Marantz
Blue dials, warm sound, and the receivers that defined the 1970s
History
Marantz was founded in New York City in 1953 by Saul Marantz, a musician and audio enthusiast who was dissatisfied with the sound quality of available home audio equipment. Working from his basement, Marantz created the Audio Consolette preamplifier—a revolutionary product that established the company's reputation for excellence.
The Model 1 (1953) and subsequent Model 2 (1956) and Model 3 (1957) tube amplifiers became legendary for their musicality and build quality. These products were designed by Saul Marantz with meticulous attention to circuit design and component selection.
The 1960s brought iconic products including the Model 7 preamplifier (1958-1965) and Model 8 power amplifier (1959)—both considered classics of tube audio design. The Model 9 monoblocks (1960) delivered 70 watts each and became the ultimate expression of Marantz tube engineering.
The 1966 acquisition by Superscope marked a turning point. The company moved toward solid-state designs and began manufacturing in Japan. The 2270, 2285, 2325, and 2385 receivers of the 1970s became cultural icons with their blue dial lights, gyro-touch tuning, and warm, powerful sound.
In 2001, Marantz merged with Denon to form D&M Holdings, creating one of the world's largest high-end audio groups. Today, Marantz continues to produce premium audio equipment, maintaining the tradition of musical excellence established by Saul Marantz.
Key Facts
| Fact | Detail |
|---|---|
| Founded | 1953, New York City |
| Founder | Saul Marantz |
| First Product | Audio Consolette preamplifier |
| Golden Era | 1950s-1970s |
| Famous Feature | Blue dial, gyro-touch tuning |
| Current Status | Part of D&M Holdings |
Legendary Products
Marantz Model 7 / Model 8 (1958-1965)
The ultimate expression of Saul Marantz's tube engineering. The Model 7 preamplifier and Model 8 power amplifier (30WPC) are considered among the finest tube components ever made, with prices for original units reaching astronomical levels.
Marantz 2270 (1971)
Perhaps the most iconic Marantz receiver. The 2270 delivered 70 watts per channel with the famous blue dial, gyro-touch tuning, and warm, engaging sound. It represents the perfect balance of performance, features, and styling.
Marantz 2325 (1974)
The flagship of the classic Marantz receiver line, delivering 125 watts per channel. The 2325 featured comprehensive inputs, AM/FM stereo, and the unmistakable Marantz aesthetic that defined 1970s hi-fi.
Marantz Model 9 (1960)
Monoblock tube amplifiers delivering 70 watts each from KT88 output tubes. These legendary amplifiers used massive transformers and point-to-point wiring, representing the pinnacle of Saul Marantz's tube designs.
Sound Signature
The Marantz sound is one of the most recognizable in all of vintage audio. Turn on a 2270 or 2325, drop the needle, and within seconds you understand why people use the word "warm" — there is a richness to the midrange, a golden glow around vocals and acoustic instruments, that makes everything sound inviting. Marantz receivers don't just play music; they make you want to sit down and stay awhile. The highs are present and detailed but never aggressive, rolling off just enough to keep digital-era recordings listenable.
The tube-era models take this even further. The Model 7 preamplifier has a midrange purity that tube enthusiasts consider among the finest ever achieved — transparent yet somehow still lush. Paired with the Model 8 or Model 9 power amplifiers, the combination produces a three-dimensional soundstage that solid-state gear of the era couldn't approach. Even the later Superscope-era receivers retained much of the Marantz house sound, with the 22xx series delivering that characteristic warmth at accessible price points.
What makes the Marantz signature so enduring is that it flatters nearly every genre of music. Jazz, classical, and vocal recordings are obvious fits, but even rock and pop benefit from the smooth, forgiving presentation. It is a sound that prioritizes the emotional connection to music over clinical accuracy — and for many listeners, that is exactly what matters most.
Collecting Marantz
Marantz is the blue-chip stock of vintage audio collecting. The Saul Marantz tube era (pre-1966) represents the pinnacle: a Model 7 preamplifier in excellent condition can fetch $4,000 to $8,000, while Model 9 monoblocks have sold for over $15,000 a pair. These are museum-quality pieces that combine sonic excellence with historical significance. The blue-dial receivers are the volume market — a clean 2270 runs $800 to $1,500, while the flagship 2385 (the most powerful of the line at 185 WPC) can exceed $3,000.
For collectors entering the market, the 22xx series offers the authentic Marantz experience at more approachable prices. The 2230 and 2245 typically trade between $400 and $800 and deliver that signature warm sound with enough power for most rooms. When evaluating any vintage Marantz, check that the blue dial lights are working — a dark dial dramatically affects both the experience and the resale value. The gyro-touch tuning mechanism should feel smooth and precise. Cosmetic condition of the champagne-gold faceplate matters enormously to collectors, so look for units that have been stored properly rather than exposed to sunlight or cigarette smoke.
Competitors & Comparisons
Marantz vs McIntosh: McIntosh more prestigious; Marantz more accessible
Marantz vs Pioneer: Both popular; Marantz warmer, Pioneer more neutral
Marantz vs Sansui: Similar vintage appeal; Marantz more refined
Amplifiers
- 1150D — Marantz 1150D, a 1976 Dolby-equipped control amplifier documented mainly by an Audio magazine review; 75W/channel, built-in Dolby encode and 400 Hz tone generator.
- 1200 (1972–1975; some sources say 1974–1976) — Marantz Model 1200 (1972–1975) pre-main amplifier — 100W/ch into 8Ω, OCL direct-coupled circuit derived from the Model 3300 and Model 240.
- Model 15 (1966) — The Marantz Model 15 is a solid-state stereo power amplifier that Marantz’s own advertising of the period described with characteristic bravado — High
- Model-1030 — Marantz Model 1030 solid-state stereo amplifier, 25W + 25W into 8 ohms, produced 1968–1974. A modest entry-level integrated amp from Marantz's early-70s era.
- Model-1040 — Marantz Model 1040 integrated amplifier, 40W/ch into 8 ohms. Class A voltage amp into Class AB current stage, Peak Power Monitor light. $200-450 on used market.
- Model-1122 — Marantz Model 1122 receiver (circa 1977) — 60W/ch into 8Ω, dual phono inputs, 78dB phono S/N. A practical mid-tier Marantz with collector appeal.
- Model-1150mkII — Marantz Model 1150mkII integrated amplifier (1977, ¥129,000) — 80W+80W into 8Ω with a 56,000µF power supply and refined phono stage.
- Model-1152 — Marantz Model 1152 DC integrated amplifier, circa 1977-1980. 80W/ch into 8 ohms, DC/AC switchable, Tritone controls. Built in Japan for Marantz.
- Model-1180 — Marantz Model 1180 (circa 1977): a DC-coupled 90W integrated amplifier with low-TIM design, tritone tone controls, and Bessel filters. Thin documentation; specs from Japanese source.
- Model-1200B — Marantz Model 1200B, a revised Model 1200 integrated amp (serial >5900). Service manual documents the changes; production years unconfirmed.
- Model-1250 — Marantz 1250 stereo receiver (1971–1973), 60 W/ch into 8 ohms. Reviewed in HiFI-Stereo (Jan 1977) with measured THD of 0.05% at 75 W.
- Model-30 — The Marantz Model 30 is an integrated solid-state stereo amplifier from the early 1970s. The record on this model is mixed — we have solid specifications
- PM-11S1 — Marantz PM-11S1 (2004) — Japanese-market reference integrated amplifier, 100W/ch into 8Ω, inheriting SC-7S1/MA-9S1 separate design concepts.
- PM-14 — The Marantz PM-14 is an integrated stereo amplifier from the early 1990s — Audio magazine carried it in its amplifier listings in October 1992 (p.156) and
- PM-14SA — The Marantz PM-14SA is a pre-main (integrated) amplifier built around the PM-14 platform and voiced for SACD and other "next-generation digital audio"
- PM-14SA-ver.2 — The Marantz PM-14SA ver.2 is a pre-main (integrated) amplifier released in Japan in 2002 at ¥230,000. It represents Marantz applying the technology
- PM-15 — Marantz PM-15 Reference Series integrated amplifier — 100W/ch into 8Ω, dual-mono current feedback design. Documentation is thin; specs confirmed from two sources.
- PM-16 — The Marantz PM-16 is a heavyweight integrated amplifier from the mid-1980s, produced from roughly 1986 to 1988. It belongs to the era of large, powerful
- PM-17 — The Marantz PM-17 is a stereo integrated amplifier. It was a traditional design in the best sense — two large toroidal transformers, a dual-mono layout
- PM-17SA — Marantz PM-17SA (1999) — 60W/ch integrated amp with Super Audio technology, HDAM modules, and 16kg of serious build quality.
- PM-17SA-ver.2 — Marantz PM-17SA ver.2 (2002) — Japanese-market integrated amplifier, 60W/8Ω, Absolute SA Technology revision of the PM-17SA.
- PM-19 — The Marantz PM-19 is a stereo integrated (pre-main) amplifier released in 1998 at a Japanese retail price of ¥68,000. It was offered in two finishes, gold
- PM-44SE — The PM-44SE is a stereo integrated amplifier that Marantz released in 1995, priced at ¥35,000 on the Japanese market and around £200 in the UK — the
- PM-5 — Marantz PM-5 (1970) integrated amplifier — the Japanese/European export equivalent of the Model 1060, rated 35W/ch into 8 ohms. Little else is firmly documented.
- PM-50 — Marantz PM-50 (1989) — late-80s integrated amplifier with MM/MC phono stage, 80W/ch into 8Ω, source direct switch, and a known hybrid preamp overheating issue.
- PM-54 — Marantz PM-54 (1984) integrated amplifier with AVSS Auto Voltage Shift Supply, 80W/ch into 8 ohms, MC/MM phono inputs, Class H topology.
- PM-54D — The Marantz PM-54D is a Japanese domestic-market integrated amplifier introduced around 1986, originally priced at ¥54,800. It was developed, per the
- PM-54DS — Marantz PM-54DS (1989) — Japanese-market digital pre-main amplifier, 110W into 4Ω, with CD direct switch and MM/MC phono stage.
- PM-57 — Marantz PM-57 (1979) — a little-documented integrated amplifier rated at 2 x 45W by one German source; build and sound praised by owners.
- PM-6 — The Marantz PM-6 is an integrated stereo amplifier introduced in 1985, designed by Ken Ishiwata as the follow-up to the PM-4, using the better parts and
- PM-62 — Marantz PM-62 (1993) integrated stereo amplifier, ¥65,000. 80W/ch at 8 ohms, MM/MC phono, wireless remote. Thin documentation; single-source specs.
- PM-64 — The Marantz PM-64 is a stereo integrated (pre-main) amplifier released in 1984 at ¥74,000, positioned as a digital-ready design that inherited the
- PM-64AV — Marantz PM-64AV (1989), CDV-compatible integrated amplifier with discrete video section, 90W/6Ω rated output, originally ¥60,700.
- PM-68 — Marantz PM-68 integrated amplifier (1995–1998), 70W/ch into 8Ω, MM/MC phono stage, tone defeat. A well-regarded 90s Marantz integrated with a known selector switch weakness.
- PM-6a — The Marantz PM-6A is a stereo pre-main (integrated) amplifier from the early 1980s, part of the Esotec series. It was listed at ¥160,000 in Japan around
- PM-70 — Marantz PM-70 stereo pre-main amplifier circa 1981, 80W/ch with 5-band graphic equalizer, MC phono input, and L servo circuit.
- PM-74D — Marantz PM-74D — identity uncertain; closest documented match is the Marantz PMD-74DS Dual Monitor Recorder, 45W, 5.4kg, dual-speed tape transport.
- PM-75 — Marantz PM-75 integrated amplifier — an almost entirely undocumented model. No specs, dates, or prices survive; only a single Hifi Engine comparison referencing the PM-75E variant.
- PM-78 — Marantz PM-78 (circa 1998): switchable Class A/AB integrated amp, 25W Class A or 100W Class AB into 8Ω. Twin mono construction, 12.3kg.
- PM-8 — Marantz PM-8 integrated amplifier, c. 1981-1983. Flagship of the Reference 8-inch series. 125W/ch into 8 ohms, dual-mono construction with toroidal transformer. Stereo Review called it one of the fine…
- PM-80a — Marantz PM-80a integrated amplifier (1993-1995), Japanese-market successor to the PM-80 with MOS FET output, dual Class A/AB operation, and HDAM circuitry.
- PM-80BL — Marantz PM-80BL (1989): Japanese-market Class A/AB integrated amplifier, ¥60,000 at launch. 100W+100W (8Ω) Class AB, 20W Class A, MM phono only.
- PM-84 — Marantz PM-84 (1986) — the Limited-edition Japanese-market integrated amp with dual vacuum tubes in the power stage, Elna Cerafine caps, and 95W RMS per channel. Extremely rare, widely considered one …
- PM-84D — Marantz PM-84D — a little-documented 1980s solid-state stereo amplifier rated at 120W/ch into 8 ohms. Originally ¥179,000 in Japan.
- PM-88aSE — The Marantz PM-88aSE was an integrated stereo amplifier produced from April 1994 to 1995, priced at ¥90,000 in Japan — a 15,000 yen premium over the
- PM-88SE — Marantz PM-88SE (1990) Japanese integrated amplifier — special edition of the PM-80 with switchable Class A (20W) and Class AB (100W) operation, ¥90,000 at release.
- PM-8mkII — Marantz PM-8mkII integrated amplifier, c.1980 Japan. 150W/ch into 8Ω, 0.01% THD, low-TIM design, top of the PM series.
- PM-90 — Marantz PM-90 integrated amplifier (c. 1986-1989), 70W/ch into 8 ohms, dual-mono construction with dual toroidal transformers, MM/MC phono stage.
- PM-94 — Marantz PM-94 integrated amplifier (1986–1988), dual-mono DC-coupled flagship with 2x130W into 8Ω, toroidal transformer, and MM/MC phono stage.
- PM-94Limited — Marantz PM-94 Limited (1988) — premium integrated amp, MOS FET Quarter A output, 220W/ch into 4Ω, refined build over the PM-94.
- PM-95 — The PM-95 was Marantz's flagship integrated amplifier of the late 1980s — a rare and very expensive statement piece that bundled a full digital section
- PM-99SE — Marantz PM-99SE (1992-1996): the Special Edition of the PM-90, a 26kg dual-mode integrated amp with 10 HDAM modules and user-switchable Class A (30W) and Class AB (130W) operation.
- PM245 — Marantz PM245 (1997) — a compact 30W integrated amplifier with karaoke-style mic auto-fader. Thin documentation; specs from Audio Database.
- PM4000 — Marantz PM4000 — a name shared by a Czech-made integrated amplifier and a top-loading CD player; documented only through resale listings and a single CD player review.
- PM4001 — Marantz PM4001 integrated amplifier (2005-2008), 40W/ch into 8 ohms, MM phono stage, gold/black finishes, ¥28,000 at launch.
- PM420 — Marantz PM420 (1982) — compact 35W integrated amplifier with motorized volume, LED display, and mic input. Little documented beyond specs and owner reports.
- PM4200 — The Marantz PM4200 is a pre-main (integrated) amplifier released in June 2001 at a discretionary price of around ¥25,000. It belongs to Marantz's Century
- PM4400 — Marantz PM4400 integrated amplifier (2003–2004), 30W/ch into 8 ohms, with MM phono stage and Absolute SA Technology.
- PM520DC — Marantz PM520DC (1982–1984), a 48W stereo pre-main amplifier with 5-band graphic equalizer, available in gold and silver.
- PM6100SA — Marantz PM6100SA integrated amplifier (2000, ver.2 2003). 50W/ch into 8Ω, current-feedback design, WBT terminals. Little period documentation survives.
- PM6100SA-ver.2 — Marantz PM6100SA ver.2 (2003) — Japanese-market integrated amplifier, 50W/ch into 8Ω, with Absolute SA Technology and Schottky diode power supply upgrades over the original PM6100SA.
- PM8000 — Marantz PM8000 integrated amplifier (circa 1999) — switchable Class A/AB output, HDAM modules, successor to the PM80.
- PM8100SA — Marantz PM8100SA integrated amplifier (2000), a 60W/8Ω stereo amp with 6-channel preamp for SACD/DVD-A, inheriting PM-14SA/PM-17SA design philosophy.
- PM8100SA-ver.2 — Marantz PM8100SA ver.2 (2003) — Japanese domestic integrated amplifier with 6-channel preamp, 60W/ch into 8Ω, and Absolute SA Technology.
- SH-A20 — Marantz SH-A20 (circa 1983) — Japanese domestic stereo integrated amplifier, 130W+130W at 8 ohms, 0.02% THD, with full MM/MC phono stage and Low-TIM DC amplifier design.
Cassette Decks
- SD-930 — The Marantz SD-930 (1983) is a rare, auto-calibrating cassette deck with real-time azimuth correction, Dolby & dbx NR. Covers the complete spec table.
Cd Player
- CDR300 — Marantz CDR300 portable CD recorder — phantom-powered XLR inputs, S/PDIF, built-in mic, RPS300 battery option. Pro field recording on CD-R/RW.
- CDR610 — Marantz CDR610 professional standalone CD recorder — AES/EBU I/O, balanced XLR, no SCMS, ~$4,500 list. The studio CD-R workhorse of the mid-90s.
- CDR620 — Marantz CDR620 professional CD recorder — SCSI-II, AES/EBU, balanced I/O, sample rate converter. A broadcast-grade write-once deck from the late 1990s.
Cd Players
- 63SE — Marantz 63SE (CD-63 Special Edition) CD player, mid-1990s, around $500; praised by Stereophile and named a Recommended Component.
- CC-45 — Marantz CC-45 5-disc CD changer (1992-1994), magazine loading, 1-bit dual D/A converter with 8x oversampling. Specs documented; little else recorded.
- CC-48 — The Marantz CC-48 is a stereo cassette deck from the early 1990s, a period when cassette decks were already yielding ground to CD Audio (October 1997
- CC-65SE — Marantz CC-65SE 6-disc CD changer, 1995. Little documented beyond a HiFI-Stereo group test that praised its cartridge loading.
- CC4000 — The Marantz CC4000 is a five-disc CD changer from around the turn of the millennium, released in March 2000 at ¥28,000. The naming is inconsistent across
- CD-15 — Marantz CD-15 flagship CD player circa 1992. Dual TDA1541A DACs, HDAM analog stage, CDM-1 Pro transport. Sought-after vintage high-end.
- CD-16 — The Marantz CD-16 is one of those players that surfaces in enthusiast discussions more often than it does in the period record. What documentation
- CD-16D — Marantz CD-16D (1997) — Japanese-market CD player with digital I/O, balanced Dual HDAM output, and heavy copper-plated construction. Released at ¥160,000.
- CD-16SE — The Marantz CD-16SE is a compact disc player released in 1994, positioned as a further refinement of the company's CD-15 flagship approach. The SE concept
- CD-17 — The Marantz CD-17 is one of those players from Marantz's late-1980s "golden age" of CD engineering that collectors still talk about — though the surviving
- CD-17D — Marantz CD-17D CD player from the late 1990s. Documented only by dimensions (440x122x355mm, 12kg) and a brief Audio magazine listening note; production years and original price unrecorded.
- CD-17Da — Marantz CD-17Da (1998) — upgraded CD-17D with TDA1547 DAC7 bitstream conversion, CD-RW playback, and external digital inputs at ¥99,000.
- CD-19 — Marantz CD-19 (1994-1995) — mid-1990s CD player with 20-bit DAC, HDCD capability, optical and coaxial outputs. Period pricing and specs documented; some details remain conflicting.
- CD-19a — Marantz CD-19a CD player (circa 1999, ¥65,000). Refined CD-19 with Burr-Brown PCM1716 DACs, Philips VAM1201 transport, HDAM analog stage.
- CD-23 — Marantz CD-23 (1993-1996) — Marantz's top single-box CD player with Philips TDA-1547 DAC, CDM-4 PRO transport, and separate power supply boards.
- CD-23Da — Marantz CD-23Da (1997) — the final Music Link series CD player with digital inputs for DAC use, Philips DAC-7 conversion, HDAM modules, and the CDM9 transport.
- CD-23DLTD — Marantz CD-23DLTD (1997): Japanese-market limited edition CD player based on the CD-23Da with the CDM-9PRO transport, DAC7 converter, and NEW HDAM board.
- CD-25 — Marantz CD-25 (1983) — first-generation CD player with Sony KSL-210ACM transport, Sanyo LC7880 16-bit DAC, 4x oversampling, 0.003% THD.
- CD-34 — Marantz CD-34 (1985-87): a Philips CD-100 in Marantz dress, with the 14-bit TDA1540D DAC and CDM-1 swing-arm transport. A collectible early CD player known for warm sound and quirky operation.
- CD-3577 — Marantz CD-3577: a one-bit PWM CD player from circa 1990, documented in an Audio equipment profile with Compu Edit track arranging.
- CD-45 — The Marantz CD-45 is one of those models where the surviving record is thinner than you'd hope, and what exists is partly contradictory. It was a compact
- CD-46 — Marantz CD-46 Compact Disc Player — a little-documented model confirmed by two period sources. Little else is recorded.
- CD-53 — Marantz CD-53 (1993–1995) — a 6-disc magazine CD player with optical output, 100dB SNR, and 0.003% THD. A practical mid-90s changer with known mechanical quirks.
- CD-54 — The CD-54 was Marantz's "stripped-down" version of the CD-74, sold during the early years of the consumer CD format. Manufactured for Marantz by Philips
- CD-63B — Marantz CD-63B — extra-rare Japan-only black version of the CD-63, otherwise identical to the Philips CD100. Circa April 1983, ¥189,000.
- CD-65 — Marantz CD-65 (circa 1989-1990) — single-disc CD player with Yamaha YM3020A bit-stream DAC, Nichicon MUSE capacitors, and both coaxial and optical digital outputs.
- CD-67 — Marantz CD-67 mid-1990s CD player with current-output DAC, 8x oversampling and LD1040 filter. Vertical loading mechanism; specs and known issues documented.
- CD-67mk2 — The Marantz CD-67mk2 is a mid-1990s CD player using the Philips CDM-12.1 transport and an 18-bit DAC. Documentation is thin; the SE variant is better recorded.
- CD-67mk2SE — Little-documented Marantz CD-67mk2SE special edition CD player from circa 1998. Known specs, HDAM circuit, OFC transformer, and owner-reported IR failure.
- CD-67SE — Marantz CD-67SE (1994-1996) CD player, successor to the acclaimed CD-63SE. Philips TDA1545 DAC, CDM-12 mechanism, 100dB S/N.
- CD-7 — Marantz CD-7 reference CD player from the mid-1990s — dual DAC7 TDA1547 differential DACs, 115dB S/N, 16.5kg flagship built in limited numbers.
- CD-72 — Marantz CD-72 CD player (1991–1993), Philips TDA1541A DAC with CDM-4 mechanism and 4x oversampling. MSRP $549.99.
- CD-72a — Marantz CD-72a CD player from 1993 — Philips CDM-4 swing-arm pickup, DAC7 conversion, HDAM discrete audio stage, 110dB S/N, gold or black finish.
- CD-75 — The Marantz CD-75 was a mid-1980s CD player sold in Japan at ¥59,800. The period record on it is modest — no full review has surfaced in the Archive — but
- CD-80 — Marantz CD-80 CD player with Philips CDM-1 MK II transport and 4x TDA1540 DACs. Specs known; production years and pricing undocumented.
- CD-84 — Marantz CD-84 (circa 1983-84) — early top-range CD player with Philips CDM-1 swing-arm transport, dual TDA1540D DACs in differential configuration, and 4x oversampling.
- CD-94 — Marantz CD-94 — the 10kg top-loading flagship CD player from the early 1980s, built with Philips and designed by Horst Redlich. First-generation digital with analog ambitions.
- CD-94Limited — Marantz CD-94 Limited — gold-finished Asian-market variant of the CD-94, circa 1987–88. TDA1541 dual DAC, CDM-1 transport, heavy steel chassis.
- CD-95 — Marantz CD-95 (1985) — the company's 25th-anniversary flagship CD player, built around dual Philips TDA1541 S1 Crown DAC chips and a CDM-1 transport.
- CD-99DR — The Marantz CD-99DR was a high-end CD transport released in Japan in 1988 at ¥228,000. It was designed to be paired with the PM-95 pre-main amplifier
- CD-99SE — Marantz CD-99SE (1990–1992): Japanese-market Special Edition CD player based on the CD-95, with dual TDA1541A S1 DACs, toroidal transformer, and CDM-1 transport.
- CD4000 — Marantz CD4000 (2000) — Century Series single-disc CD player with bit-stream DAC, CD-RW playback, and headphone output. Owner reports are positive; chip-level details remain unverified.
- CD5000 — Marantz CD5000 CD player (2000, ¥30,000), Century Series with bit-stream DAC, CDTEXT display, and CD-RW support. Owner-rated 4.6/5.
- CD5001 — Marantz CD5001 (2005) CD player with CS4392 DAC, KSS-213C mechanism, CD-R/RW support, and headphone output. Released September 2005 at ¥28,000.
- CD5400 — The Marantz CD5400 is a budget-friendly CD player that Marantz released in October 2003, priced at ¥27,000 in Japan (and later appearing in Europe at
- CD6000OSE — Marantz CD6000OSE (1999-2002) CD player — Original Special Edition with VAM1201 transport, HDAM analog stages, CD-RW playback. Sold around US$350.
- CD650 — The Marantz CD650 is one of those players that collectors and DIYers still talk about decades on, and the record — while scattered across forums
- CD880J — Marantz CD880J (circa 1988): Japanese-market CD player, essentially the Marantz version of the Philips CD880 with wood side panels. TDA1541A dual DAC, CDM-1MK2 mechanism, ¥90,000.
- CDR-1 — Marantz CDR-1 professional CD recorder: write-once CD-R recording without SCMS copy protection, 1-bit delta-sigma system, 24-bit Finalizer. Reviewed in Audio, March 1992.
- CM1040 — The Marantz CM1040 is a CD/MD combination deck from 1997, part of Marantz's "Slim Series" line. It was sold in Japan at ¥76,000 and offered in two color
- CM635 — Marantz CM635 CD/MD combo deck (circa 1998) with one-button CD-to-MiniDisc dubbing, ATRAC coding, and 1-bit D/A conversion.
- DC1020 — The Marantz DC1020 is a slimline CD/cassette combination deck from the mid-1990s — one of those space-saving units that paired a single-disc CD player
- DD-92 — Little-documented Marantz DD-92 direct-drive turntable with conflicting period press identifying the name as a DCC recorder; specs corroborated by two sources.
- DR-17 — Marantz DR-17 stereo cassette deck — a little-documented three-head deck. Known specs: 0.05% wow/flutter, 62 dB S/N, 420 x 123 x 210 mm, 4.3 kg.
- DR6000 — Marantz DR6000 (2000) — Century Series CD-R/CD-RW recorder with HDAM output stages, sampling rate converter, and CD text editing.
- DR6050 — The Marantz DR6050 is a dual-tray CD recorder from the company's Century Series, released in Japan in July 2000 at ¥89,800. The concept was simple
- DR700 — The DR700 is a modest entry-level cassette deck from Marantz's early-1990s DR series — a single-well, 2-head machine with a 2-motor drive, built on the
- DV-17 — Marantz DV-17 DVD player (2000, ¥125,000) — THX Ultra certified with 96kHz/24-bit audio, twin mono HDAM construction, and 10-bit video DAC.
- DV4000 — Marantz DV4000 DVD player (1999, ¥85,000). C-series player with HDAM audio modules, 96kHz/24-bit conversion, and component video output.
- DV4300 — Marantz DV4300 (2002): slim progressive-scan DVD player with 192kHz/24-bit audio DAC, PAL/NTSC conversion, MP3/JPEG playback. Released November 2002 at ¥38,000.
- DV6200 — The Marantz DV6200 is a universal player released in May 2001 at ¥52,000 in Japan — a DVD player that Marantz positioned as much for music as for movies
- DV7000 — The Marantz DV7000 was a DVD player released in 1999 at ¥85,000, positioned within Marantz's C-series line but with the company's audio engineering
- DV8300 — The DV8300 holds a small place in Marantz history as the company's first universal player — a DVD-Video/DVD-Audio deck that landed around 2001 at a $999
- DV9500 — Marantz DV9500 (2004) — flagship universal player with HDMI upconversion, three Cirrus Logic CS4398 DACs, SACD/DVD-Audio support, and 130dB S/N ratio.
- DV9600 — Marantz DV9600 (2005) universal player — SACD/DVD-Audio/HDMI 1.1 with 10-bit Anchor Bay scaling, I.LINK, and HDAM audio circuitry.
- LV-1CD — Marantz LV-1CD (1985) — a CD/LaserDisc player made by Pioneer as the CLD-900 and sold under the Marantz badge via OEM. Includes the Pioneer CU-7000 remote.
- MD-19 — Marantz MD-19 MiniDisc deck (1998, ¥75,000) — Japanese-market SLIM series recorder with 20-bit ADC, 24-bit DAC, HDAM output stage, and CD-TEXT support.
- SA-1 — Marantz SA-1 solid state stereo power amplifier, 150W RMS into 8 ohms. Little documented beyond basic specs.
- SA-11S1 — The Marantz SA-11S1 was the company's reference SACD player, released in Japan in August 2004 at ¥350,000. It arrived as part of a new wave of Reference
- SA-14 — The SA-14 is a Super Audio CD player from Marantz, documented primarily through its user manual and a dedicated enthusiast site. Production years and
- SA7001 — Marantz SA7001 (2005) CD/SACD player with Cirrus Logic CS4397 DAC, HDAM discrete output stage, and KI Signature variant. Released at ¥60,000 in Japan.
- SA8260 — Marantz SA8260 SACD player (2003, ¥99,800) — second multi-channel SACD player from Marantz, first to use HDAM current-feedback circuits on all channels. Black model limited to 100 units.
- VCD300AVK — Little is documented about the Marantz VCD300AVK, a Video CD player sold in Japan for ¥69,800 around 1997. What the period record shows is a reasonably
Cd Recorder
- CDR615 — Marantz CDR615 professional stand-alone CD recorder, $2,600 list, XLR inputs, sample rate converter, optional RC620 remote.
Power Amplifiers
- 1180-DC (1978–1980) — Marantz 1180-DC (1978–1980) integrated amplifier — 90W/ch into 8 ohms, DC-coupled fully complementary design, 15 kg. Second in the Marantz line to the 1300DC.
- SM-5 — Marantz SM-5 power amplifier, circa 1996. Little documented beyond an Audio magazine review measuring 147 W/ch (8 ohms) and 245 W/ch (4 ohms) with balanced and unbalanced inputs.
Preamplifiers
- Model 1 — Marantz Model 1 — a broadcast-grade FM tuner-monitor sold to stations, priced at $4500 for the -BR variant. Scarce, professional, and rarely seen on the used market.
Preamps
- 1 (1953) — Marantz 1 (1958-1962) — Marantz's first product, a standalone tube preamp designed for the Model 2 amplifier. Priced at $107.
- 7 (1959) — Marantz Model 7 (1958-1963) vacuum tube stereo preamplifier. One of the most celebrated and widely copied preamp designs ever made. Phono stage: 2mV/4mV sensitivity, RIAA ±0.7 dB. Original price $199.
Receivers
- 2215 (1973-1975) — Slotting into Marantz’s revered 22xx series, the 2215 brought the brand’s signature craftsmanship and sonic refinement to a broader audience.
- 2215BL (1974-1975) — The Marantz 2215BL slipped onto shelves in 1974 as part of the revered 22xx receiver series—a lineup that balanced audiophile-grade performance with
- 2216B (1977-1979) — From the golden era of the 'Marantz Superscope' lineup, the 2216B stands as a refined piece of late-'70s audio craftsmanship.
- 2220 (1973-1975) — Marantz didn’t just build receivers in the early '70s—they crafted audio heirlooms. The 2220 stands tall in that golden era, a mid-tier marvel that
- 2220B (1974–1977) — Marantz 2220B (1974–1977) — a 20-watt-per-channel silver-faced stereo receiver from Marantz's analog golden era, made in Japan and still commanding $425+ used.
- 2225 (1974-1976) — Emerging in 1974, the Marantz 2225 carved its place in the golden era of analog audio, where craftsmanship met sonic refinement.
- 2226 (1974-1976) — Marantz 2226 (1976-1978) receiver with 26W/ch, walnut case, tuning eye — a classic mid-tier vintage integrated with warm, musical sound
- 2226B (1979-1980) — Marantz 2226B (1979-1980) receiver — 26W per channel, modular serviceable chassis, walnut case. Prices run $400–$900, median $574.
- 2230 (1972-1974) — It doesn’t shout, it sings—30 watts of golden-era Marantz warmth wrapped in brushed silver and blue-lit grace. Find current market value here.
- 2230B — Marantz 2230B (1978–1980) stereo receiver: 30WPC, PLL tuner, classic Marantz sound. A durable, musical workhorse of the late 1970s.
- 2235 (1974-1977) — Marantz 2235 receiver (1974‑1977), 35W per channel, walnut case, dual power supply, bass/mid/treble controls, and a well-regarded phono stage.
- 2235B (1977-1979) — That deep, velvety midrange isn’t from tubes—it’s the 2235B doing what solid-state Marantz does best: sounding richer than it has any right to.
- 2238B (1978-1980) — Marantz 2238B (1978-1980) stereo receiver: 38W/channel, MM phono, dual tuning meters, 28.6 lbs. Warm analog sound, serviceable, collectible.
- 2240 (1974) — Vintage stereo receiver from Marantz's acclaimed 22xx series, known for warm sound and robust analog design. Covers the original manual and when it was made.
- 2240B (1978-1980) — It powers up with a soft relay click and a slow glow of green tuning meters—this isn’t just a receiver, it’s a ritual. Find recent sold prices here.
- 2250B (1978-1980) — Marantz 2250B (1978–1980): 50 W/ch AM/FM stereo receiver with Dolby FM and a universal voltage transformer. Specs drawn from its service manual.
- 2252 (1974-1977) — Marantz 2252 (1975–1978) stereo receiver with 52W power, modular PCB design, and ±0.75dB phono accuracy — a mid-tier classic with cult following
- 2252B (1978-1980) — Marantz 2252B (1977-1980) stereo receiver delivers 52W/ch, Gyro Touch tuning, and legendary Marantz sound — a heavyweight from the Golden Era.
- 2265 (1974-1977) — Marantz 2265 (1977-1979) solid-state receiver: 65WPC, 20Hz-20kHz, 15.9kg. Iconic blue meters, front dubbing jacks, warm analog sound.
- 2265B (1978-1980) — Let's get one thing straight: this isn't just another black-faced receiver. The 2265B is, in my opinion, one of the most perfectly proportioned and
- 2270 (1972-1975) — That deep blue glow from the tuning dial isn’t just nostalgia—it’s the heartbeat of a receiver that still out-sings most modern gear.
- 2275 (1974-1976) — Dual power supply, phono stage with moving magnet and moving coil inputs, FM/AM tuner, bass/mid/treble tone controls, loudness contour.
- 2285 (1975-1977) — When Marantz launched the 2285 in 1975, they weren’t just building a receiver—they were crafting a statement. The crown jewel of the legendary 22xx
- 2285B (1978-1980) — The last great Marantz receiver before the digital shift—brutal power wrapped in analog grace. This page has current market value and detailed specs.
- 4025 — Marantz 4025 stereo receiver (1980-1983), 50W/ch into 8Ω with direct-coupled OCL amp and sensitive FM tuner; documented mainly through a German period review.
- CD R-630 — Marantz CD R-630: a late-1990s Marantz Professional CD recorder pitched as a low-cost rewritable CD-R alternative to DAT mastering. Little else documented.
- Model 18 — Marantz Model 18 stereo receiver — a $700 solid-state flagship with four Butterworth IF filters, pitched as separates performance in one chassis.
- Model 2215-FM — Marantz Model 2215-FM: a little-documented 1971-72 FM/AM receiver, known mainly from Marantz ads promising 15 W RMS per channel and Gyro-Touch tuning.
- Model-22J — The Marantz Model 22J holds a notable place in the company's history as its first AM/FM stereo receiver, priced at ¥153,000 around 1970. Rather than a
- Model-26J — The Marantz Model 26J is a stereo receiver from around 1970, documented primarily through a single Japanese specification sheet. It was priced at ¥75,000
- PM700AV — Marantz PM700AV AV surround amplifier with Dolby Pro Logic, circa 1990, Japan. 70Wx2 front plus 50W rear/center, S-video inputs, RC700AV remote.
- PM711AV — Marantz PM711AV (1995) — Dolby Pro Logic AV amplifier with 100W front channels, pre-outs for all five channels, gold and black finishes.
- PM788AV — Marantz PM788AV (c. 1998): 5.1-channel AV surround amplifier/receiver with Dolby Digital decoder, rated 5 x 100W into 6 ohms. Originally ¥99,800 in Japan.
- PS-17SA — The Marantz PS-17SA is an unusual beast: a stereo AV pre-main amplifier released in Japan in December 2000 at ¥250,000. It represents Marantz's attempt to
- PS4500 — Marantz PS4500 (2004) — Japan-market multi-channel AV amplifier paired with the SR4500 receiver. Service documentation exists; performance specs are undocumented.
- PS5200 — The Marantz PS5200 is an AV surround amplifier released in July 2001 at ¥58,000. It was Marantz's expression of its "Pure Surround" concept — an AV
- PS7200 — Marantz PS7200 AV surround amplifier (2001, ¥78,000). 6.1ch, 105W×6 into 8Ω, successor to PS-17SA with Pure Surround concept.
- PS7300 — Marantz PS7300 (2002) — a 6.1-channel AV surround amplifier with current feedback amps on all channels, 130W/6Ω rated, Cirrus Logic CS49400 DSP, and extensive digital connectivity.
- PS9200 — Marantz PS9200 (2001-2002) — flagship AV amplifier from the D&M merger era, 160W×7 into 6Ω, THX Ultra/Ultra2, Absolute SA Technology.
- SR-880 — Marantz SR-880 Dolby Digital A/V receiver (1997–1998). 110W front / 60W surround channels. Dual DSP decoders. $1,500 new. Reviewed in HiFi-Stereo.
- SR-92 — Marantz SR-92 and SR-92 Mk II A/V receiver (c.1992–95): period reviews and measured power from Audio and HiFi-Stereo. Find when it was made here.
- SR-940 — Marantz SR-940 (1984) receiver: 100W/ch, digital-synthesis tuning, wireless remote, AM stereo, timer. Top-of-the-line convenience from the mid-80s.
- SR1041 — Marantz SR1041 (1997): slim-style Japanese FM/AM receiver, 50W+50W into 8Ω, motorized front flap, 30-preset tuner, sold with CD1020 as a hi-fi set.
- SR1100 — Marantz SR1100 (1974) — a compact 25W AM/FM stereo receiver with warm, musical sound, known for running hot and needing dial lamp replacements.
- SR4300 — Marantz SR4300 (2002) — a 6.1-channel A/V receiver with 95W x 6 into 6Ω, discrete amplifiers, 96kHz/24-bit DACs, and Marantz's musical house sound.
- SR8100DC (1980) — Marantz SR-8100DC stereo receiver — 2x100W at 8 ohms, 0.02% THD. A capable receiver with limited surviving documentation.
Speakers
- 1040 (1973-1975) — There is a particular kind of confidence that comes from switching on a Marantz 1040 — the quiet certainty t. Full specifications and review.
- 1530L — Marantz 1530L: longwave-equipped mid-tier receiver with dual tape loops, twin tuning meters, and bass/mid/treble controls. Documented via its owner's manual.
- 2325 (1974-1976) — When Marantz unleashed the 2325 in 1974, they weren’t just releasing another receiver—they were crowning a dynasty. Includes the complete spec table.
- 2385 (1978-1980) — 7μV (FM), 200μV (AM) Key Features Dual power meters, dual power transformers. Full specifications and review.
- 2440 (1978-1980) — A quiet powerhouse from the quadraphonic era that never quite got its due—this isn’t a full receiver, but a clever, compact amplifier built to bring
- 3300 (1973-1975) — The Marantz 3300 wasn't just a preamplifier—it was a statement. Crafted during the brand’s golden era, this flagship model set a new benchmark for
- 3600 (1976-1977) — The Marantz 3600 (1977-1979) is a U.S.-built audiophile preamp with discrete circuitry, per-channel tone controls, and dual speaker outputs.
- 3800 (1976-1978) — Marantz 3800 (1976–1978) preamp: 22 lb flagship with discrete FET phono stage, dual-mono design, Dolby, and dual phono inputs — a Reference Series legend.
- 4100 (1976-1978) — Quadraphonic integrated amplifier with selectable 2-channel and 4-channel operation, independent tone and balance controls.
- 4430 (1972) — Marantz 4430 (1975–1977) Quadradial 4 receiver — Vari-Matrix quad from stereo, FET FM front end, four direct-coupled power amps, plug-in decoder option.
- DS-920 (1975) — Vintage Marantz DS-920 3-way floorstanding speaker from the late 1970s with 12-inch woofer and acoustic suspension design.
- HD 77 (1980-1982) — A floor-standing statement of 1970s high fidelity, with a 12-inch woofer, foam port plug, and a super-tweeter that reaches beyond human hearing.
- HD-550 (1975) — Vintage Marantz HD-550 bookshelf speakers from the late 1970s with balanced sound and classic walnut veneer design. With detailed specs and production dates.
- Imperial (1974) — Vintage Marantz Imperial speakers from 1974, featuring acoustic suspension design and warm sound signature. Includes what it sells for today.
- IMPERIAL-7 (1975) — Vintage Marantz Imperial 7 speaker from 1975, part of the mid-tier Imperial series known for warm sound and solid build quality.
- imperial-9 (1973-1975) — 3-way acoustic suspension design, 15-inch woofer, 5-inch midrange, 3-inch tweeter, walnut veneer cabinet, foam grille. Includes production years.
- Imperial-III — Documentation on the Marantz Imperial-III is thin, and what survives is mostly incidental. The model appears in the period record primarily as a test
- Imperial8 — Marantz Imperial 8 floor-standing 3-way speaker (1970–1974). 12-inch woofer, 8-inch midrange, 3-inch tweeter, ported cabinet, $189.50 each.
- LS-10S — Marantz LS-10S (1990) — little-documented 2-way bass-reflex bookshelf speakers with 10cm woofer and 2cm dome tweeter. ¥35,000/piece at release.
- LS-10V — Marantz LS-10V (circa 1988): a compact 1-way bass reflex mini speaker with a 10cm full-range driver, flexible tripod stand, and anti-magnetic shielding. Little else is documented.
- LS-153 — Marantz LS-153 (circa 1988): compact B5-size wall-mountable sealed speaker with a single 10cm full-range driver, 6Ω, 30W max input, ¥12,800 per pair.
- LS-183 — Marantz LS-183 (circa 1988): a compact, magnetically shielded sealed speaker system with a single 10cm full-range driver, wall-mountable via included hook. Sold as a pair for ¥12,000.
- LS-30V — Marantz LS-30V (1988) — rare Japanese-market compact coaxial bookshelf speaker. 10cm 2-way coaxial driver, shielded design, ¥50,000/pair at launch. Little documented in English.
- LS-5 — Little is documented about the Marantz LS-5. What the record shows is a loudspeaker — listed by HiFi Engine as a 2-way speaker with 84 dB sensitivity —
- LS-5A — Marantz LS-5A compact 2-way bookshelf speakers from circa 1988 — 10cm woofer, 2.5cm dome tweeter, 6 ohms, 80Hz–22kHz, ¥20,000 per pair. Little else is documented.
- LS-5V — Marantz LS-5V — obscure late-90s Japanese bookshelf speaker, 2-way sealed design, 6Ω, 40W rated, ¥20,000/pair circa 1998.
- LS-6 — Marantz LS-6 — a rare mid-1960s three-way acoustic suspension speaker from the Imperial series, with 10″ woofer and brilliance control.
- LS-60GX — Marantz LS-60GX bookshelf speakers, circa 1989. Three-way sealed design with anti-magnetic shielding, carbon fiber woofer, and unimorph super-tweeter.
- LS-60II — Marantz LS-60II (circa 1986) — a little-documented 3-way bookshelf speaker with magnetic shielding, 20cm woofer, and 1.5cm dome super-tweeter.
- LS-65 — Marantz LS-65 bookshelf speakers from circa 1986 — 3-way shielded design with CFRP/titanium nitride drivers, 6Ω, 150W max input.
- LS-70 — Marantz LS-70 (1980s) — a large three-way floorstanding speaker rated at 110W with 92dB sensitivity. Documentation is thin; known specs and one period review reference are recorded here.
- LS-70V — Marantz LS-70V (circa 1988) — a little-documented Japanese-market 2-way, 3-speaker bass reflex system with a 20cm woofer, dual 7.7cm tweeters, and anti-magnetic shielding.
- LS-7V — Marantz LS-7V compact 2-way bookshelf speaker, circa 1990. Sealed anti-magnetic design with 10cm alnico woofer and 2.5cm dome tweeter; ¥30,000 per pair.
- LS-7VK — Marantz LS-7VK (1998) — a little-documented Japanese-market 2-way sealed bookshelf speaker with Kevlar cone woofer and soft dome tweeter, rated 40W at 6 ohms.
- LS-80 — Marantz LS-80 — a 1970s 3-way bass-reflex floor-stander with horn-loaded dome midrange, built to compete with the Yamaha NS-1000M and JBL L100.
- LS1040 — Marantz LS1040 (1995) — compact 2-way sealed bookshelf speaker with magnetic shielding for AV use, 10cm woofer and 2.5cm dome tweeter, ¥28,000 per pair.
- LS263 — Marantz LS263 compact A4-size thin speaker system circa 1993. 10cm full-range driver, sealed anti-magnetic design, ¥29,800/pair.
- LS426 — Marantz LS426 (1982) — 2-way passive radiator bookshelf speaker, 16cm woofer + 16cm passive radiator + dome tweeter. 45Hz-20kHz, 8Ω, 60W max, ¥40,000/pair at launch.
- LS520 — Documentation on the Marantz LS520 is thin, and what survives comes almost entirely from a single Japanese audio database entry. The record shows a
- Marantz4G — Marantz 4G compact 2-way sealed bookshelf speaker, circa 1972. 20cm curved-cone woofer, edgeless 4.5cm tweeter, 15W/8Ω, 89dB/W/m. Little else documented.
- Marantz5G — Marantz 5G bookshelf speakers, circa 1972. 2-way bass reflex, 20cm woofer with butyl edge, edgeless 4.5cm tweeter. 15W rated, 8Ω, 35Hz-20kHz.
- Marantz6G — Marantz 6G (circa 1972) — a little-documented Japanese-market 2-way bass-reflex bookshelf speaker with a 25cm woofer and 4.5cm edgeless tweeter.
- Marantz7 — Marantz Model 7 tube preamp from the early 1960s — one of the greatest tube preamps ever made. Specs are undocumented; owner reports describe a warm midrange and magic phono stage. Variants: 7C, 7T.
- MODEL 1120 (circa 1972–1976) — Marantz MODEL 1120 (1973–1975): 60W/ch American-made integrated amp, direct-coupled output, Model 500 protection relay. Silver face, 12.2kg. History thin.
- MODEL 1150 (1975-1977) — Marantz MODEL 1150 (1975) integrated amplifier: 80W/channel, direct-coupled design, 15kg build. A heavyweight from Marantz's golden era.
- MODEL 1180DC (1978-1980) — Marantz MODEL 1180DC (1978–1980) stereo amplifier with 80W/8Ω DC-coupled design, dual power supplies, damping factor 100. Part of Marantz's DC amplifier series.
- MODEL 140 — Marantz Model 140 stereo power amp (c.1976): 80W/8Ω, 100W/4Ω, VU meters, Fairchild D200W outputs. Silver-faced Superscope-era classic.
- MODEL 16 (1969-1972) — When Marantz unleashed the Model 16 in 1969, they weren't just releasing another amplifier—they were staking a claim at the summit of high-fidelity.
- MODEL 22 (1977-1979) — The first solid-state Marantz receiver—and the one that quietly redefined what an integrated amp could be. With full specifications and production years.
- MODEL 240 (early 1970s) — Marantz Model 240 (early 1970s) stereo power amp: 125WPC into 8Ω, direct-coupled OCL design, no front-panel power switch. 11.8kg Chatsworth-built.
- MODEL 250 (1973-1975) — Marantz MODEL 250 (1973-1975) stereo power amplifier — 125W/ch into 8Ω, dual-mono, direct-coupled, $495 in 1971.
- MODEL 2A (1964-1966) — The Marantz Model 2A (1959) is a rare mono tube amplifier—only made that year—prized at $4.5K+ for its legendary lineage and quiet, musical performance.
- MODEL 32 (1964-1966) — Marantz MODEL 32 (1969) solid-state stereo power amp: 60W/ch, >100 damping factor, 13.1kg beast of late-60s engineering.
- MODEL 5 (1958-1963) — Marantz MODEL 5 (1958–1963) EL34 monoblock tube amp — 30W ultra-linear, point-to-point wired, front-panel bias meters. Values $2k–$5k+.
- MODEL 510M (1979-1981) — The Marantz Model 510M wasn't just an amplifier—it was a statement. Born in 1979 as the crown jewel of Marantz’s legendary 'Monster' series, this beast.
- MODEL 7 — Marantz Model 7 tube stereo preamp — 0.15% max IM distortion, 80dB below 10mV noise, 1/4-inch anodized faceplate. The 1961 benchmark.
- model-4-spk-g (1967) — High-fidelity acoustic suspension speaker from Marantz introduced in 1967, featuring a three-way driver design and front-mounted tonal controls.
- MODEL-7-SPK-G (1975) — Compact bookshelf speaker from Marantz, likely part of a matched audio system from the 1970s. Covers full specifications and production years.
- model-8-spk-g (1975) — The Marantz Model 8 SPK G (1975) was a modest bookshelf speaker built to match Marantz receivers—unremarkable, rarely seen, and forgotten by most.
- Model7mkII — Marantz Model 7 MKII (1977–1980) — a little-documented Japanese-made speaker sharing its name with the famous tube preamp. Only basic specs survive.
- Model7mkIII — Marantz Model7mkIII tube preamplifier (1958-1965) — one of the most legendary components in audio history, over 130,000 sold.
- model900 — Marantz Model 900: an obscure 3-way bookshelf speaker from the Model 9xx series, 10-inch woofer, ¥95,000, specs from audio-database.com.
- model920 — The Marantz Model 920 is a large floor-standing speaker from the late 1970s, one of the more visually distinctive designs Marantz produced during the
- model930 — Marantz Model 930 receiver — 125 watts per channel, 46 lb. A Marantz classic with limited surviving documentation.
- ULS383 — Marantz ULS383 (1998) — an obscure USB multimedia speaker system with a 55kHz USB DAC, 15W+15W output, and ASC power saving. Little else is documented.
Tuners
- 104 (1976) — The Marantz 104 is an integrated amplifier, sitting at the top of Marantz's "Compact" series above the Model 32. It was introduced during Marantz's shift
- 120-FM — Marantz 120-FM: an FM/AM tuner, seen in a Jan 1973 Audio classified ad at $280. The record is otherwise nearly bare. Find production dates here.
- 1515 (1976-1978) — Marantz 1515 (1978-1980) solid-state AM/FM receiver: 15W/ch, 0.08% THD, 20Hz-20kHz. Compact, well-regarded entry-level vintage receiver with strong user ratings.
- 1530 (1977-1979) — Marantz didn’t just build receivers in the late '70s—they crafted audio experiences. With detailed specs, period documentation and production dates.
- 20-FM — Marantz 20-FM — an early-1970s FM tuner said to share its FM circuitry with the flagship Model 19 receiver. Little is documented; no specs survive.
- 2010 (1971-1973) — Meet the 'Baby Marantz' — the compact entry point into Marantz’s legendary silver-face era. Built between 1971 and 1973, the 2010 may have been their
- 4220 (1974-1976) — Marantz 4220 (1973–1978) quadraphonic receiver: 20W/ch, 20Hz–20kHz, 0.9% THD. A compact, full-featured vintage receiver for the four-channel era.
- 4230 (1974-1976) — Marantz 4230 (1973–1978) quadraphonic receiver with 30W/ch stereo, Dolby FM, and SQ decoding. Rare, collectible, and fully serviceable.
- HD 440 (1976-1977) — The Marantz HD 440 (1977-1980) is a 3-way acoustic suspension speaker made in the USA. Specs, history, and real market prices for this overlooked classic.
- Model 120 (1960s-1970s) — The Marantz Model 120 is a vintage tuner tube known for its quality construction and performance. Produced in 1960s. With the complete spec table.
- Model 19-FM — Marantz Model 19-FM: a $1,000 flagship FM receiver from Marantz's 1970-71 Reality of Marantz ads. Little other documentation survives.
- Model 20B (Unknown) — Marantz Model 20B (1965) tube FM tuner: 13 tubes, superheterodyne, 2.5 uV sensitivity, blue-backlit meter, 28 lbs. Full specifications and collector info.
- Model 25-AM — Marantz Model 25-AM — AM-FM stereo receiver/compact from 1969–70, 30W RMS/ch, accepts Dual/Garrard/Miracord changers. Find when it was made here.
- Model-104 — Marantz Model 104 two-way bookshelf speaker, 12-inch woofer and 2-inch cone tweeter, 8 ohms, 10-60W, 45Hz-20kHz. Factory documentation only; little else recorded.
- Model-105B — Marantz Model 105B AM/FM stereophonic tuner from the 1970s — the tuner version of the Model 2015 receiver, with analog dial and Gyro-Touch tuning.
- MODEL-10B (1964–1968) — Marantz Model 10B (1964–1968): 38-lb stereo tube FM tuner with built-in oscilloscope, dual-gate MOSFET front end, PLL decoder. Collectibility 9/10.
- MODEL-120B (1974) — FM/AM tuner from Marantz with quartz-locked PLL stereo decoding and FET front end, part of the 1970s solid-state lineup.
- MODEL-125 (1973) — FM/AM tuner from Marantz's 1970s lineup featuring quartz-locked PLL stereo decoding and precision tuning with FET front end.
- MODEL-150 (1974) — FM/AM tuner with quartz-locked digital synthesis and LED meters from Marantz's golden era of hi-fi. Find detailed specs and production dates here.
- MODEL-210 (1974) — Marantz Model 210 (1974) FM/AM tuner — one of the first consumer tuners with a quartz-locked digital synthesizer. $100–$250 used.
- Model-2100 — Marantz Model 2100 solid-state FM/AM tuner, produced 1975-1976. Specs include 1.9 µV usable sensitivity, 70 dB selectivity, and 45 dB stereo separation.
- Model-2120 — Marantz Model 2120 tuner/preamplifier from the 1970s Classic era — designed as a two-box system with the Model 2125 power amp. FM/AM tuner specs and preamp details documented.
- MODEL-2130 (1974) — FM/AM tuner from Marantz with quartz-locked digital tuning and precise reception. Includes detailed specs and production dates.
- model-27 (1970-1971) — Marantz Model 27 solid-state AM/FM stereo receiver, 30W/ch, walnut veneer case. Modestly documented early transistor-era receiver from Marantz's transition period.
- Model-P150 — Marantz Model P150 (1977) — a rack-mount FM/AM tuner with built-in oscilloscope, designed to match the P-510M amplifier. Gyro-touch tuning, 18-pole LC filter, PLL MPX.
- MR-71 — Little is documented for a Marantz MR-71. Period sources identify the MR-71 as the McIntosh MR71 FM tuner (Audio, Aug 1964).
- SH-T10 — Marantz SH-T10 (1981) — a rare Japanese-market FM stereo tuner with 7-gang front end, servo lock tuning, and real wood cabinet. ¥100,000 at launch.
- ST 300 — Marantz ST 300 — the archive's source material doesn't confirm this model. Every ST-300-inch hit belongs to Dayton Wright or Threshold gear, not Marantz.
- ST-4 — Marantz ST-4 (1982–1985): quartz-locked direct-drive automatic turntable with carbon-fibre tonearm, 310mm aluminium platter, -78dB rumble.
- ST-40 (1961–1962) — Marantz ST-40 (1961–62) — Marantz's first stereo FM tuner, a 32-lb vacuum-tube design with EM80 magic eye, AFC, and built-in preamp.
- ST-46 — The Marantz ST-46 is a solid-state AM/FM stereo tuner from the late 1970s, a period when Marantz was producing some of its most respected separates
- ST-5 — Marantz ST-5 FM stereo tuner (1978), part of the Esotec range. 1.6 µV sensitivity, 70 dB selectivity, 75 dB S/N. Little else documented.
- ST-50 — Marantz ST-50 FM/AM tuner, originally $229.95. A little-documented model — identity confirmed, few specs survive.
- ST-50BL — Marantz ST-50BL digital synthesizer tuner (circa 1989-1993), Japanese market black variant of the ST-50 with heavy die-cast side weights and dual-antenna switching.
- ST-54 — Marantz ST-54 FM stereo tuner (1975-1978), part of the 7T series alongside the 2270 receiver and 5220 tape deck.
- ST-55 — Marantz ST-55 (1978-1980): a little-documented Japanese FM/AM analog tuner with dial/string tuning, FET/IC circuitry, and a $240 original price.
- ST-64 — Marantz ST-64 digital synthesizer tuner (1984, ¥44,800). FM/AM with quartz PLL, 8+8 presets, inherits SH-T10 analog tuner technology.
- ST-8 — Marantz ST-8 FM stereo tuner (1980, $450). Low 0.08% THD, 75 dB S/N, 10.3 dBf sensitivity. A capable early-80s tuner with a thin surviving paper trail.
- ST-8mkII — Marantz ST-8mkII (c.1980): ESOTEC quartz-lock FM/AM tuner with built-in oscilloscope, gyro-touch tuning, ¥135,000 in Japan.
- ST320 (1982–1984) — Marantz ST320 (1982–1984) — slimline FM/AM analogue tuner, with LW variant ST320L for Europe. Service manual survives; base-model specs are thin.
- ST521 — Marantz ST521 quartz synthesizer tuner (1982, ¥42,800) — slimline Japanese-market FM/AM with 8 presets per band, 80dB mono SNR, and gold/silver faceplate options.
- ST700BS — The Marantz ST-700BS is a multiband tuner from around 1990, sold in Japan for ¥100,000. It was a black-model component designed to sit alongside the
Turntables
- 6350 (1978) — Direct drive turntable from Marantz with electronic speed control and pitch adjustment, produced in the late 1970s. Includes the complete spec table.
- SLT-12U — Marantz SLT-12U straight-line tracking turntable, advertised at $295 in 1968. Little documentation survives beyond period ads.
Unknown
- 1013 — The Marantz 1013 tuner appeared in 1967 ads beside the Model 7T and Model 15, sold in classifieds through 1995, and left almost no technical documentation behind.
- 12U — The Marantz 12U is barely documented; 1968 Marantz ads tie it to the SLT-12U straight-line tracking turntable at $295. No specs or manuals survive.
- 5030B — Marantz 5030B three-head stereo cassette deck with DC-servo motor, introduced in 1978. Specs include 0.05% wow/flutter. Covers production dates.
- 940 — The Marantz 940 was the flagship floor-standing speaker of the company’s Model 9xx series, sold in Japan at ¥175,000 — a serious sum for a speaker system.
- DVD-810 — Marantz DVD-810 (c. 1998–1999): Marantz's DVD player at $699 in HiFI-Stereo's family home-theater system. Little else is documented.
- SQA-1 — Marantz SQA-1. No documentation found for this model in the usual archives. Its product type, specifications, and production history are unknown.
Other Models
- 1090 — Marantz 1090 (1977–1980) stereo console amplifier with 45W/ch, dual phono inputs, and four-band tone control — a serviceable.
- 10B — Marantz 10B FM stereo tuner (1968-1970) — the all-solid-state flagship with beam-of-light tuning and PLL decoder, originally $1,200, now ~$4,500.
- 1120 (1971–1977) — Marantz 1120 integrated amplifier (1971–1977): 60W/ch, built-in oscilloscope, dual-mono output stage, separable pre/power sections.
- 1180 — A stereo pre-main amplifier from Marantz emphasizing low transient intermodulation distortion and wide-band performance.
- 1200B — Marantz 1200B stereo console amplifier: 100W/ch into 8 ohms, 125W into 4, 0.15% THD, 6Hz-80kHz response. Period list around $449.95.
- 1515L — Marantz 1515L AM/FM stereo receiver — 15W/ch, 0.08% THD. A little-documented compact Marantz model; specs from period listings.
- 18 — The Marantz Model 18 (1968) was a groundbreaking solid-state receiver with CRT oscilloscope, Gyro-Touch tuning, and legendary sound.
- 22XX — Marantz 22XX series receivers (1970-1980) — ten iconic models from the 15W 2215 to the flagship 2285B, defined by the blue dial light and gyro-touch tuning.
- 250 — Marantz 250 stereo power amplifier — professional-grade discrete design with relay protection, calibrated metering, and conservative continuous power ratings verified at the frequency extremes.
- 2640 — The Marantz 2640 is a solid-state FM/AM receiver produced from 1982 to 1984, originally priced at $535. It's a moderately powered unit from the early
- 300DC — Marantz 300DC stereo power amplifier — DC-coupled monitor amp with pro VU/watt meters, independent per-channel supplies, and 0.05% THD. Power specs disputed in period sheets.
- 3250b — A preamp that separates the signal from the switchgear — a service manual written for people who actually own a distortion analyzer.
- 500 — The Marantz 500, a heavy amplifier of uncertain identity — possibly linked to the 2252B receiver. Documented weight: 23.0 kg.
- 510M — Marantz 510M power amp: 256W/ch minimum into 8 ohms, 0.1% THD, 20Hz-20kHz, 43 lbs, staggered-finger heat dissipator.
- 510MR — The Marantz 510MR is a digital-display tuner covering FM, MW, and LW bands — one of those late-1970s Marantz models that exists in the database records
- 6100 — The Marantz 6100 belt-drive turntable — AC synchronous motor, anti-skating arm, CD-4-ready cables. What the manual says about belts, shipping, and care.
- 6270Q — A quartz-lock, direct-drive turntable made in Japan, produced until its update to the 6370Q in 1980. This page has the complete spec table.
- AD-6 — Marantz AD-6 cassette deck — a humble budget deck with Dolby B, 30Hz-14kHz response, and a fragile tape counter. Little official documentation survives.
- AR-11 — Marantz AR-11 loudspeaker — a mid-to-late 1970s Marantz speaker that traded hands at $195–$300 per pair in period classifieds. Scarce documented specs.
- AR-3 — Marantz AR-3 two-way bass-reflex bookshelf speaker from the Dynamic Audio line. 10-inch LF driver, 4kHz crossover, 55Hz-20kHz, 92dB sensitivity. Little else documented.
- AR-3a — Marantz AR-3a — actually an Acoustic Research speaker, not Marantz. A 3-way acoustic suspension design from 1967–1974 with dome midrange and tweeter.
- AV-500 — Marantz AV-500 surround processor (c. 1993), $899 new, Dolby Pro Logic and ambience modes — a period-correct separate for LaserDisc and VHS home theater.
- AV251 — The Marantz AV251 is a compact audio/video controller from the mid-1980s, a period when home video was moving beyond simple TV hookups and needed a hub to
- AX1000 — Marantz AX1000 control amplifier (1987-1990) — a 9kg Class A integrated amp with sliding bias output, gyrator phono stage, CD Direct input, and digital processing.
- BTL-1 — Marantz BTL-1 (circa 1988): a rare dedicated BTL/bridge adapter for Marantz stereo power amps. DC-coupled, 0dB gain, ¥70,000 at launch. Little else is documented.
- CD-63SE — Marantz CD-63SE (1994-1995): the $499 Special Edition CD player with HDAM discrete output, OFC transformer windings, and a coaxial digital out that tube-amp builders bought new.
- CD63 — Marantz CD63 late-1980s CD player. 1-bit SAA7323 DAC, 110dB S/N, $699.95 original price. Reviewed by Stereo Review in August 1989.
- CDA-94 — Marantz CDA-94 — a high-end CD player and digital control center from the Ultra-High-End series, featuring AES/EBU, coaxial, and optical inputs, modular plug-in card architecture, and reference-clock …
- CDA-94Limited — Marantz CDA-94Limited (c.1988) — gold limited-edition DAC with dual TDA1541A-S1 chips, Toslink input, and balanced output. ¥160,000 at launch.
- CDR600 — Marantz CDR600 professional CD recorder — the $7,500 machine that broke the $10k barrier, with Red/Orange Book support and a factory upgrade path to CDR610.
- DLT-1 — Marantz DLT-1 digital line transformer (circa 1991), joint Marantz-Philips development for isolating CD players from amplifiers.
- DP870 — Marantz DP870 18-bit outboard D/A converter, Marantz's first high-end reference digital processor. Dual DAC, 36-bit processing, selectable filter modes.
- DPS-1 — Marantz DPS-1 digital processing system (circa 1986-1988). 2x16-bit PCM DAC, 44.1 kHz sampling, S/N >110 dB. Little else is documented.
- DS 940 — A 4-way floor-standing speaker system from Marantz’s 9xx series, featuring tunable bass ports and LPF dome tweeters. Includes detailed specs.
- DV4500 — Marantz DV4500 (2004–05) progressive scan DVD player — 115dB S/N, component video, CD/MP3/WMA playback. Budget Marantz build quality.
- EQ-10 — Marantz EQ-10 15-band graphic equalizer, circa 1981. Little documented; known specs include ±12dB per band, 20k input impedance, $129.98 list price.
- EQ-20 — Marantz EQ-20 ESOTEC 10-band stereo graphic equalizer (1982–84). International single-chassis version of Japan's dual-unit design; ±12dB boost/cut, 0.005% THD.
- EQ-20D — Marantz EQ-20D stereo graphic equalizer, 1982–1984, ten-band per channel, ±10 dB adjustment, originally ¥39,800 in Japan.
- EQ430 — Marantz EQ430 (c.1983) — a rare Japanese-market ten-band graphic equalizer and audio mixer with echo/chorus effects, mic and guitar inputs.
- EQ515 — Marantz EQ515 graphic equalizer (1991) — 20-band stereo EQ with spectrum analyzer, pink noise generator, and included calibration microphone.
- EQ580 — Marantz EQ580 (1998) — 10-band graphic equalizer with spectrum analyzer and mic input. ¥29,800 at release. Obscure late-90s Japanese-market unit.
- hd-660 — Marantz HD-660 (1978–1980): warm, detailed floorstanders with tunable bass and robust build—vintage performance that still holds up.
- HD770 — Marantz HD770 floorstanding 3-way bass reflex speaker, flagship of the HD series c. 1977-79. 10-inch woofer, 5-inch mid, 1-inch dome tweeter, 8 ohms, 45Hz-20kHz.
- HD880 — Marantz HD880 loudspeakers (1978–1981), top of the HD series. 12-inch woofer, 5-inch mid, 1-inch dome tweeter, bass reflex, $299.99 each at intro.
- HP-1DB — Marantz HP-1DB (circa 1982): rare open-air surround headphones with four drivers (2x44mm main, 2x30mm sub) per side, dual 3.5mm plugs, ¥14,800. Little formal documentation survives.
- Imperial 5G — Marantz Imperial 5G: a $99 two-way with an 8-inch woofer and 3-1/2-inch tweeter, pitched in 1973-74 ads as a budget speaker with magazine-verified accuracy.
- LT-1 — Marantz LT-1 belt-drive turntable (1978) — an underrated manual deck with a 230mm S-shaped tonearm and DC servo motor, praised by owners for build quality and sonics.
- Melody I — The Marantz Melody I is one of those models that sits awkwardly in the catalog — and in the record. Depending on which source you read, it's either a
- MODEL (circa 1977) — Marantz Model 1180 (circa 1977) — 90W+90W Japanese integrated with low-TIM design, ESP protection, tritone controls, and Bessel filters. ¥135,000 of solid-state engineering.
- MODEL 105 — Marantz Model 105 (1972) FM/AM tuner — 6 kg analog precision with gyro-touch tuning, cobalt blue dial, and milled aluminum controls. A collector's staple.
- MODEL 1070 — A solid-state stereo console amplifier with independent preamp and power amp sections, sold in Japan for ¥69,900. Find detailed specs here.
- MODEL 1090 — A silver stereo console amplifier made by Marantz from 1978 to 1980, delivering 45 watts per channel with a smooth tonal balance suited for vinyl and
- MODEL 115B — An FM/AM tuner built for precision reception with advanced interference suppression and quadradial output for 4-channel broadcasting.
- MODEL 1200 (1972–1975) — Marantz Model 1200 (1972–1975) integrated amp — 100W/ch into 8 ohms, OCL direct-coupled circuit, Model 3300 preamp + Model 240 power topology.
- Model 2500 — Marantz Model 2500 AM/FM stereo receiver from the late 1970s. Rated 100W/ch into 8 ohms at under 0.05% THD. Documentation is thin; specs and period advertising only.
- MODEL 250M (1975–1978) — The Marantz Model 250M (1975–1978) was a 126 W/ch stereo power amplifier with a three-step VU meter and a documented service manual.
- Model 3300 — Marantz Model 3300 pre-amplifier/control console — a premium early-'70s Marantz front end, documented in period catalogs and studio listings.
- Model 4230 — Marantz Model 4230 (1973) four-channel receiver — 60W continuous, Dual Power, built-in Dolby, snap-in quad decoder bay. The anti-obsolescence quad receiver.
- MODEL 5 SPK G — Marantz Model 5 monoblock amp — rare, compact vintage power amplifier with bias meter. Dimensions: 152 x 187 x 387 mm. Includes detailed specs.
- Model 500 (1976–1978) — Marantz Model 500 power amplifier (1976–1978) — 500W/ch into 4Ω, 250W/ch into 8Ω, bridged 1kW mono, forced-air cooled, rack-mountable, and rare.
- MODEL 6 SPK G — A 2-way passive acoustic suspension speaker produced by Marantz from 1966 to 1968. Find the complete spec table and when it was made here.
- MODEL 7C — A tube-powered stereo preamplifier from Marantz’s golden era, designed and built in the USA. Find the complete spec table and when it was made here.
- MODEL 7T (1967–at least 1970) — Marantz Model 7T (1967) — Marantz's first all-transistor preamp, styled like the tube Model 7. Solid-state control center with phono headroom claims.
- MODEL_20 — Marantz Model 20 — a name shared by a 1958 tube FM tuner and a 1971 solid-state integrated amp. Documentation is thin and conflicting; both identities are covered separately.
- MODEL_29 — Marantz Model 29 — an obscure, little-documented component whose existence and specifications remain unverified in surviving records.
- MODEL_8 — Marantz Model 8 tube stereo power amplifier, circa 1959, predecessor to the Model 8B. EL34 outputs, approx. 35W/channel. Period record confirms reputation but detailed specs are scarce.
- MODEL-19 — Marantz Model 19 (1970–1972): the $1000 flagship FM receiver with a built-in oscilloscope, 75W/ch, and 1.8 µV sensitivity.
- MODEL-2215 — Marantz MODEL-2215 — 15 WPC entry-level receiver, $199–$249.95 in period ads, fully discrete tuner with universal voltage transformer.
- MODEL-2325 — Marantz MODEL-2325 receiver (1974–1977) — 125W per channel, Dolby FM processor, triple-tuned FET tuner, $799.95 original price. A repairable 1970s flagship.
- MODEL-2440 (1972) — Marantz Model 2440 (1972–73) Quadradial Adaptor-Amplifier — a 40W adaptor/amp that added four-channel to existing stereo systems. Service manual details inside.
- MODEL-4220 — Marantz Model 4220 (1973): the $299.95 entry-level 40-watt four-channel receiver, with Dual Power and snap-in matrix decoder modules.
- MODEL-4300 — Marantz MODEL-4300 Stereo 2+Quadradial 4 receiver with dual Dolby processors, 400Hz tone generator, and 23-board modular chassis. A quad-era survivor.
- MR 215 — Marantz MR 215 (1978–1980) — 21W/ch entry-level US-built stereo receiver with brushed aluminium face, blue illumination, and a usable MM phono stage.
- MR 250 — Marantz MR 250 (1980) solid state receiver — 50W x 2 into 8Ω, 55W into 4Ω, FM/MW tuner, bi-wiring provision. A rare transitional Marantz from the series before the 2000 line.
- PH-1 — Marantz PH-1 standalone phono preamplifier (1990-99) with dual-mono construction, MM/MC switchable inputs, and XLR outputs.
- PM-10 — Marantz PM-10 integrated amplifier — parts documentation survives, but no confirmed specs, year, or price. A restoration reference for a model the record barely describes.
- PM-100 — The Marantz PM-100 is a little-documented integrated amplifier rated at 2x30W into 8Ω, 0.3% THD, 20Hz–20kHz, in a slim 414 x 90 x 240mm chassis.
- PM-80 — The Marantz PM-80 is an integrated amplifier from the late 1980s, positioned as a mid-level model in Marantz's lineup of that era. It was designed to pair
- PM6004 — Marantz PM6004 integrated amplifier (2011-13), 45W/ch into 8 ohms, 0.0008% THD, MM phono stage, What Hi-Fi? 2011 Product of the Year.
- PMD-700 — Marantz PMD-700 professional portable DAT recorder — balanced XLR inputs, AES/EBU I/O, $2,500 list. A field-recording workhorse from DAT's brief pro heyday.
- PMD101 — Marantz PMD101 (1985–1998): the mono, two-head base model of Marantz's broadcast PMD series. Half-speed, pitch control, metal chassis — a tough, cheap field recorder.
- PMD201 — Marantz PMD201 mono 2-head portable cassette recorder: 7.5 hours on three D-cells, telephone jack, limiter and built-in mic for broadcast field work.
- Project-D-1 — Marantz Project D-1 (1998): limited-run 500-unit flagship D/A converter with dual TDA1541A S2 chips, 8fs DSP filtering, and a 17kg no-compromise chassis.
- RC1200 — Marantz RC1200 learning remote control — 407 codes, Jog Dial, EL backlight, clone mode. 200g, 225x65x26mm. No production years confirmed.
- RC2000 — Marantz RC2000 learning remote control from the late 1990s — macro storage, auto-illuminating LCD, and a Mark II revision. Bundled with the SR-880 receiver.
- RC2000mkII — Marantz RC2000MKII (1998) — flagship learning remote storing codes for up to 640 controllers, with backlit LCD and macro functions.
- RHA-1 — Marantz RHA-1, an obscure late-1970s solid-state amp described as a headphone amplifier though some sources list speaker terminals and 2x15W output.
- RV-55 — Marantz RV-55 digital sound-field controller from the mid-1980s. Little documented; period press notes 48kHz/32kHz sampling modes and no direct CD digital recording.
- RV253 — The Marantz RV253 is a compact Dolby Surround processor from around 1987, sold in Japan for ¥24,800. It's a slim unit — just 320mm wide, 55mm tall, and
- RV351II — Marantz RV351II (c. 1987) — an obscure Dolby surround processor with built-in rear amp, 30W dynamic into 6Ω, and multi-surround modes for stereo and mono sources.
- RV353 — The RV353 was Marantz's early entry into home theater — a Dolby Surround processor with a built-in two-channel amplifier for driving rear surround
- sr-2000 — Marantz SR-2000 receiver from the 1980s delivers 30W per channel using STK080G modules; modest power, niche collectibility, and recapping common.
- SR-5000 — Marantz SR-5000 budget stereo receiver, 25W/channel, FET FM front-end with twin-loop PLL. Reviewed by Stereophile as capable and pleasant-sounding.
- SR-6000 — Marantz SR-6000 — model number with no verified Marantz documentation; period sources describe only a TAC SR6000 pro mixing console. Approach listings with caution.
- SR-8000 — Marantz SR-8000 — 5x105W Current Feedback AV receiver with Dolby Digital/DTS, 24/96 DACs, and a thin documentary record. Japan-built, black finish.
- SR-96 — Marantz SR-96 Home THX receiver (1996) — 110W/ch stereo, three-channel logic mode, pairs with DP-870 for Dolby Digital AC-3 decoding.
- SR4500 — Marantz SR4500 (2004-05) 7.1 A/V receiver — 80W/ch rated, measured 100W+, HDAM-SA3 modules, aluminum face. Budget Marantz with real headroom.
- ST320L — Marantz ST320L stereo tuner — PLL MPX, 66dB FM S/N, AM/FM or LW/MW/FM depending on variant. Sells for £20–€65; service manual available.
- T100 — Marantz T100 digital tuner (1980-1983), FM/MW/LW coverage, 1.4 µV FM sensitivity. Obscure model documented mostly in German sources.
- TP-7 — Marantz TP-7 portable cassette player — 7-transistor stereo circuit, 3xAAA power, 220g pocketable design. Identity conflict with turntable listings noted.
- TT-1 — Marantz TT-1 (c. 1965): the turntable section of Marantz's famous red-and-white all-in-one stereo system — belt-drive, Shure M44 cartridge, built-in tuner deck.
- UD-7005 — Marantz UD-7005 universal Blu-ray player (2010), 32-bit audio DAC, Anchor Bay video processing, SACD/DVD-Audio playback. Replaced the BD7004.
- YPDR-601 — The Marantz YPDR-601 was a $16,000 professional CD-R recorder with a unique pre-written TOC mode that let partially-recorded discs play in standard CD players.