Luxman SQ 505X (1971)
At 10.5kg, it sits in the rack like a vault - dense and deliberate.
Overview
The Luxman SQ 505X isn't flashy. Released in July 1971, it was one of Luxman's first serious solid-state integrated amplifiers aimed at the global market. It wasn't just a transistorized version of an old design. It was a clean-sheet approach, built around a quasi-complementary SEPP OTL circuit with full direct coupling and a dual power supply system. The pre-main amplifier delivers 30 watts per channel into 8 ohms with just 0.04% distortion at full output. Frequency response runs from 10 Hz to 60 kHz within -1 dB. That kind of bandwidth in 1971 put it ahead of many contemporaries, especially in its class.
Owners report a sound that's precise and forgiving - detailed without being clinical, warm without smearing transients. The preamp section uses a three-stage direct-coupled PNP-NPN-PNP configuration, which contributes to its low noise and stable gain. Input sensitivity is 2mV for MM phono and 80mV for line. Phono1 has selectable input impedance (30k, 50k, or 100k Ω), so you can match it to vintage cartridges. Signal-to-noise ratio is 63 dB or better on phono and 80 dB on line, which was competitive for the era. The 10 Hz to 60 kHz bandwidth and damping factors of 35 (1kHz, 8Ω) and 25 (100Hz, 8Ω) suggest strong control over speakers, particularly efficient models of the period.
The case is compact at 450 mm wide, 160 mm tall and 268 mm deep. Inside are 31 transistors, 2 diodes and 4 varistors, all soldered directly to the main PCB for reliability. The power supply is rated at 120 VA under full load, with a stabilized section dedicated to the preamplifier stages. That helps channel separation and noise performance. Crosstalk is rated at 55 dB or more between channels and 70 dB between input types. Residual noise is 0.5 mV or less in the power amp and 25 μV in the preamp. These figures reflect a design built around measurement-backed engineering.
It has quirks. The SQ 505X lacks a serious speaker protection circuit, so power-up and shutdown call for care. The tone controls are the LUX System NF Type, with selectable turnover frequencies (bass at 150, 300, or 600 Hz; treble at 1.5, 3, or 6 kHz). They sit in a complex preamp stage that relies on tantalum coupling capacitors. Those were chosen for low noise, but they are now known to degrade over time and can develop DC leakage that interferes with volume and tone control operation. A proper restoration typically replaces them with modern polypropylene types, a common and necessary upgrade for long-term reliability.
Specifications
| Manufacturer | Luxman |
| Model | SQ 505X |
| Type | Solid-state integrated amplifier (pre-main amplifier) |
| Production year | July 1971 |
| Original price | ¥ 69,500 |
| Continuous output (both channels) | 30W + 30W (8 Ω) |
| Continuous output (single channel) | 35W (8 Ω) |
| Continuous output (4 Ω) | 40W + 40W |
| Continuous output (16 Ω) | 20W + 20W |
| Music power | 40W (8 Ω) |
| Total harmonic distortion (power amp) | 0.04% or less (8 Ω, 30W) |
| Cross modulation distortion | 0.04% or less (8 Ω, 30W, 70 : 7 kHz = 4 : 1) |
| Frequency characteristic (power amp) | 10 Hz to 60 kHz (within -1dB) |
| Output bandwidth | 5 Hz to 50 kHz -3dB (0.04%) |
| Input sensitivity (power amp) | 1 V (for 30W, 8 Ω) |
| Input impedance (power amp) | 50k Ω |
| Residual noise (power amp) | 0.5 mV or less |
| Damping factor (1kHz, 8 Ω) | 35 |
| Damping factor (1kHz, 16 Ω) | 70 |
| Damping factor (100Hz, 8 Ω) | 25 |
| Damping factor (100Hz, 16 Ω) | 50 |
| Frequency characteristic (preamp, Aux1) | 10 Hz to 50 kHz -3dB |
| Total harmonic distortion (preamp) | 0.05% or less (1 kHz, 1 V, Aux1) |
| Residual noise (preamp) | 25 μV or less |
| Crosstalk (between channels) | 55 dB or more |
| Crosstalk (between input types) | 70 dB or more |
| Output level / impedance (Pre Out) | 1V / 100 Ω or less |
| Output level / impedance (Rec Out) | 100mV / 100 Ω or less |
| Output level / impedance (DIN) | 50mV / 75k Ω |
| Input sensitivity (Phono) | 2mV (MM) |
| Input sensitivity (Line/Aux) | 80 mV |
| Input impedance (Phono1) | 30k Ω, 50k Ω, 100k Ω (selectable) |
| Input impedance (Phono2) | 50k Ω |
| Input impedance (Aux1, 2, 3) | 30k Ω |
| Maximum allowable input (1 kHz, Phono) | 300mV |
| Signal-to-noise ratio (volume max, Phono) | 63 dB or more |
| Signal-to-noise ratio (volume max, AUX/Line) | 80 dB or more |
| Equalizer (Tape Head) | NARTB |
| Equalizer (Phono) | RIAA |
| Tone control | LUX System NF Type with Turnover Frequency Switching; Bass: Defeat, 150 Hz, 300 Hz, 600 Hz; Treble: Defeat, 1.5 kHz, 3 kHz, 6 kHz |
| Filter | Low-cut: 70 Hz (-6dB/oct.); High Cut: 6 kHz (-6dB/oct.) |
| Low boost | 80 Hz, 6dB/oct. |
| Features | Attenuator (-12dB), Speaker switch (2 systems), Pre-main isolation switch, Tape monitor (2 systems), Recording output terminal (2 systems) |
| Semiconductors | Transistor: 31; Diode: 2 pcs; Varistor: 4 pcs |
| Power supply voltage | AC100V |
| Power consumption (no signal) | 15 VA (12W) |
| Power consumption (maximum output) | 120 VA (100W) |
| External dimensions | Width 450 x Height 160 x Depth 268 mm |
| Weight | 10.5kg |
Key Features
Quasi-Complementary SEPP OTL Circuit with Direct Coupling
The SQ 505X uses a quasi-complementary SEPP OTL (Output TransformerLess) topology, a sophisticated choice for 1971 that eliminated the coloration and bandwidth limits of output transformers. All stages are directly coupled via a dual power supply system. That removes coupling capacitors from the signal path and minimizes phase shift and transient distortion. This architecture contributes directly to the wide frequency response and low measured distortion.
Pure Complementary Output Stage with PNP Power Transistors
Unlike many early solid-state amps that used quasi-complementary designs in the output stage, the SQ 505X implements a pure complementary system. By using PNP-type power transistors, Luxman engineers avoided the asymmetry and crossover distortion common in quasi-complementary outputs. This choice is a key reason for the amp's clean, dynamic presentation and tight bass control.
Two-Stage Differential Input Amplifier
The input stage is a two-stage differential amplifier, known for excellent common-mode noise rejection and stability. That gives clean amplification from the start of the chain, which matters with low-level phono signals. Combined with ultra-low noise transistors like the 2SA493, it sets a high signal-to-noise foundation.
Three-Stage Direct-Coupled Preamplifier Equalizer
The phono and tape head equalization circuits are a three-stage direct-coupled PNP-NPN-PNP cascade. This avoids coupling capacitors in the equalization path, preserving transient detail and reducing phase anomalies. The RIAA and NARTB curves are implemented with precision, and the selectable input impedance on Phono1 allows fine-tuning for different cartridge types.
Tantalum and Mylar Coupling Capacitors for Low Noise
Luxman picked tantalum and Mylar capacitors for signal coupling, for low noise and fast transient response. They worked well in their time, but the tantalum parts are now recognized as a long-term reliability risk. Over decades they can develop DC leakage, potentially causing channel imbalance or control circuit interference. A full recap with modern polypropylene types is often recommended.
Direct Soldering of Power Transistors to PCB
The driver and power transistors are soldered directly to the main printed circuit board, with no sockets or terminal blocks. This reduces contact resistance and improves thermal and mechanical stability. It makes component replacement more involved, but it suits a design focused on signal integrity and long-term reliability under continuous operation.
Stabilized Preamp Power Supply
The power supply is rated at 120 VA under full load and includes a dedicated stabilized section for the preamplifier stages. That isolation keeps power amplifier current demands from modulating the preamp rails, which helps channel separation and reduces crosstalk. The preamp section stays clean and quiet even at high output levels.
Historical Context
The SQ 505X was Luxman's third transistor pre-main amplifier, following the SQ77T and SQ301. Positioned as a high-quality integrated amp for the global market, it represented a shift toward modern solid-state design. It arrived when Japanese audio manufacturers were rapidly gaining international respect for engineering rigor and build quality. As a lower-powered sibling to the SQ-507X, it offered a more accessible entry point into Luxman's high-fidelity lineup without sacrificing core design philosophies.
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