Korg Trident (1980, 1982)
An 8-voice polyphonic synthesizer with integrated synthesizer, brass, and strings sections, released in two distinct models.
Overview
The Korg Trident is an 8-voice polyphonic synthesizer built as a flagship for professional musicians. It puts a fully programmable analog synth engine and dedicated brass and strings sections in a single 61-key keyboard. The Mk I came out in 1980 and the Mk II followed in 1982. It was designed for layered orchestral sounds and for the stage. It grew directly out of Korg's PS series, and it was aimed at high-end rivals like the Sequential Circuits Prophet-5. The three sound modules can be used at the same time, and the keyboard can be split between them.
Specifications
| Manufacturer | Korg |
| Model | Trident |
| Product type | 8-Voice Polyphonic Synthesizer |
| Production years | 1980 (Mk I), 1982 (Mk II) |
| Original price | $4,595 USD |
| Polyphony | 8-voice polyphonic |
| Voice architecture | Brass and strings operate in paraphonic mode, sharing voices for ensemble effects |
| Synthesizer section oscillators | Dual voltage-controlled oscillators (VCOs) per voice in the synthesizer section |
| Synthesizer section waveforms | Sawtooth, triangle, square, and pulse-width waveforms |
| Synthesizer section filter | Resonant low-pass filter based on the SSM 2044 chip |
| Envelopes | Dual ADSR envelope generators |
| Modulation | A modulation generator for LFO duties |
| Brass section | Provides a dedicated filter with cutoff, resonance, and envelope controls |
| Strings section | Offer attack/release envelopes, EQ shaping, and a unique 'bowing' effect to simulate bowed instrument articulation |
| Effects | Built-in effects such as a bucket-brigade device (BBD) flanger, ensemble chorus for strings, and joystick-controlled pitch bend and vibrato |
| Memory | 32 programmable memories (expanded from 16 in the original Mk I) for storing patches across four banks |
| Keyboard | 61-note keyboard spanning five octaves |
| Keyboard action | Standard non-velocity-sensitive key action |
| Keyboard splitting | Supports keyboard splitting for assigning sections to different ranges |
| Dimensions | Approximately 1012 mm in width, 524 mm in depth, and 52 mm in height |
| Weight | 21 kg |
| Mk II filter upgrade | Upgrading to a 24 dB/octave filter |
| Mk II oscillator upgrade | Adding detunable oscillator banks for thicker sounds |
| Mk II memory | Improving memory and envelope options |
Design
The Trident has a multi-sectional design. A programmable synthesizer bank, a brass ensemble, and a string machine share one 61-key instrument, so you can layer sounds or split the keyboard. It sits in a wooden cabinet. The front panel is divided into Synthesizer, Brass, and Strings sections. Development began in late 1979 under secretive conditions and ran over a year, led by Korg engineer Mr. Mori. Research into sampling technology along the way produced a four-voice prototype. It was shelved in favor of the Trident's analog design.
Context
The Trident grew out of Korg's PS series, including the PS-3100 (1977) and PS-3300. Korg positioned it as its flagship, aimed at professional musicians, and set it against the Sequential Circuits Prophet-5 and other high-end polysynths of the early 1980s, both for sound versatility and for onstage efficiency.
Reception
The Korg Trident gained a cult following among progressive rock and synth-pop artists, including Rick Wakeman of Yes and Paul Humphreys of Orchestral Manoeuvres in the Dark. A February 1982 review in *Electronics & Music Maker* praised its "big orchestral sound," which came from powerful section blending and built-in effects like flanging, and called it well suited to emotional, classical-style playing. The review also noted minor drawbacks: no keyboard touch-sensitivity and limited waveform options.
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