Find full specifications and production years here.
• ST S555ES — An FM-only stereo tuner built in Japan with advanced PLL synthesis and Audio Current Transfer output technology. Covers detailed specs and production dates.
• ST S555ESX — A high-end FM/AM tuner from Sony’s ES series, released in 1986 with advanced RF and audio circuitry for its time. Covers the complete spec table.
• ST SA50ES — A high-fidelity FM/AM stereo tuner from Sony’s Elevated Standard (ES) series, released in 1997 with advanced reception circuitry and premium audio
• ST SA5ES — A high-end FM/AM stereo tuner from Sony's ES series, built for precision reception and low noise. With the complete spec table and when it was made.
• ST YX7 — A compact FM/AM tuner with microcomputer control and quartz-locked synthesis, released in 1981. Includes the complete spec table and when it was made.
• st-3950 (1978-1980) — Sony ST-3950 (1976–1979) — analog FM/AM stereo tuner with 1.7μV sensitivity, 80dB selectivity, and illuminated controls. A quiet performer for audiophiles.
• st-4950 — Sony ST-4950 FM/AM stereo tuner — MOS FET front end, PLL MPX decoder, SIGNAL MULTIPATH meter, CG variable condenser. A quiet, honest sleeper.
• st-5000 (1972-1974) — The Sony ST-5000 (1973–1975) is a legendary ES-series FM tuner with PLL decoding, CDs optical circuits, and 100dB spurious rejection.
• st-5000f (1973-1975) — Sony ST-5000F (1969–1976) — 9.2kg FM stereo tuner with FET circuitry, 100dB selectivity, and non-adjustable IF filters. Built for Japan's crowded FM band.
• st-5070 (1976-1978) — The Sony ST-5070 (1974) is a solid-state FM/AM tuner with a glowing green dial, wooden sides, and 54 transistors—praised for its stability and analog charm.
• st-5140 (1971-1973) — Sony ST-5140 (1971-1973) FM/AM tuner — 7.2kg ES-series solid-state receiver with direct mixer system, 70dB SNR, and oscilloscope output for multipath analysis.
• st-5150 (1977-1979) — Sony ST-5150 (1973–1977) ES series FM/AM tuner, 7kg, 76–90 MHz, 70dB S/N — a compact classic with sealed MPX and multipath display.
• st-5950 (1978-1980) — Sony ST-5950 (1975–1978) — ES-II series FM/AM tuner with Dolby FM, 9.3 kg chassis, and PLL MPX decoding. A no-nonsense workhorse of 1970s hi-fi.
• st-9000f (1978-1980) — Quartz PLL synthesized tuning, 5-gang FM tuning capacitor, FET front end, phase locked loop multiplex decoder, dual IF bandwidth selection.
• st-a5 (1978-1980) — Quartz-locked digital PLL synthesizer tuning, FET front end, 4-gang tuning capacitor, muting circuit, signal strength meter, center channel tuning meter.
• st-a6b (1978-1980) — Quartz-locked PLL synthesizer tuning, FET front end, 4-gang tuning capacitor, phase-locked loop multiplex decoder, signal strength and center tuning meters.
• st-j60 (1981-1983) — Sony ST-J60 (1978) FM/AM tuner with digital synthesis, 8 presets, and strong selectivity. A sleeper hit among vintage tuner enthusiasts.
• st-j88 (1986-1988) — The Sony ST-J88B (1978–1984) is a quartz-synthesized FM tuner with 120 dB narrow selectivity and 7 memories. Specs, history, and collector pricing.
• st-jx44 (1991-1993) — Sony ST-JX44 (1982) FM/AM tuner with FL tube display, quartz-locked PLL synthesis, 30 presets, and MOS FET front end. Compact, precise, and built to last.
• st-s3000 (1990-1992) — Sony ST-S3000 (1997) FM/AM tuner with RDS, 15Hz–15kHz response, gold-plated terminals, and mono-box chassis — a compact high-fidelity tuner from Sony's 3000 series.
• st-s333esa (1991-1993) — ES (Elevated Standard) series, quartz PLL synthesizer tuning, 30 station presets, IF bandwidth selector, optical digital output, dual IF filters.
• st-s333esj (1990-1993) — ES (Elevated Standard) series construction, quartz PLL synthesized tuning, 30 station presets, IF bandwidth selector, dual IF filters.
• st-s510 (1988-1990) — The Sony ST-S510 (1995) is a precision FM/AM tuner with Super Area Call, station name display, and 30-preset memory—engineered for seamless radio access across Japan.
• st-v3 (1973-1975) — The Sony ST-V3 (1983) tuner features quartz digital synthesis, last station memory, and a backlit LCD. Specs, pricing, and collectibility guide.
• STR 7055 (1972–1976) — Sony STR-7055 (1972–1976) — 35W/channel FM/AM receiver with FET front end, DC-coupled SEPP output, dual power supplies, and three speaker pairs. An underrated near-topper.

Turntables

• PS 1200 — Sony PS-1200 (circa 1968) — 9.5kg rumless servo turntable with SMD auto-return, 0.08% wow/flutter, and VM-11G cartridge. A precision-engineered analog artifact.
• PS 1350 — A belt-drive turntable system with precision engineering and low-vibration motor design. With full specifications and production years.
• PS 150 — A direct-drive automatic turntable with built-in phono preamp and headphone amplifier, released by Sony in 1981. Includes full specifications.
• PS 2100 — A belt-driven turntable from 1970 with a universal tone arm and high-compliance MM cartridge for precise vinyl playback.
• PS 2300A — A refined, belt-driven turntable based on the PS-2300, featuring a precision motor, low-vibration design, and universal tonearm.
• PS 2400 — Sony PS 2400 (1971) turntable: 8.5kg, DC servo, 0.06% wow/flutter, walnut cabinet. Rare JDM model with full-spec arm and IM cartridge.
• PS 2700 — Sony PS 2700 (1976–1979) full-auto turntable with 30 cm die-cast platter, VL-15G cartridge, and belt drive. A pragmatic classic with cult appeal.
• PS 2800 — SONY PS-2800 (c. 1977) — 7kg turntable with built-in equalizer, 0.06% wow/flutter, and VM-25G cartridge. A compact, self-contained analog solution from Sony's late-'70s lineup.
• PS 333RT — A full-auto direct-drive turntable system with MM cartridge, released around 1980. Find detailed specs and production dates here.
• PS 4750 — Sony PS 4750 (1974–1978) direct-drive turntable with SBMC platter, magne-disk servo, and 0.03% wow/flutter — a mid-tier workhorse with industrial-grade engineering.
• PS 6750 — Sony PS-6750 (1975–1977) direct-drive turntable with SBMC chassis, carbon fiber arm, and 0.03% wow/flutter — a serious 1970s analog machine
• PS B80 — A fully automatic direct-drive turntable featuring Sony's pioneering Biotracer electronic tonearm system. Find the complete spec table here.
• PS FL1 — Sony PS-FL1 (1982) front-loading turntable with full automation, 0.03% wow/flutter, and opto-electronic disc detection — a mechanical marvel with cult appeal.
• PS LX350H — A belt-drive stereo turntable system released by Sony in 1999, featuring a die-cast aluminum platter and S-shaped tonearm.
• PS LX5 — A fully automatic quartz-locked direct-drive turntable from Sony’s early 1980s lineup. This page has full specifications and production years.
• PS LX55 — A direct-drive, full-auto turntable with linear tracking and quartz-locked speed control, made in Japan. Covers full specifications and production years.
• PS P7X — A direct-drive auto return turntable from Sony’s Precise series, introduced in 1978 with precision speed control and a compact, user-friendly design.
• PS V700 — A full-automatic turntable with built-in phono equalizer amplifier, designed for LP and EP playback. Covers detailed specs and production dates.
• ps-12 (1970-1972) — The Sony PS-1200 (c.1968) was a servomatic turntable with SMD auto-return, DC servo motor, and precision tonearm—Sony's quiet revolution in vinyl playback.
• ps-23 (1978-1980) — Sony PS-2350 (1977) turntable: 7.7kg, belt-drive, 0.06% wow flutter, SH-135/XL-15 cartridge. A solid, automated analog system from Sony's analog era.
• ps-2300 (1972-1974) — The Sony PS-2300 (1972–1974) is a belt-drive audiophile turntable with 0.07% wow/flutter, 31 cm die-cast platter, and precision tonearm.
• ps-2310 (1974-1976) — Sony PS-2310 (1974-1976) belt-drive turntable with 4-pole motor, 0.07% wow/flutter, and fully adjustable tone arm — a precise, no-frills workhorse.
• ps-2350 (1976-1978) — The Sony PS-2350 (1975–1976) is a mid-range belt-drive turntable with floating chassis, low wow/flutter, and precise S-shaped tonearm—still respected for its engineering.
• ps-24 — Sony PS-242 (1980–1982) direct drive turntable with BSL motor, 0.025% wow/flutter, and full-arm adjustability — compact, precise, and built to last
• ps-2410 (1973-1976) — Semi-automatic operation, belt drive, servo-controlled DC motor, anti-skate adjustment, cueing lever, strobe markings, S-shaped tonearm.
• ps-25 (1980-1982) — The Sony PS-25 is a direct drive automatic turntable. Minimal specs survive, but owner reports suggest reliable, hands-free playback.
• ps-2500 (1977-1979) — The Sony PS-2500 (1971–1976) was a precision direct-drive turntable with servo-controlled speed, 0.04% wow/flutter, and a robust TTS-2500 motor.
• ps-2510 (1972-1974) — The Sony PS-2510 (1973–1974) is a direct-drive turntable from Sony's golden era, known for its die-cast construction, AC servo motor.
• ps-3700 (1980-1982) — The Sony PS-3700 is a precision direct-drive turntable with lab-grade speed stability, featuring a slotless motor and Magnedisk servo system from 1980.
• ps-3750 (1978-1980) — Direct drive motor, servo-controlled speed regulation, automatic return and shutoff, pitch control, S-shaped tonearm, anti-skate adjustment, cueing lever.
• ps-4300 (1978-1980) — Sony PS-4300 (1976-1979) — 10kg direct-drive full-auto turntable with Magne-disk servo, 0.03% wow/flutter, SBMC cabinet.
• ps-4350 (1978-1980) — Sony PS-4350 (1974) turntable with SBMC plinth, 0.06% wow flutter, and DC servo motor — a precision Japanese deck built for stability.
• ps-5100 (1976-1978) — The Sony PS-5100 (1973–1976) is a precision belt-drive turntable with a die-cast platter, low-wow motor, and refined PUA-305 tonearm—quiet engineering that aged gracefully.
• ps-5170 (1978-1980) — The Sony PS-5170 (1974) is a belt-drive turntable with semi-auto operation, 4-pole motor, and IM-type cartridge. Specs, features, and stylus pricing.
• ps-5190 (1979-1981) — The Sony PS-5190 (1974) is a semi-automatic belt-drive turntable with a 4-pole motor, VM-21G cartridge, and Lawrence Oak finish—modest but well-engineered.
• ps-5550 (1978-1980) — The Sony PS-5550 (1976) is a rare export-only belt-drive turntable with DC-servo motor, 0.025% wow & flutter, and auto-return.
• ps-8750 (1981-1983) — Sony PS-8750 (1975–1978) — 14.2kg direct-drive turntable with crystal lock servo, 0.025% wow/flutter, and carbon fiber tonearm.
• ps-fl3mc (1983-1985) — Sony PS-FL3MC (1983-1985) — 10.2kg fully automatic direct drive turntable with linear skating mechanism, Magnedisk servo, and high-output MC cartridge.
• ps-fl77 (1983-1985) — Linear tracking turntable, direct drive motor, P-MOS FET servo control, automatic record size detection, fully automatic operation.
• ps-lx2 (1980-1982) — Direct drive motor, semi-automatic operation, pitch control, strobe speed indicator, S-shaped tonearm, magnetic cartridge, anti-skate adjustment.
• ps-lx22 (1982-1984) — Direct drive motor, automatic operation, pitch control, strobe markings, magnetic cartridge, servo-controlled tonearm return.
• PS-LX250 — A budget turntable from Sony, noted for its simplicity and use of a fixed cartridge with proprietary stylus. Includes recent sold prices.
• PS-LX250H — A fully automatic belt-drive turntable system with built-in phono preamp, designed for easy vinyl playback with modern audio systems.
• ps-lx3 (1980-1982) — Direct drive motor, automatic operation, pitch control, strobe markings, magnetic cartridge, cueing lever, anti-skate adjustment, dust cover.
• ps-lx5r (1983-1985) — The Sony PS-LX5R (1981) is a quartz-locked direct-drive turntable with 0.02% wow & flutter and optional remote control. Specs, design, and rarity.
• ps-lx7 (1980-1982) — Direct drive motor, quartz-locked PLL servo control, fully automatic operation, pitch control, anti-skate adjustment, strobe markings, dust cover.
• ps-q7 (1981-1983) — Linear tracking turntable, direct drive motor, automatic operation, P-Mount (T4P) cartridge system, quartz-locked speed control.
• ps-v800 (1981-1983) — The Sony PS-V800 (1998) is a full-auto belt-drive turntable with built-in phono EQ, known for simplicity and solid mid-tier sound.
• ps-x2 (1976-1978) — Direct drive motor, Biotracer linear tracking tonearm, servo-controlled feedback system, quartz-locked speed control, automatic operation.
• ps-x3 (1978-1980) — Direct drive motor, Biotracer tonearm with servo-controlled damping, quartz-locked speed control, automatic functions, servo-controlled vertical tracking angle.
• ps-x30a (1979-1982) — Direct drive motor, linear tracking tonearm, servo-controlled operation, automatic functions, quartz-locked speed control, pitch control.
• ps-x33 (1978-1980) — Direct drive motor, servo-controlled tonearm, automatic operation, quartz-locked speed control, pitch control, strobe indicator, dust cover.
• ps-x40 (1979-1981) — Direct drive motor, fully automatic operation, servo-controlled tonearm, electronic speed control, quartz-locked pitch control, anti-skate adjustment.
• ps-x45 (1979-1981) — Direct drive, servo-controlled motor, electronic speed control, automatic tonearm lift, single-play with auto-return, pitch control, anti-skate adjustment.
• ps-x50 (1978-1980) — Direct drive motor, Biotracer tonearm with servo-controlled electronic damping, quartz-locked speed control, fully automatic operation, pitch control.
• ps-x500 (1980-1982) — Direct drive, linear tracking tonearm, servo-controlled bi-directional motor, quartz-locked speed control, automatic operation.
• ps-x555es (1983-1985) — Direct drive with quartz-locked PLL servo, biotracer linear tracking tonearm, automatic functions, servo-controlled record size detection.
• ps-x55s (1981-1983) — Sony PS-X55S (1980-1981) — 8kg full-auto direct-drive turntable with quartz lock speed control, straight tonearm, and 0.02% wow & flutter.
• ps-x6 (1978-1981) — Direct drive motor, Biotracer linear tracking tonearm with servo feedback, automatic operation, quartz-locked speed control, vacuum platter hold-down system.
• ps-x60 (1979-1981) — Direct drive motor, servo-controlled tonearm, automatic functions, quartz-locked speed control, Biotracer tonearm technology (later models), pitch control.
• ps-x600 (1980-1983) — Sony PS-X600 (1980–1983) — quartz-locked direct-drive turntable with Biotracer servo arm, 8.5 kg, 0.015% wow and flutter.
• ps-x600mc (1981-1983) — Sony PS-X600MC (1981-1983) — 8.5kg quartz-locked turntable with Biotracer arm and MC cartridge. Precision automation meets high-end audio.
• ps-x65 (1980-1982) — Direct drive, servo-controlled tonearm, automatic functions, quartz-locked speed control, linear tracking, electronic sensors, anti-skate adjustment.
• ps-x70 (1978-1981) — Direct drive, Biotracer linear tracking tonearm, microprocessor control, servo-controlled tonearm movement, quartz-locked speed control, automatic functions.
• ps-x700 (1981-1983) — Direct drive, Biotracer linear tracking tonearm, servo-controlled electronic damping, quartz-locked speed control, automatic functions, vacuum platter.
• ps-x75 (1982-1984) — Sony PS-X75 BIOTRACER turntable (1982-1984). Little is documented; eBay values range from $20 to over $1,400.
• pse-2500 (1977-1979) — Sony PSE-2500 (1972) armless turntable system with 31cm platter, direct drive, and Micro Seiki tonearm — a precise, modular relic from Sony's early hi-fi era.
• PSX-800 — Sony PSX-800 turntable, reviewed in Audio (Dec 1981) as an unusually sophisticated design with Biotracer arm. Little else is documented.

Unknown

• 10 — Sony 10 — a scarce designation with no confirmed specs or production years, most likely an obscure model or a regional variant.
• 124 — Sony 124 portable stereo cassette recorder (1969-1970). Little-documented model from Superscope era; known weight and price.
• 1600 — Sony PCM-1600 digital audio recorder (c.1979–1981). Early professional PCM mastering system using U-matic videotape. Dynamic range >90dB, THD <0.05%.
• 1610 — Sony PCM-1610 professional 2-channel digital audio processor. 16-bit linear, 44.056/44.1 kHz, >90 dB dynamic range, Cross Word error correction. Used with 1-inch VTRs for mastering.
• 200 — Sony 200 (circa 1964): a little-documented portable recorder line; period trade listing notes the 200A with built-in speakers at under $170.
• 2010 — Sony 2010 audio component, little documented. One period test report from Audio-Collection measured 100W into 8 ohms vs rated 65W.
• 230W — Sony 230W (circa 1967-1969) solid‑state 4‑track stereo tape recorder, walnut “Stereo Consolette.” Little documented; known from period ads in Audio and Studio Sound.
• 250-A — Sony 250-A (TC-250A) mid-1960s solid-state stereo tape deck — 4-track, built-in amp, under $149.50. Reviewed in HiFI-Stereo and Audio.
• 262 — Sony 262-D stereo tape deck, circa 1962–1964. A 4/2-track transport for existing hi-fi systems, $89.50 in period Sony ads.
• 262-D — Sony 262-D open-frame 4 & 2 track stereo tape deck, $89.50 in 1962 Audio ads, paired with the optional SRA-2 tube recording amp.
• 3200F — Sony 3200F power amplifier (TA-3200F), circa 1970. Direct-coupled 200W RMS design paired with TA-2000 preamp. Known only from period ads.
• 350 — Sony 350 mid‑1960s solid‑state stereo tape deck. Little documented; known from ads in Audio and High Fidelity. Three‑head design, dual VU meters.
• 37A — Sony 37A (C-37A): Sony's first condenser microphone, c. 1955. Variable cardioid/omni, 20–18k c.p.s., $295 in 1961. Thin record.
• 37P — Sony 37P (C-37P) — professional variable-directivity condenser studio microphone announced in 1971; FET amp gave 130 dB dynamic range.
• 5000FW — Sony ST-5000FW FM stereo tuner from the late 1960s, known for its solid-state i.f. filter and claimed 90dB+ selectivity. Little else is documented.
• 560 — Sony 560 reel-to-reel tape recorder, circa 1967–1968. Solid-state four-track stereo with ESP auto-reverse, built-in amplifier.
• 600 — Sony 600, a little-documented dual-speed four-track stereo/mono tape recorder deck from ca. 1964, priced at $449.95 with two F-87 microphones.
• 6040 — Sony 6040 FM stereo/FM-AM receiver, circa 1969-1970. 30 watts per channel, solid-state i.f. filters, 70 dB selectivity. A little-documented model.
• 610ES — Sony CDP-610ES: an ES-series CD player (c.1984). Period reviews measured very low IM distortion and called it a slight sonic upgrade over the CDP-101.
• 6200 — Sony 6200 receiver, circa 1971-1972. Little-documented high-end FM model known only from period advertisements in High Fidelity and HiFI/Stereo magazines.
• 630 — Sony TC-630 — a compact stereo tape deck with built-in amplifier and speakers, marketed 1969-1970. Known from period ads and a UK price of £199 in Studio Sound.
• 630-D — Sony 630-D three-head reel-to-reel (1969–71), under $299.50, 20 Hz–22 kHz at 7½ ips, 0.09% wow and flutter — a working-class deck with pro features.
• 650 — Sony TC-650 reel-to-reel tape deck (1972–1976). Three-motor, three-head transport with ferrite heads, 10.5-inch reels, 7½ ips.
• 701-ES — Sony PCM-701ES EIAJ digital processor — the F1's pro sibling, with the infamous 22µs first-batch delay error.
• 7065 — Sony STR-7065 – 1970s receiver, 60W/ch RMS, direct-coupled output, illuminated function indicator. -- 118 chars. Find when it was made here.
• C-500 — Sony C-500 studio condenser microphone — period ads claimed 130 dB dynamic range and 48V phantom powering. Thin documentation, active promotion 1970–1971.
• CDR-W33 — Sony CDR-W33 pro CD recorder: 24-bit converters, Super Bit Mapping, 3-band EQ and limiter on analog inputs, CD-TEXT. $799 list.
• CDR-W66 — Sony CDR-W66 (2000) professional CD recorder — balanced XLR and AES/EBU I/O, 24-bit converters, Super Bit Mapping, DSP EQ and limiter.
• EL-5 — Sony EL-5 Elcaset tape deck (1976–1978), a three-motor three-head ES series deck from Sony's failed Elcaset format. Find production dates here.
• F-98 — Sony F-98 — an obscure late-1960s Sony reel-to-reel recorder known only from a 1969 HiFI-Stereo listing with detachable speakers and F-98 mics.
• L-750 — Sony L-750 Beta videocassette, 180-minute length in Sony's L-series tape line, documented mainly through 1981 and 1989 period listings.
• MX-650 — Sony MX-650 six-into-two portable mixer with mic/line/phono inputs, twin illuminated VUs, oscillator. A budget pro-audio workhorse of the late 1970s.
• N-900 — Sony N-900: a little-documented early-1980s power amplifier, known mainly from an Audio (June 1983, p.65) bench test. Exact model designation unconfirmed.
• Sterecorder 300-A — Sony Sterecorder 300-A (c.1961–1963): $399.50 portable 4 & 2 track stereo tape system, Sony's top-of-line consumer recorder of the early Superscope era.
• Sterecorder 777-S — Sony Sterecorder 777-S (c.1961–64): all-transistor 2/4-track pro reel-to-reel, $595–$695, Electro Bi-Lateral head, three motors, solenoid remote.
• X-800 — Sony X-800 — 32-track digital multitrack on one-inch tape, the machine Mitsubishi sold to World Class Studios during the DASH format war.
• XR-100 — Sony XR-100 car stereo tuner/cassette deck (c. 1983–84), with FM diversity reception, Dolby B, auto reverse, and a $650 list price.
• XS-102 — Sony XS-102 (c. 1984) — an obscure Sony car-audio speaker known from a single 1984 price-list listing at $44.9x. Little else is documented.

Other Models

• 252-D — Sony 252-D four-track stereo reel-to-reel, a two-speed 9.5/4.75 cm/s deck sold at $134.95 and praised for sound-with-sound and one-hand threading.
• 262 SL — Sony 262 SL sound-on-sound reel-to-reel, $199.50 in 1960, four-track stereo playback, under 0.15% wow at 7½ ips. A teaching deck with a cult following.
• AC-148A — Sony AC-148A phantom power supply — 49 V.D.C. ±1V, two built-in mic connectors, up to ten more via adaptors. The $99.95 box that powered Sony's C-37P and C-500 condensers.
• APM 10 — A bookshelf-type 2-way loudspeaker system from Sony's Elevated Standard (ES) series, featuring magnetic shielding and an Advanced Polymer Matrix bass
• APM 100AV — A compact, magnetically shielded 2-way bookshelf speaker system from Sony with wall-mount capability. Find detailed specs and production dates here.
• APM 22 — Sony APM-22ESAV (1986) bookshelf speakers feature planar drivers, 38Hz-30kHz response, and anti-magnetic design — a technical marvel with known crossover issues.
• APM 33W — A bookshelf speaker system from Sony using flat diaphragm drivers in a bass reflex enclosure. Covers detailed specs and production dates.
• APM 4 — A high-end 3-way bass reflex loudspeaker in Sony’s ESPRIT series, produced from 1982 to 1987. Covers full specifications and production years.
• APM 500 — A compact bookshelf loudspeaker from Sony’s APM series, featuring planar drivers with aluminum honeycomb diaphragms. With full specifications.
• APM 550AV — A compact bookshelf speaker system from Sony, designed for high-fidelity audio with anti-magnetic construction and built-in protection circuitry.
• APM 6 — A high-end bookshelf monitor speaker from Sony’s Esprit line, engineered for precision audio reproduction with advanced APM driver technology.
• APM 700 — A compact bookshelf loudspeaker system from Sony’s APM series, featuring planar drivers with aluminum honeycomb diaphragms and a bass-reflex enclosure.
• APM 707AV — Sony APM 707AV speaker (1980s) features 30 cm square APM drivers, 6 ohm impedance, and 35 Hz–30 kHz response—radical design meets vintage audio precision.
• APM 750AV — A mid-range, AV-compatible bookshelf speaker from Sony's APM series, featuring flat diaphragm drivers and a passive radiator for extended bass.
• apm-2 (1981-1984) — The Sony APM-2 uses rare square planar magnetic drivers in a foam-filled cabinet—what little we know makes it a mystery worth chasing.
• apm-20av (1980s) — Sony APM-20AV (1980s) bookshelf speakers with APM plane woofer, SUD tweeter, magnetic shielding, and AV/PAS switch — a unique TV-friendly design from Sony's vintage audio era.
• apm-22es (1984-1986) — Flat square diaphragm drivers, honeycomb core construction, bi-wire capable terminals, non-parallel cabinet walls to reduce standing waves, magnetic shielding.
• apm-3 (1981-1983) — The Sony APM-33W (1982) uses flat honeycomb diaphragms for ultra-low distortion. Specs, history, and collector pricing for this ES-series oddity.
• apm-55w (1980s (exact years uncertain)) — Sony APM-55W (1983–1985) bookshelf speakers feature flat diaphragm drivers, 31Hz–30kHz response, and aerospace-grade honeycomb construction — a rare.
• apm-66es (1983-1985) — Sony APM-66ES (1986) bookshelf speakers with 28Hz–45kHz response, APM plane drivers, and A.R.E. enclosure — a cult classic with foam aging issues.
• apm-8 (1982-1984) — Square planar magnetic drivers, honeycomb aluminum diaphragm, bi-wire capable terminals, massive 40kg weight per speaker, advanced crossover network.
• apm-910av (1980s (exact years uncertain)) — APM (Advanced Polymer Matrix) flat diaphragm drivers, square woofer design, bi-wire capable terminals, rigid cabinet construction, ferrofluid-cooled tweeters.
• APR-24 — Sony APR-24: a 400 lb, 1200W professional 24-track two-inch analog recorder with video/LTC/VITC sync and a 10m remote cable.
• APR-5000 — Sony APR-5000 two-track analog recorder (1985) — 16-bit microprocessor alignment, time code recovery, VU metering to +4 dBu.
• APR-5001 — Sony APR-5001 — 1/4-inch full-track mono tape machine in the APR-5000 Series, MCI-derived transport, documented EXT SRC flutter fix.
• APR-5002 — Sony APR-5002 professional 2-track reel-to-reel — modular 1/4- and 1/2-inch heads, built-in SMPTE/EBU sync. A working mastering deck.
• APR-5003 — Sony APR-5003 — top of the APR 5000 two-track reel-to-reel line, with time-code sync standard, LTC-locked serial upgrade, and BVE editor control.
• APR-5003V — Sony APR-5003V — the APR-5000 reel-to-reel variant built for video post, with 9-pin editor control and chase-lock sync.
• BVE-800 — Sony BVE-800 U-matic edit controller — 128-event memory, three-VTR control, time code or CTL editing, BVS-500 switcher logic.
• BVE-900 — Sony BVE-900 edit controller — the chase-lock synchroniser and 80-bit offset editor that Sony's APR-5003V and third-party audio gear were built to obey.
• BVH-1100 — Sony BVH-1100 — the one-inch Type C VTR that anchored 1980s audio-for-video post suites, per Mix trade listings.
• BVH-2000 — Sony BVH-2000 one-inch Type C VTR — the broadcast workhorse Dolby and ANT built custom audio cards for.
• BVT-800 — Sony BVT-800 broadcast digital timebase corrector for U-matic — pushed BVU-820 shuttle to 40x viewable. Period edit-suite infrastructure.
• BVU-800 — Sony BVU-800 3/4-inch U-matic VTR — the broadcast workhorse that locked picture to multitrack in audio studios for 15 years.
• BVU-820 — Sony BVU-820 U-Matic VTR — the workhorse ¾-inch deck of 1980s broadcast edit suites, documented in Mix, NFL Films, and NBC facilities.
• BVU-850 — Sony BVU-850 U-matic 3/4-inch SP editing VTR — documented in pro post facilities from 1987-1997; no verified specs or years.
• BVU-950 — Sony BVU-950 3/4-inch U-matic VCR with time-code option — the SP-generation edit-bay standard found in post houses and TV studios through the early '90s.
• C-100 — Sony C-100 — model identity unconfirmed in the archive. Period sources mention a Sony mic (Pro-Sound, 2018) and a cassette length, but no verified specs exist.
• C-107 — Sony C-107, an early-1960s Sony condenser microphone documented in a 1979 vintage-gear survey — scarce, thinly documented, and a restoration gamble.
• C-17B — Sony C-17B: a tiny fixed-cardioid tube condenser, 30 Hz–20 kHz ±3 dB, 6DH3 tube, CP-3 supply. The small Sony tube mic that isn't a C-37A.
• C-37P — Sony C-37P variable-directivity studio condenser (1971): 130 dB dynamic range, 154 dB max SPL, 30 Hz–16 kHz, phantom power via AC-148A.
• C-800 — Sony C-800 tube condenser — C-37A capsule lineage, mechanical pattern switching, favored on sax and piano.
• C-800G — Sony C-800G tube condenser — 6AU6A tube, Peltier cooling, 20Hz–18kHz, under 18dBSPL self-noise. A specialist vocal mic with a proprietary power supply.
• CDP — Sony CDP CD players — CONTROL A1 system-link models named, period Audio measurements from 1985–87, and the CDP-101 ad campaign. Model-level attribution remains unresolved.
• CDP-101 — Sony CDP-101 — the first consumer Compact Disc player. 16-bit/44.1kHz, 5Hz–20kHz ±0.5dB, >90dB S/N, laser optical readout. The machine that launched the CD era.
• CDP-302 — Sony CDP-302 CD player — Unilinear single-clock converter, linear motor tracking, Remote Commander. A second-gen Sony CD deck that turned up in pro studios.
• CDP-307ESD — Sony CDP-307ESD CD player — 780nm laser, 16-bit/44.1kHz, >104dB S/N, variable + coaxial digital outs. Service-manual specs and regional variants.
• CDP-620ES — Sony CDP-620ES (1985): the $950 ES CD player that matched the $1,300 flagship's sound, minus the digital output — and added a headphone jack.
• CDP-705ESD — Sony CDP-705ESD CD player — 4x oversampling, dual 16-bit DACs, 106 dB S/N, and a tracking servo Leonard Feldman called remarkable.
• CDP-707ESD — Sony CDP-707ESD (1988): 18-bit, 8x-oversampling flagship CD player, 39.6 lbs., 115 dB S/N, $1,800 new.
• CDP-CA80ES — Sony CDP-CA80ES CD player — documented CONTROL A1 compatibility with Sony MD decks and MDS-PC1 software; specs and production year unconfirmed.
• CDP-CX220 — Sony CDP-CX220 CD player — documented mainly as a CONTROL A1-compatible deck for Sony MD Editor drag-and-drop recording. Specs and years unconfirmed.
• CDP-CX57 — Sony CDP-CX57 — a CONTROL A1-compatible CD changer built to pair with Sony MD decks and computer editing software. System-integration piece, thin standalone specs.
• CDP-XE400 — Sony CDP-XE400: $160 budget single-play CD player, 8x oversampling CXD8567AM converter, all-metal chassis, no remote or digital out.
• CMT-C7NT — Sony CMT-C7NT mini system: CD, RDS tuner, Type-R NetMD recorder, SA-C7 speakers, MDLP. A compact MiniDisc-era desktop stereo worth hunting down.
• CMT-M333NT — Sony CMT-M333NT bookshelf system — CD, MDLP MiniDisc, cassette and tuner in one 160mm chassis, with 25+25W and USB Net MD support.
• D-202 — Sony D-202 Discman — service documentation survives, specs don't. CXA1497AN-based portable CD player with 4.5V DC input.
• D-555 — Sony D-555 Discman: the $450 portable CD player with five-band digital EQ, surround, and compression. Reviewed by Audio in 1991.
• D-808 — Sony D-808 portable CD player — service-manual documented, regional variants, rotary-encoder controls. Sparse record, honest entry.
• DAS-702ES — Sony DAS-702ES (1992-1994) — outboard ES Series D/A converter companion to the CDP-701ES, using eight SM5864AP DACs in dual differential configuration.
• DPS-V77 — Sony DPS-V77 single-rack digital multi-effects processor with dual 50-effect blocks and 0-10 second morphing between effects.
• DR-3C — Sony DR-3C high-impedance stereo headset — the TC530's binaural monitor companion, catalogued at 16 ohms but listed at 10k ohms in deck specs.
• DTC-1000 — Sony DTC-1000 DAT deck — the pro mastering standard, £3,749 new, modifiable to 44.1kHz. A working tool, not a shelf queen.
• DTC-1000ES — Sony DTC-1000ES — the consumer DAT deck studios adopted as a mastering standard, since Sony's pro PCM-2500 was essentially the same machine with XLRs.
• DTC-75ES — Sony DTC-75ES DAT deck (1990): ES-line digital tape recorder at $950, 48/44.1/32 kHz, long-play mode, HDLC converters.
• DTC-A7 — Sony DTC-A7 rack-mount DAT deck — one-bit A/D, HDLC D/A, 32/44.1/48kHz analog recording, under $1000 at launch.
• ECM-150 — Sony ECM-150 omni condenser — Sony's tiniest Back Electret mike, smaller than a dime in circumference, used in studios through the early 1980s.
• ECM-22P — Sony ECM-22P electret condenser mic — crisp on drums, clean top end, used on TV and touring rigs through the 1970s.
• ECM-33F — Sony ECM-33F — uni-directional Back Electret condenser pitched for instruments, $165 in 1978. Flat response claims, home-studio pedigree.
• ECM-33P — Sony ECM-33P electret condenser — a late-'70s studio workhorse documented in 1979 and 1992 Mix session rosters, though factory specs remain unrecorded.
• ECM-377 — Sony ECM-377 cardioid condenser mic — 20 Hz–20 kHz, 140 dB max SPL, $195 in the early 1970s. A working-studio classic with a battery-corrosion caveat.
• ECM-44 — Sony ECM-44 omnidirectional lavalier condenser with 8.5mm capsule — a broadcast workhorse adopted in wireless and ENG kits.
• ECM-50 — Sony ECM-50, the electret condenser lavalier Sony calls the world's first — small enough to vanish on a lapel, still on pro stages into the late 1980s.
• ECM-51 — Sony ECM-51 telescopic electret condenser mic — 50 Hz–16 kHz, $195 original, a broadcast interview wand from Sony's late-'60s professional line.
• ECM-55 — Sony ECM-55 omni electret lavalier — successor to the ECM-50, 30 Hz–18 kHz, AA or 12–48 V phantom, 7/16-inch head.
• ECM-56F — Sony ECM-56F — unidirectional back-electret condenser mic with 8 dB pad, bass roll-off, and battery or phantom power. Reviewed by Audio, 1979.
• ECM-77 — Sony ECM-77 omni lavalier — 5.6mm, 1.5 grams, 40Hz–20kHz. The tiny broadcast lav that vanished on talent and stayed in production kits for decades.
• ECM-88 — Sony ECM-88 subminiature omnidirectional electret lavalier — dual-diaphragm capsule, 20 Hz–20 kHz, $440 at launch. A broadcast workhorse.
• HCD-MD333 — Sony HCD-MD333 (1999) — the CD/MD/tuner/amp heart of the DHC-MD333 micro system, 20 W/ch into 6 ohms, four formats in a 5.5 kg box.
• HIL-C2EX — Sony HIL-C2EX — a rare Japanese-market Hi-Vision MUSE LaserDisc player from circa 1996, ¥298,000, with 650-line resolution on Hi-Vision discs and Advanced PULSE audio.
• JB940 — Sony MDS-JB940 MiniDisc recorder: budget full-size deck, 5–20,000 Hz ±0.3 dB, S/N over 100 dB, tested by Hi-Fi World in Jan 2001.
• JBL — No product called Sony JBL exists — Sony and JBL were separate makers. What the phrase usually means, and how to spot a mislabeled listing.
• JE470 — Sony MDS-JE470 MiniDisc deck from the late 1990s — ATRAC Type-R, MDLP, optical digital input, 96dB S/N. A reliable workhorse with a known eject-mechanism weak spot.
• JE770 — Sony MDS-JE770 (2001) MiniDisc deck — MDLP, ATRAC Type-R, 99-group titling, keyboard input, CONTROL A1II. A late-era MD recorder built in Japan.
• LC-90-FECR — Sony LC-90 FeCr — rare 90-minute Type-II Elcaset blank tape, 263m FeCr dual-layer stock. Period price $11; sealed tapes now ask $60.
• MDR-24 — Sony MDR-24 — a 32Ω open-back headphone praised in a 2003 Audio Express amp build as surprisingly good for a cheap item.
• MDS-E12 — Sony MDS-E12 (2001) — 1U pro MiniDisc recorder with balanced XLR I/O, RS-232C, relay bus, ATRAC type R. The analog-plant sibling of the MDS-E10.
• MDS-J 3000 ES — Sony MDS-J3000ES MiniDisc recorder from the ES line — scarce specs, surviving factory service manual, scattered secondhand prices.
• MDS-J3000 — Sony MDS-J3000 (1996): ¥77,000 MiniDisc deck with ES-series current pulse DAC, 20-bit A/D, R-core transformer, and 2-second time machine recording.
• MDS-JA20ES — Sony MDS-JA20ES MiniDisc deck — ES-line Type-R ATRAC, R-Core transformer, 5 Hz–20 kHz ±0.3 dB, 102 dB SNR. Gold-face collectible.
• MDS-JA333ES — Sony MDS-JA333ES (2000): a 10.5 kg MiniDisc deck with Type-R ATRAC, 24-bit S-TACT DAC, and R-core transformer at ¥100,000.
• MDS-JA3ES — Sony MDS-JA3ES ES-grade MiniDisc deck: MDM-2CR mechanism, KMS-210A pickup, praised by Audio (Dec 1995) for revised encoding and flexible digital inputs.
• MDS-JA555ES — Sony MDS-JA555ES MiniDisc deck — 15.3 kg ES build, 5 Hz–20 kHz ±0.3 dB, dual optical digital inputs, 105 dB+ S/N.
• MDS-JB920 — Sony MDS-JB920 MiniDisc deck — 5–20,000 Hz ±0.3 dB, over 100 dB S/N, and fine pitch control from −98.5% to +12.5%.
• MDS-JB930 — Sony MDS-JB930 MiniDisc deck — 5.2 kg, dual optical inputs, coaxial digital I/O, self-diagnosis error codes. A well-documented MD recorder.
• MDS-JB940 — Sony MDS-JB940 (2001) MiniDisc deck — Type-R ATRAC, MDLP, Scale Factor Edit, pitch control. The cult-favorite mid-tier MD recorder collectors still hunt.
• MDS-JB980 — Sony MDS-JB980 (2002): the first ATRAC Type-S MiniDisc deck, with NetMD, MDLP, PS/2 keyboard input, and a toroidal transformer.
• MDS-JE320 — Sony MDS-JE320 MiniDisc deck — 5 Hz–20 kHz ±0.3 dB, >96 dB S/N, MDM-3GC mechanism, self-diagnosis display. A serious little digital recorder.
• MDS-JE330 — Sony MDS-JE330 MiniDisc deck — MDM-5A transport, 5 Hz–20 kHz ±0.3 dB, 94 dB SNR, serviceable and quietly collectible.
• MDS-JE440 — Sony MDS-JE440 MiniDisc deck — $250 entry-level component from 2001, 5 Hz–20 kHz ±0.3 dB, ATRAC 3, full MD editing suite.
• MDS-JE470 — Sony MDS-JE470 MiniDisc deck (c. 2001): ATRAC Type-R, MDLP, Scale Factor edit, 96dB SNR. No optical digital out, no pitch or timer recording.
• MDS-JE480 — Sony MDS-JE480 (2002–2009): the £120 entry-level MiniDisc deck with ATRAC Type-S, MDLP, and a 1-Bit DAC. A user's machine, not a collector's.
• MDS-JE500 — Sony MDS-JE500 MiniDisc recorder (1996–2001): ATRAC deck with jog-dial editing, 48→44.1 kHz sample-rate conversion, and 1700-character disc titling.
• MDS-JE510 — Sony MDS-JE510 MiniDisc deck — $299 in 1997, ATRAC, 5Hz–20kHz, 96dB S/N, and a known loading-switch fault. The honest workhorse of early MD.
• MDS-JE520 — Sony MDS-JE520 MiniDisc deck: ATRAC codec, 96dB SNR, optical/coaxial digital inputs, 18W draw. A capable home recorder from the format's late-90s push.
• MDS-JE640 — Sony MDS-JE640 MiniDisc deck: over 98 dB S/N, 5–20,000 Hz ±0.3 dB, headphone out and CONTROL A1II the JE440 lacked.
• MDS-JE700 — Sony MDS-JE700 MiniDisc deck — 5–20kHz ±0.3dB, >100dB S/N, dual optical inputs, CONTROL A1 sync. Mid-range 1990s MD recorder.
• MDS-JE770 — Sony MDS-JE770 MiniDisc deck (2001): MDLP, ATRAC Type-R, Group Function, PS/2 keyboard input, 3.1 kg. A feature-loaded late-format MD recorder.
• MDS-JE780 — Sony MDS-JE780 (2002) NetMD MiniDisc deck — USB, PS/2 keyboard input, ATRAC Type-S, 1-bit hybrid-pulse DAC. A capable late-era MD recorder.
• MDS-NT1 — Sony MDS-NT1 (2001): Sony's first NetMD deck, a 1.0 kg PC-connectable MiniDisc recorder with no line input and ATRAC Type-R.
• MDS-PC1 — Sony MDS-PC1 MiniDisc deck — a late-90s recorder built to be driven from a Windows 95 PC via MD Editor software, with drag-and-drop CD-to-MD recording from select Sony players.
• MDS-PC3 — Sony MDS-PC3 (2000): a 152mm-wide Type-R MiniDisc deck with the PCLK-MN10 USB PC Link kit, MDLP, and 24-bit A/D.
• MDS-S50 — Sony MDS-S50 (2001) MiniDisc deck — ATRAC 3, 5 Hz–20 kHz ±0.3 dB, MDM-7A mechanism, region-variable digital I/O. A serviceable, unglamorous MD recorder.
• MDX-C7900 — Sony MDX-C7900 car MD/AM-FM head unit (1998, $450) with CD changer control, Rotary Commander remote, and detachable faceplate.
• MDX-C7900R — Sony MDX-C7900R: a 1-DIN car MiniDisc head unit with FM/MW/LW tuner, face-off panel, and RM-X4S Rotary Commander. The late-'90s MDX core.
• Model 230 — Sony Model 230 (1967–68): a portable 4-track stereo tape system with lid speakers and Stereo Control Center, sold with two F-45 mics for under $249.50.
• Model 260 — Sony Model 260 (1965–1967) — a $249.50 solid-state stereo reel-to-reel tape system with Radial Sound speakers built into a detachable split-lid.
• Model 530 — Sony Model 530 (1966–67) — solid-state stereo reel-to-reel, 40–15,000 cps, 20W, 4-track, under $399.50. A family-friendly Tapeway flagship.
• MODEL-155 — Sony Model 155 (1967–68): the $99.50 Copy Cat four-track playback/dubbing deck — three speeds, walnut base, built to dub tapes from your existing recorder.
• MODEL-350 — Sony Model 350 three-head solid-state stereo tape deck, mid-1960s. Under $199.50, 50-15,000 cps ±2dB, flutter under 0.15%.
• MODEL-355 — Sony Model 355 (1968–69): three-head, three-speed reel-to-reel under $230 with 20–22,000 Hz at 7½ ips and sound-on-sound.
• MODEL-770 — Sony MODEL-770 portable stereo tape deck — $750, NiCd battery power, ServoControl motor, 20 Hz–22 kHz at 7½ ips. Professional field recording in a carryable package.
• MODEL-850 — Sony Model 850 stereo reel-to-reel deck — 10½-inch reels, three speeds including 15 ips, APS program scanner, two- and quarter-track versions.
• MX 777 — Sony MX 777 six-channel all-transistor mixer for the Sterecorder 777 system — transformer-balanced Cannon inputs, $175 with case, circa 1962.
• MX510 — Sony MX510 five-channel portable stereo/mono mixer with variable pan, switchable filters and a.c./d.c. operation — a late-1970s pro-channel Sony.
• MXD-D3 — Sony MXD-D3 CD/MiniDisc combo deck — 5–20,000 Hz ±0.5 dB, 98 dB SNR, 780 nm lasers, 4.7 kg.
• MXD-D40 — Sony MXD-D40 CD player/MiniDisc recorder — 4x CD-to-MD dubbing, 20-bit A/D, MDLP, pitch control. A working tool, not an ES collectible.
• MXD-D5C (2000) — Sony MXD-D5C (2000) — 5-disc CD changer and MiniDisc recorder combo deck with 4x CD-to-MD dubbing, MDLP, and Type-R ATRAC.
• MZ-G750 — Sony MZ-G750 (2001) portable MiniDisc recorder with AM/FM radio — 118g, ATRAC3 LP2/LP4, optical in, 320 min stereo on MDW-80.
• MZ-G755 — Sony MZ-G755 (2002): MDLP MiniDisc Walkman with ATRAC Type-R, remote-mounted 40-preset AM/FM tuner, 144g, £165 street. No NetMD.
• MZ-N1 — Sony MZ-N1 (2001–2003): the first NetMD portable MD recorder. 90g magnesium body, 30x PC downloads, up to 110hr playback.
• MZ-R700 — Sony MZ-R700 (2001) portable MiniDisc recorder — 116g, ATRAC 4.5, MDLP, and EEPROM-hackable to MZ-R900 features.
• MZ-S1 — Sony MZ-S1 (2002) Sports portable NetMD MiniDisc recorder — $180, ATRAC SP/LP, on-device editing, line-in and headphone out.
• P-700 — Sony P-700 — identity unconfirmed. Archive sources contain no verified specs, years, or reviews for this designation; indexed P700-inch references belong to Marantz service boards.
• PCM-2300 — Sony PCM-2300 professional DAT recorder — two-motor transport, three sampling frequencies, $1590 original price. A studio workhorse with a known transport quirk.
• PCM-2600 — Sony PCM-2600 studio DAT — four-motor direct-drive transport, switchable Super Bit Mapping, +4dBm XLR and AES/EBU I/O, $1,795 at launch.
• PCM-2700 — Sony PCM-2700 professional DAT deck — four-head off-tape monitoring, 48/44.1/32kHz, $2985 list. The affordable pro DAT of the early '90s.
• PCM-2700A — Sony PCM-2700A professional DAT deck — four-motor read-while-write transport, copper-plated chassis, 18-bit Burr-Brown D/A, $3275 in 1995.
• PCM-3348 — Sony PCM-3348 — 48-channel DASH digital multitrack on quarter-inch tape, $240,000 at launch, TEC Award winner. The machine that put 48 digital tracks in pro studios.
• PCM-501ES — Sony PCM-501ES — the budget 14-bit digital audio processor that turned a home VCR into a studio mastering deck. Period ads listed it around $649.
• PCM-601 — Sony PCM-601 ESD PCM processor: analog-to-digital on VCR tape, digital out to DAT, $1,400 at launch. A hiss-killer with a tweeter-killing warning.
• PCM-7030 — Sony PCM-7030 professional timecode DAT — four heads, chase sync, read-modify-write editing. The mid-tier workhorse of Sony's PCM-7000 line.
• PCM-7040 — Sony PCM-7040 professional timecode DAT recorder — the fully-specified two-track deck studios specified as standard. Trade-press documented.
• PCM-7050 — Sony PCM-7050 — top of Sony's first pro DAT range, a four-head timecode recorder built for the RM-D7300 edit controller and 9-pin video editing.
• PCM-800 — Sony PCM-800: 8-track 16-bit digital on Hi8 tape, $5,995 list, XLR + AES/EBU I/O, SMPTE sync, up to 128 channels.
• PCM-F1 — Sony PCM-F1 16-bit PCM processor, ~$1,850 without transport; encoded digital audio to Betamax/VHS tape and became a studio staple despite an 11 µs channel delay.
• PCM-R300 — Sony PCM-R300 DAT deck — three sample rates, Super Bit Mapping, optical/coaxial digital I/O, rack-mount, ~$995/£799 in 1997-98. A scaled-down pro machine at a domestic price.
• PCM-R500 — Sony PCM-R500 professional DAT recorder — 4-motor direct drive, Super Bit Mapping, jog/shuttle. Sony's accessible pro deck from the DAT era.
• PCM-R700 — Sony PCM-R700 top-of-the-line non-timecode DAT recorder, $2,695 list, four-head confidence monitoring, four direct-drive motors, SBM, XLR/RCA/AES-EBU I/O.
• Portable 101 — Sony Portable 101 — a $99.50, two-speed, dual-track hi-fi tape recorder with 7-inch reel capacity, the entry point to Sony's early-1960s Sterecorder line.
• PR-150 — Sony PR-150 — 1.0 mil polyester recording tape on 7-, 5-, and 3¼-inch reels; the formulation Sony biased its own decks around, per period reviews.
• PS-10 — Sony PS-10 is an unverified model number — the PS-10 name belongs to a Carvin driver, not a confirmed Sony turntable. Read before buying.
• PS-2251 — Sony PS-2251 direct-drive turntable, early 1970s. −58 dB rumble, AC servo, ±4% pitch, wood base, spring suspension. Advertised at $349.50, later listed at $429.50.
• PS-3000 — Sony PS-3000/PS-3000A belt-drive turntable (c. 1966-1973) with servo-controlled motor and PUA-286 tonearm. Little documented under the exact PS-3000 designation.
• PS-5520 — Sony PS-5520 belt-drive automatic turntable (1972-73): hysteresis motor, 42 dB rumble, $159.50 complete with arm, walnut base, and dust cover.
• PUA-237 — Sony PUA-237 12-inch tonearm (1966), $85 list. Antiskate varies with radius, ±2° tracking error, damped cueing.
• PUA-286 — Sony PUA-286 16-inch transcription tonearm, $99.50 in 1966, judged equal to the SME 3012 by period testers.
• RM-65 — Sony RM-65 synchro remote — the $25 optional module that auto-started a Sony cassette deck when the turntable arm dropped. Scarce system-completeness accessory.
• RM-70 — Sony RM-70 wired remote control for the TC-V7 cassette deck — transport and AMS control, part of Sony's V7-series remote ecosystem.
• RM-D7300 — Sony RM-D7300 edit controller for PCM-7000 DAT system — 1 ms electronic editing, 0–300 ms crossfade, serial 9-pin control of PCM-7050/7030.
• SB-5335 — Sony SB-5335 — model designation unverified; the research record is contaminated with unrelated products sharing the number.
• SDP-505ES — Sony SDP-505ES (1986): the first consumer digital surround processor, with 44.1 kHz/16-bit delay, 14 W rear amp, and $700 launch price.
• SDP-777ES — Sony SDP-777ES — ES-series Dolby Pro-Logic surround processor, $850 at launch, 0.1–80 mS delays adjustable per channel.
• SDP-EP9ES — Sony SDP-EP9ES Dolby Digital decoder (1997), $750. RF demodulator plus four bitstream inputs, excellent DACs, 5.1 analog outs.
• SRA-2 — Sony SRA-2 — the $89.50 stereo recording amplifier sold as the optional companion to the Sony 262-D tape deck. A completionist's piece from the Superscope era.
• SRA-3 — Sony SRA-3 stereo tape preamplifier — modular record electronics with twin VU meters, adjustable for the 263D or 262D transports, sold for £33 12s.
• Sterecorder 300 — Sony Sterecorder 300 (1960–61): a $399.50 complete stereo reel-to-reel system with hysteresis-synchronous motor, built-in amps, mics and speakers in one portable case.
• Sterecorder 464-D — Sony Sterecorder 464-D: a $199.50 four-track stereo tape deck with built-in preamps, sound-on-sound, and two speeds, advertised 1961-63.
• Sterecorder 500 — Sony Sterecorder 500 — a 1963 four-track stereo tape system with lid-integrating speakers, two F-87 mics, and a $399.50 package price.
• STR-4800SD — Sony STR-4800SD receiver — 35 W/ch, $350 in 1976, the value entry in Sony's SD-series lineup alongside the 5800SD and 6800SD.
• STR-6060FW — Sony STR-6060FW — Sony's first receiver, 110W music power, $399.50 in 1968. Period reviews found it beat its own published specs.
• TA-1055 — Sony TA-1055 (1973): the budget integrated with honest 20+20W full-bandwidth rating, IC phono preamp, dual tape loops, and slide controls.
• TA-3120 — Sony TA-3120 solid-state stereo power amp, 120W IHF at 8 ohms, $249.50, the standalone half of the TA-1120 pair.
• TA-4300 — Sony TA-4300 (1971) compact stereo amplifier. Rated 20W+20W into 8 ohms, 0.1% THD, with dual phono inputs. Little-documented model; specs from Sony's design history archive.
• TA-5000 — Sony TA-5000 stereo amplifier, Japanese-made, 2x40W/8 ohms. Obscure model with thin documentation; only basic specs survive.
• TA-E9000ES — Sony TA-E9000ES A/V preamp — $1,700 flagship with three 32-bit DSPs, Dolby Digital/DTS/MPEG decoding, and a touchscreen remote.
• TA-F7 — Sony TA-F7 integrated amplifier — 70 W/ch into 8 ohms, 0.015% THD, 20.3 kg, AEP 220 V and UK 240 V versions.
• TA-F7B — Sony TA-F7B (1976–1981) V-FET integrated amplifier — 70W/ch, 20kg, 178,000 yen. The junior sevens flagship with unobtainium output transistors.
• TA-N55 — Sony TA-N55 compact 40W stereo power amplifier from early 1980s separates system with TA-F55 and TA-E55. Often confused with the more powerful TA-N55ES.
• TA-N88 — Sony TA-N88 pure class A power amplifier (1978-1981), Sony's ES-series flagship with 1.5kVA toroidal transformer and 80W+80W class A output.
• TAC-1 — Sony TAC-1 — a model number with no verified specs, dates, or price in the record. An honest blank awaiting real documentation.
• Tapecorder 111 — Sony Tapecorder 111 — the $79.50 bantam reel-to-reel that anchored Sony's early-1960s US lineup. A family-fun machine, not a hi-fi deck.
• TC-250A — Sony TC-250A — all-transistor 4-track stereo tape deck, 57 gns in the UK, 7½/3¾ ips, beltless idler drive, 30–18,000 cps at 7½ ips.
• TC-255 — Sony TC-255 three-speed stereo reel-to-reel deck, $179.50, walnut case, sound-with-sound, 160 kHz oscillator — a sleeper among late-'60s Sony decks.
• TC-277-4 — Sony TC-277-4 Quadradial open-reel deck (1972): $339.95 four-channel recorder that Audio magazine rated against decks at twice the price.
• TC-280 — Sony TC-280 stereo reel-to-reel deck — $249.95, Ferrite and Ferrite head, Uniphase 4-channel recording, Sony's budget open-reel entry.
• TC-50 — Sony TC-50 — no verifiable Sony specs exist; the model number resolves to Otari's 1987 center-track time code/FM processor retrofit.
• TC-530 — Sony TC-530 quarter-track stereo reel-to-reel, 3-speed, Quadradial 4-way speakers, 5W/ch, 41 lbs. — a heavyweight 1960s Sony deck.
• TC-580 — Sony TC-580 three-speed, two-direction reel-to-reel deck, $499.95 in 1973 and used on Mission of Burma's ONoffON.
• TC-630 — Sony TC-630 quarter-track stereo reel-to-reel with built-in 15W/ch amp and lid speakers — a complete sound centre from 1970.
• TC-650 — Sony TC-650 reel-to-reel: quarter-track, three-head, solenoid transport, 7½ & 3¾ ips, full remote. A working home deck, not a trophy.
• TC-666D — Sony TC-666D (1969): a 48½-lb, four-head, three-motor autoreverse reel deck with Sony-Matic noise reduction, under $575 new, and a hit with Audio's test bench.
• TC-756-2 — Sony TC-756-2 three-motor 10½-inch reel deck: dual-capstan 0.03% wow/flutter, 15 & 7½ ips, Ferrite 3-head, $699.99.
• TC-758 — Sony TC-758 — three-motor auto-reverse open-reel deck, ferrite heads, 10½ reels, $999.95 in 1975.
• TC-766-2 — Sony TC-766-2 two-track reel-to-reel: 0.018% wow-and-flutter at 15 ips, dual-capstan drive, four heads, logic control, optional remote.
• TC-854-4S — Sony TC-854-4S — three-motor, three-speed quadraphonic open-reel deck with closed-loop dual-capstan drive and 0.03% wow-and-flutter.
• TC-900 — Sony TC-900: a 4-lb half-track mono battery portable from 1967 with AGC, 1W output, and a £30 9s price tag. Simple to use, quirky to own.
• TC-K88B — Sony TC-K88B cassette deck: closed-loop dual capstan, Sendust/ferrite head, auto calibration, 0.04% wow and flutter. Great sound, tough to service.
• TC260 — Sony TC260 four-track stereo reel-to-reel, solid-state, 7½/3¾ ips, 97 guineas in Britain. Period specs, quirks and buying notes.
• TCD-D10 — Sony TCD-D10 portable DAT recorder — a pro field machine praised for flat response and sub-4-lb portability. Variant confusion abounds.
• TCV-2010 — Sony TCV-2010 Videocorder — a $995 complete home video recorder with built-in 9-inch monitor, 7½ ips, 30 rps servo heads, one hour per 7-inch reel.
• TTS-3000 — Sony TTS-3000 (1966–1969): $149.50 Servomatic belt-drive turntable, −77dB rumble, 33⅓/45 rpm, low-speed servo motor.
• UCXS-90 — Sony UCXS-90 — a 90-minute Type II high-bias blank cassette from the early 1980s, sold at ~$3.49 alongside TDK SA and Maxell UDXL.
• VO-5600 — Sony VO-5600 ¾-inch U-matic VCR, the video-for-audio lockup workhorse of '80s/'90s post suites. Honest collector's look at a working-class deck.
• VO-5800 — Sony VO-5800 3/4-inch U-matic VTR — the audio-for-video workhorse found in studio lockup chains from the early 1980s through the early 1990s.
• VO-5850 — Sony VO-5850 U-matic editing VTR — the 3/4-inch deck that anchored pro edit suites and was still being sold rebuilt into the 1990s.
• VP-5000 — Sony VP-5000 U-Matic player — a playback-only 3/4-inch VTR that sold used for ~$1,000 in the late 1980s. Affordable archival transport today.
• YEDS-18 — Sony YEDS-18 Test CD — Type 4 alignment disc for CD player adjustment, made in Japan. Prices run $15 to €220; scratched copies are worthless.
• YEDS-7 — Sony YEDS-7 test CD — the 1980s bench reference with 20/40 Hz spot tones and graduated 1 kHz levels that reviewers used for separation checks and that Sony later dubbed to MiniDisc.