Infinity RSM-REFERENCE-STUDIO-MONITOR: The Forgotten Reference Standard
In the late 1970s, Infinity Systems introduced the RSM-REFERENCE-STUDIO-MONITOR, often abbreviated as the RSM. Infinity was already known for its speaker designs. The RSM is not as well known today as later Infinity models like the IRS or the Beta series. It was built as a no-compromise reference monitor, with studio-grade accuracy and audiophile refinement in one box. That was a rare combination when the lines between professional and consumer audio were more rigidly drawn.
A Legacy of Innovation
Infinity was founded in 1968 by Arnie Nudell and Cary Christie. It had already shaken up the speaker world with its servo-controlled subwoofers and later its electromagnetic drive systems. By the late 1970s the company was pushing hard on full-range sound reproduction. The RSM came out of that period, built around the company's goal of maximum acoustic output with minimal distortion.
The RSM was not meant for the mass market. It was positioned as a reference-grade monitor for recording studios, mastering engineers, and serious audiophiles who wanted absolute neutrality and transparency. The design drew on waveguide theory, cabinet resonance control, and driver integration, all of which were still in their infancy in consumer audio.
Technical Specifications
| Specification | Detail |
| Model Name | RSM-REFERENCE-STUDIO-MONITOR |
| Manufacturer | Infinity Systems |
| Year Introduced | 1978 |
| Type | 3-way, full-range passive monitor |
| Driver Complement | 12" isobaric woofer pair, 5" midrange, 1" ring radiator tweeter |
| Frequency Response | 35 Hz – 22 kHz (±2 dB) |
| Sensitivity | 96 dB (1W/1m) |
| Nominal Impedance | 8 ohms (compatible with most amplifiers) |
| Crossover Frequencies | 500 Hz (woofer/mid), 4.5 kHz (mid/tweeter) |
| Enclosure Type | Isobaric bass loading with acoustic lens waveguide |
| Cabinet Material | Multi-laminated MDF with constrained layer damping |
| Dimensions (H×W×D) | 42" × 14" × 20" (106.7 × 35.6 × 50.8 cm) |
| Weight | 98 lbs (44.5 kg) per speaker |
| Finish Options | Black ash vinyl, walnut veneer |
| Recommended Amp Power | 50–200 watts (clean RMS) |
Sound Characteristics and Performance
The RSM was engineered for transparency and neutrality, which suits critical listening. Its 96 dB sensitivity lets it play loudly with modest amplification. It does best with high-current amplifiers that can control its complex isobaric bass system.
The isobaric woofer configuration uses two 12" drivers mounted in a push-pull arrangement within a sealed chamber. It delivers controlled bass down to 35 Hz without the port noise or resonance issues common in reflex designs. It also kept the cabinet smaller while holding on to low-frequency extension, which helped a studio monitor that had to fit in a control room.
The midrange is a 5" aluminum cone driver with a phase-aligned crossover, with exceptional vocal clarity and instrumental timbre. The standout is the ring radiator tweeter, a precursor to the designs that later defined Infinity's high-end lines. It sits behind a precision acoustic lens and gives a wide, coherent dispersion pattern. That minimizes "beaming" and keeps the stereo image stable off-axis, which matters in studio use.
Listeners often describe the RSM's sound as "effortless" and "three-dimensional." It resolves fine detail without sounding clinical, and that made it a favorite among mastering engineers who needed to hear exactly what was on the tape.
Notable Features and Innovations
- Acoustic Lens Waveguide: One of the earliest implementations of waveguide technology in a consumer/prosumer monitor, this lens improved high-frequency dispersion and time alignment, reducing early reflections and improving imaging.
- Isobaric Bass Loading: A sophisticated engineering solution that allowed for compact cabinet depth while maintaining deep bass response and reducing distortion through opposing driver movement.
- Constrained Layer Damping: The cabinet used multiple layers of MDF with viscoelastic damping material between them, minimizing panel resonances that could color the sound.
- Professional-Grade Binding Posts: Equipped with heavy-duty, gold-plated terminals capable of accepting banana plugs, spades, or bare wire—uncommon in consumer speakers of the era.
- Modular Design: Some versions of the RSM were designed with serviceability in mind, allowing drivers and crossovers to be replaced or upgraded—a rarity in the 1970s.
Common Issues and Maintenance
As with any vintage speaker, the RSM needs careful attention to keep performing at its best:
- Surround Rot: The original foam surrounds on the woofers and midrange drivers are prone to deterioration after 40+ years. Replacement with modern butyl rubber surrounds is highly recommended.
- Capacitor Aging: The crossover network uses electrolytic and film capacitors that may have drifted in value or failed. A full recapping by a qualified technician can restore original performance.
- Tweeter Lubrication: The ring radiator tweeter uses a fluid damping system that can dry out over time, leading to a harsh or fatiguing high end. Re-fluiding is possible but requires expertise.
- Cabinet Integrity: While robustly built, the MDF cabinets can suffer from edge chipping or veneer lifting. Refinishing or touch-up may be needed for cosmetic restoration.
Owners are advised to have the speakers professionally evaluated before extended use, especially if they've been in storage.
Current Market Value and Collectibility
The RSM is a rare find today. Unlike Infinity's more famous Beta or IRS models, it was produced in limited numbers and was never widely distributed. It has stayed under the radar until recently.
Over the past decade, growing interest in vintage studio monitors and high-efficiency designs has pushed up demand for the RSM. Well-restored pairs in walnut veneer can fetch $1,800 to $3,000 on the secondary market, depending on condition and provenance. Fully serviced units with upgraded crossovers and drivers command even higher prices among collectors and vintage audio enthusiasts.
Its rarity, technical sophistication, and sound make the RSM a sleeper classic in the Infinity lineup.
Conclusion and Legacy
The RSM bridged the gap between the recording studio and the listening room, with a level of accuracy and musicality that few speakers of its era could match.
It never reached the fame of Infinity's later flagships, but the RSM is a pioneer in reference monitor design. It foreshadowed trends in waveguide technology, cabinet damping, and high-efficiency full-range reproduction.
Similar items on eBay
No exact Infinity RSM-REFERENCE-STUDIO-MONITOR listings are live right now — these searches show current Infinity and similar vintage audio gear on eBay:
As an eBay Partner, we earn from qualifying purchases. This helps support our independent vintage technology research.
Related Models
- Infinity 2000.3
- Infinity 2000-II (1975)
- Infinity 2500
- Infinity EMIT-R
- Infinity ES-200 (1978)
- Braun AUDIO-1 (1965)
- Braun AUDIO-250 (1965)
- Magnavox Component Systems (1972)
- Acoustic Research AR (1967-1976)
- Acoustic Research 11