Altec Voice of the Theatre A7

1947 - 1970s

The Voice of the Theatre A7 is a two-way horn-loaded cinema speaker introduced in 1947. This massive system defined the sound of movie theaters for decades and is still a coveted collector's item for high-efficiency audio enthusiasts.

Specifications

Type 2-way, combination horn/bass-reflex cinema loudspeaker
Low Frequency Driver Altec 515B 15" woofer (later 515-8G)
High Frequency Driver Altec 288 compression driver with 811B sectoral horn
Crossover Frequency 800 Hz
Nominal Impedance 8 Ω or 16 Ω
Power Handling 50W continuous, 100W program
Sensitivity 104 dB/W/m
Frequency Response 40 Hz - 16 kHz
Dimensions 42" W x 26" H x 24" D (with baffles)
Weight Approximately 140 lbs per speaker

Drivers Used

Design Overview

The A7 is a combination horn and bass-reflex design. The 515 woofer sits in a large vented enclosure, which gives extended bass and keeps efficiency high. The 288 compression driver on the 811B horn gives wide coverage and very clear dialog.

Early A7 models had side wings or baffles that helped control dispersion and increase bass loading. Later "Voice of the Theatre" branded models were available without the side wings for home use.

Variants

Historical Context

The Voice of the Theatre series was developed for the booming post-war cinema industry. The A7 quickly became the industry standard and went into thousands of movie theaters worldwide. Its efficiency (over 100 dB sensitivity) meant it could fill large spaces with modest amplifier power.

Today, A7 speakers are prized by horn enthusiasts for their dynamic, uncompressed sound. Many have been restored for home use in large listening rooms or for vintage cinema installations.

In the Wild

Featured in Resistor Magazine's restoration profile of Iwan Arjanto's vintage speaker collection. Arjanto, an Indonesian speaker craftsman, got hooked on horn-loaded speakers after hearing an Altec horn at a friend's house. He describes it as unforgettable.

Arjanto started with an Altec 511 horn, which led him to learn how to build Altec A7 speakers from scratch. He has built four pairs of A7s for customers to date and tests each pair thoroughly before delivery. He combines carpentry know-how with extensive internet research through the Lansing Heritage forum and Facebook groups.

"The first time I heard an Altec horn was at my friend's house - he used to play around with full range drivers too - after hearing that horn I couldn't forget its sound. That's when the journey began, I began hunting many horns. The Google became my guru as I would read many old articles about the history involving Western Electric, Altec Lansing, and JBL."

— Iwan Arjanto

Arjanto notes that new JBL cones and networks need extensive break-in, typically 50-100 hours, to sound their best. He uses digital playback to break in speaker cones during the building process.

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Documentation

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