Thorens TD-166 (1978–1984)

If the TD-160 is the Thorens every audiophile name-checks, the TD-166 is the one they actually lived with. Launched in 1978 as a more accessible companion to the 160, the TD-166 carried over the defining Thorens idea — a suspended subchassis on three springs — but shipped it with simpler ancillaries and a lower price tag. For most of the late 70s and early 80s, if you walked into a European hi-fi shop and asked for "a real turntable" under about £150, the TD-166 was what the salesperson reached for.

Collectors and used-market buyers have rediscovered it over the last decade as the "smart-money" vintage Thorens: most of the musicality of the higher-end models, far fewer maintenance headaches, and usually half the eBay asking price. It's also the Thorens people most often upgrade with aftermarket mats, belts, and tonearm cabling — a sign that the bones are good enough to be worth the attention.

Specifications

ManufacturerThorens (Switzerland, later German production)
Production Years1978–1984
DriveBelt drive
Speeds33⅓ and 45 RPM
Motor16-pole synchronous AC, low voltage
PlatterZinc alloy, approx. 2.7 kg
SubchassisSteel, three-point suspended on coil springs
Wow & Flutter≤ 0.06% WRMS
Rumble−65 dB DIN-B weighted
Tonearm (stock)Thorens TP 16 Mk II / Mk III depending on year
Dimensions440 × 160 × 360 mm
Weight≈ 7 kg

The 16x family in one sentence

Thorens' late-70s turntable line was a clear hierarchy: the TD-160 (the flagship of the range at that price level), the TD-165 (automatic-lift version), the TD-166 (a cost-reduced 160 with a simpler tonearm), and the TD-145 (semi-automatic with the TP-16). Thorens then revised the whole series through MkII and MkIV variants through the mid-80s. The TD-166 itself appeared as original, MkII, MkV, and a "Special" — the differences mostly amount to tonearm vintage and whether the anti-skate uses a thread-and-weight or a magnetic arrangement.

Why it sounds good

The suspended subchassis is the main event. Thorens' three-spring design isolates the platter and tonearm from external vibration — foot traffic, speaker bass, the cat jumping on the shelf — far better than the heavy-plinth designs that dominated Japanese turntables of the era. The trade-off is setup: a TD-166 that's been moved, or whose springs have stiffened with age, needs to be re-levelled and bounce-tested before it sings.

Where the 166 deliberately falls short of the 160 is in small things: the motor is the same family but with lighter isolation, the tonearm is a step down (TP 16 rather than the TP-series higher-end variants), and the plinth veneer options were narrower. In listening tests from the era — HiFi News and Gramophone both covered it — the TD-166 was described as having slightly less "grip" on dynamics than the 160, but a very similar tonal character.

Known quirks and what to check

Market context

As of 2026, clean original TD-166 tables in working condition trade in the $300–$600 range in the US, with MkII and "Special" variants at the higher end. Mint examples with original dust cover and documentation occasionally cross $800. That places it well under a TD-160 ($600–$1,500 depending on revision and tonearm) and roughly level with period Japanese competition from Technics and Pioneer — but with considerably more rebuild potential.

Further reading

eBay Listings

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