Boss Blues Driver

An input impedance of 1MΩ and a noise floor down at -118dBm. Those are the numbers behind the pedal that pushed a generation of tube amps into breakup.

Overview

The Boss Blues Driver gets talked about more than it gets understood. Pull the back off and the first thing that stands out is the input impedance: 1MΩ, which is about as guitar-friendly as a buffer gets. That high a figure means the pedal doesn't load down passive pickups the way a cheap dirt box will, so what comes out still sounds like the guitar that went in. The output side is different - 1kΩ, with Boss recommending a load impedance of 10kΩ or greater downstream. That covers almost any amp or pedal you'd plug into, but keep it in mind if you're chaining into something unusual.

The Blues Driver runs on a standard 9V supply, either a dry battery or one of the PSA-series AC adaptors, and draws only 13mA at DC9V. That's frugal enough that a battery lasts a reasonable session, and it's why so many of these ended up permanently mounted on pedalboards with a daisy chain feeding them. The equivalent input noise is rated at -118dBm (IHF-A, typical, referenced to 0dBm = 0.775V), which is quiet enough that the pedal isn't the thing hissing at you when you crank the gain.

Controls are the usual Boss trio: Gain, Tone, and Level. A single red LED doubles as the effect indicator and the battery check. The jacks are minimal - input, output, and an AC adaptor jack - and the pedal switches on and off via the standard Boss footswitch. The whole thing weighs 400g including the battery, which is the familiar heft of a Boss compact.

The parts list tells you a bit about how Boss built these. The gain pot is a 250kA+250kA dual, the tone pot a 10kB, and the level pot a 100kA. The LED is an LN-28RP, the diodes include an S5688G and a 1SS-133, and there's a 5.6V zener (RD5.6EB3) in the mix. None of that is exotic. This is a pedal designed to be built in volume, serviced with a parts list, and repaired by anyone with a soldering iron and the service notes.

Boss published a full parts list with the caveat that components marked with a triangle are safety-related and must be replaced only with the listed part numbers. The main board assembly is its own part number (70567645, on PWB 00786489), and the replacement includes the VR board assembly. So if you fry a pot, you're not hunting down a matched pair on the used market, you're ordering the assembly.

The Blues Driver shows up in professional rigs. Mix (May 2013, p.35) documented that Billie Joe Armstrong's lead tone came from adding a Boss Blues Driver into a rig otherwise built around two modded 100-watt Marshall JMP heads, an RJM RG-16 audio looper, and a CAE 3+ preamp. A $50-ish pedal sitting in front of a wall of Marshall looks odd on paper. The BD-2 pushes an already-cooking amp into territory the amp alone won't reach. The same article notes the rig used Shure UR4D+ wireless receivers and an RJM IS-8 input switcher, so the Blues Driver was a deliberate link in a chain that cost considerably more than the pedal did.

It isn't a boutique overdrive with hand-selected germanium and a waiting list. It's a mass-produced Boss compact with a 1MΩ input, a 1kΩ output, a 13mA current draw, and a parts list that shows exactly what's inside.

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