Altec 288 Compression Driver
The Altec 288 is a large-format compression driver with a 1.75-inch diaphragm and a big Alnico V magnet. It was used in cinema and professional audio for decades, and it was the driver in the Voice of the Theatre systems and many other professional installations worldwide.
Specifications
| Type | Large Format Compression Driver |
|---|---|
| Diaphragm Diameter | 1.75 inches (44.5mm) |
| Voice Coil Diameter | 2.80 inches (71mm) |
| Throat Diameter | 1.4 inches (36mm) |
| Magnet | Alnico V (3.4 lbs / 1.54 kg) |
| Gap Flux Density | 2.05 Tesla (at rest) |
| Nominal Impedance | 8 Ω (288-8) / 16 Ω (288-16) |
| Power Handling | 15W continuous |
| Frequency Response | 500 Hz - 15 kHz |
| Sensitivity | ~110 dB/W/m |
| Weight | ~13.3 kg (29.3 lbs) |
| Outside Diameter | 7.1 inches (180mm) |
Design Overview
The 288 is American compression driver design from Altec's best years. The Alnico V magnet structure is massive, and the components are precision machined. Altec used it as the standard for cinema and professional sound.
Key design features include:
- Large Alnico Magnet: 3.4-pound Alnico V magnet provides exceptional magnetic stability and flux density
- Aluminum Diaphragm: Precision-formed aluminum with tangential suspension for smooth, extended response
- High Efficiency: ~110 dB sensitivity allows modest amplifiers to achieve cinema-level SPLs
- Robust Construction: Built to withstand the demands of continuous professional use
Applications
The 288 sat at the center of Altec's best-known systems:
- Voice of the Theatre A7 - The legendary cinema speaker
- Voice of the Theatre A5, A4 - Smaller VOTT variants
- Model 19 - Home speaker version
- Professional cinema installations worldwide
- Early recording studio monitors
In the Wild
Featured in Resistor Magazine's restoration profile of Iwan Arjanto's vintage speaker collection. The Altec 288 was the driver that started Arjanto on horn-loaded speakers.
"The first time I heard an Altec horn was at my friend's house - he used to play around with full range drivers too - after hearing that horn I couldn't forget its sound. That's when the journey began, I began hunting many horns."
— Iwan Arjanto
Arjanto's first horn-type speaker purchase was a Fostex FD600, because it was affordable. The Altec 511 horn (typically used with the 288 driver) is what opened his ears to horn-loaded systems. He has since built four pairs of Altec A7 speakers for customers, each using the 288 compression driver on the 811B sectoral horn.
Variants
- 288B: Common early version used in VOTT systems
- 288-8G / 288-16G: Later "G-series" versions with 8Ω and 16Ω impedance options
- 288-8K / 288-16K: Later versions with ferrite magnets (lighter weight, slightly different character)
- 288C: Specific version mentioned in some VOTT documentation
Historical Significance
The 288 was developed during Altec's heyday and became the reference standard for cinema sound. Its sound is dynamic, immediate and loud. The 288's efficiency (over 110 dB) meant theaters could reach realistic sound levels with relatively modest amplifier power.
Today the 288 is still highly sought after by horn enthusiasts and vintage audio collectors.
Related Drivers
- Altec 291 - Updated design evolution of the 288
- Altec 802 - 2-inch throat home/compression driver
- Altec 806 - Professional 2-inch driver
- JBL 2420 - Contemporary JBL equivalent
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Related Models
- Altec 1803B
- Altec 23746 (1975)
- Altec 26421 (1975)
- Altec 288-16G
- Altec 288-8H/16H
- Braun AUDIO-1 (1965)
- Braun AUDIO-250 (1965)
- Magnavox Component Systems (1972)
- Acoustic Research AR (1967-1976)
- Acoustic Research 11