Arriflex

Explore 13 Arriflex vintage camera models — specs, production history, reviews, and market values in the VTA archive.

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• 35BL4 — A 35mm motion picture film camera introduced by Arri in 1986, used on major feature films through the mid-1990s. Includes full specifications.

Cine Cameras

• 16 BL (1965) — The Arriflex 16 BL (1965) was ARRI's first self-blimped 16mm camera, hitting 31 dB for sync sound. Specs, history, and collector pricing.
• 16 SR (1975) — The Arriflex 16 SR (1975) is a self-blimped 16mm workhorse — 20 dB(A) silent, sub-1% image steadiness, 5–75 fps, and a 14mm-forward shoulder-balanced finder.
• 16 ST (1952) — The Arriflex 16 ST (1952) was the first professional 16mm camera with a reflex mirror shutter. Specs, history, and collector pricing.
• 16S (1952-) — A 16mm professional motion picture camera introduced in 1952, known for its reflex viewing system and widespread use in film production.
• 16SR2 E — A stripped-down, economy version of the Arriflex 16SR2 motion picture camera, introduced in 1982 without APEC metering or auto-iris couplings.
• 35 BL (1972) — The Arriflex 35 BL (1972) was Arri's first self-blimped 35mm camera—28 lb, 6.5x viewfinder, and Kubrick's choice on The Shining. History and collector pricing.
• 35 IIC (1964) — The Arriflex 35 IIC (1964) redefined cinematography with its reflex mirror shutter and handheld agility. Specs, history.
• 535B (1992) — Arriflex 535B (1992) — 35mm silent film camera, 7.7 kg, PL-mount, Steadicam-ready. A pro workhorse still valued at $25K.
• Alexa Plus — ARRI ALEXA Plus 4:3 digital cinema camera with 14-stop latitude, ALEV III sensor, and ProRes/ARRIRAW recording. A modern classic with undocumented production years.
• ARRICAM LT — A lightweight 35mm motion picture camera introduced as part of the ARRICAM system, designed for handheld and Steadicam use.

Other Models

• 235 — Arriflex 235 (2003) 35mm MOS camera — lightweight 7.7 lb design, 3-150 fps, last film camera from ARRI. Trusted by Lubezki.
• 35 III — Arriflex 35 III (1979) — 20lb 35mm MOS camera with crystal sync, 15–135° shutter, and reflex viewing. Built for second unit grit.
• 35BL1 — A 35mm sync sound camera built for professional film production with precise mechanical film transport and high-speed capability
• 416 — Arriflex 416 (2006) Super 16mm film camera, 12.8 lbs, PL-mount, 1-75 fps — ARRI's final mechanical 16mm statement. Includes full specifications.
• 535 — A 35mm silent motion picture camera introduced by ARRI in 1990, known for quiet operation and programmable frame rate control.