Luxman SQ-38Signature (1995)
It weighs 22 kilograms. This is not a delicate relic. It is a precision-built tube amplifier, and it feels like one when you lift it.
Overview
The Luxman SQ-38Signature is officially the SQ-38S 70th Anniversary Commemorative model. It is a tube integrated amplifier released in October 1995 to mark Luxman's seven decades in high-fidelity audio. It is not a reissue or a revival. It was built new, in an old-school style, with contemporary component refinements. It carries the "38" lineage, a designation that had anchored Luxman's tube amplifier line across seven generations, but it is a limited-production tribute rather than a direct successor. It weighs 22.0kg on purpose. The chassis is weighted and rigidly built to stabilize the tubes and resist external vibration.
The SQ-38S was built for the 1990s source lineup. Four line inputs take CD and DAT players, and a dedicated MM phono stage with RIAA equalization handles turntables. A tape monitor loop with DIN connectors keeps analog flexibility, and there is a headphone jack. The preamp uses a custom volume control, reportedly a 2-gang ALPS potentiometer, intended to minimize distortion and preserve tonal integrity. Source selection toggles line and tape inputs independently. A "Line Straight" function bypasses the tone, balance, and monitor circuits. The front panel has blast-finished and hairline-finished knobs, but the engineering underneath is functional, not ornamental.
Specifications
| Manufacturer | Luxman |
| Product type | Tube integrated amplifier |
| Production years | 1995 |
| Original price | ¥350,000 |
| Input Sensitivity / Impedance | Line1 : 150mV/47k Ω; Line2 : 150mV/47k Ω; Line3 : 150mV/47k Ω; CD : 150mV/47k Ω; Phono MM : 2.5mV/47k Ω; Tape Monitor : 150mV/47k Ω |
| Effective power / Continuous output | 30W + 30W (6 Ω) |
| Total harmonic distortion factor | 0.5% (6 Ω, 1kHz/NFB6dB) |
| Frequency characteristic | 20 Hz to 20,000 Hz, +0 -0.5 dB |
| Tone control | ±15 dB (maximum variation); LUX System NF Variable Turnover Bass : 300 Hz, 150 Hz, Defeat; Treble : 3 kHz, 6 kHz, Defeat |
| Filter | Low Cut : 50 Hz, 100 Hz; High Cut : 5 kHz, 9 kHz |
| Power supply voltage | 100 VAC, 50Hz/60Hz |
| Power consumption | 190W |
| External dimensions | Width 430 x Height 209 x Depth 387 mm |
| Weight | 22.0kg |
| Residual noise | 0.5 mV or less |
| Damping factor | 16 (1kHz) |
| Attachment | Stereo headphone jack |
| Equalizer | Phono: RIAA; Tape Head: NARTB |
| Accessory circuit | Tape monitor switch; DIN standard tape connector |
| Used vacuum tubes | (12 pcs) 12AX7 : 3; 12AU7 : 3; 6267 : 2; 50C-A10 : 4; Diode (8 pcs) DS-16A : 4; DS-16C : 4 |
| Circuit configuration | Push-pull |
| Circuitry | Williamson circuitry |
Key Features
Williamson Circuitry with Push-Pull EL34 Output
The power amplifier section uses a classic Williamson circuit topology, a design known for low feedback and high linearity. The output stage is a push-pull pair of EL34 (6CA7) tubes, run with minimal negative feedback (6dB, as specified). These are not standard production tubes. They were selectively sourced from Golden Dragon's special line, which suggests tighter tolerances and better reliability. Output is 30 watts per channel into 6 ohms. That is modest by solid-state standards, but it suits efficient speakers.
OY-Type Output Transformers with Split Winding Design
The output transformers are described as traditional OY-type units. They use orient core material and OY's split winding technique, newly optimized for this model's specifications. Split winding helps reduce leakage inductance and interwinding capacitance, which contributes to a wider, more controlled frequency response. The rated bandwidth is 20Hz to 20kHz (+0/-0.5dB). The transformers matter most in the lower octaves, where transformer performance often degrades.
Vacuum Tube Tone Control with Frequency-Selective Networks
Passive tone controls only cut frequencies. The SQ-38S uses a vacuum tube-based active tone circuit built around the 12AU7. It allows ±15dB of adjustment while maintaining signal integrity. The "LUX System NF Variable Turnover" design separates bass and treble correction and offers selectable turnover frequencies: 300Hz and 150Hz for bass, 3kHz and 6kHz for treble, with defeat options for both. Tone controls are often omitted on high-end tube amps to preserve purity, so this is a rare feature.
Four Line Inputs and High-Precision MM Phono Stage
Designed with 1990s source components in mind, the SQ-38S includes four line-level inputs (including a dedicated CD input), all with 150mV sensitivity and 47kΩ impedance—standard values ensuring compatibility with most preamps and disc players. The phono stage, specified at 2.5mV for MM cartridges, adheres to RIAA equalization and is described as “high-precision,” suggesting careful attention to time constants and overload margin. While no explicit data on signal-to-noise ratio or overload is available, the use of composite electrolytic capacitors and double-sided glass-epoxy circuit boards in the preamp section indicates a focus on low noise and stable performance.
Line Straight Bypass Function
The "Line Straight" mode bypasses the tone controls, balance circuit, and tape monitor loop. That effectively turns the preamp into a passive attenuator and minimizes active stages between source and power amp. It works together with the 2-gang ALPS volume pot.
Historical Context
The SQ-38S was introduced in October 1995 as a 70th-anniversary commemorative model. Unlike the SQ38D, it is not a reissue but a newly built amplifier in the classic Luxman tradition. It came after the brand's acquisition by AZDEN, in a post-Alpine era of Luxman's corporate history. The "38" designation had been a long-standing hallmark across seven generations of tube amplifiers, and the SQ-38S blended vintage topology with modern execution. It is not the final model in the series. The SQ38F holds that distinction.
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