Canon EOS-1D X Mark II
At 1340 grams, it lands in your hands like a declaration—this is not a camera for the hesitant.
Overview
The Canon EOS-1D X Mark II is a professional-grade digital SLR camera built for extreme performance in sports, wildlife, and action photography. As the successor to the 2012 Canon EOS-1D X, it arrived in April 2016 as Canon’s new flagship DSLR, engineered to dominate high-speed shooting environments where hesitation means missed moments. It combines a rugged, full-frame body with blistering speed and advanced autofocus, aiming squarely at working professionals who demand reliability under pressure.
Owners report a machine that feels overbuilt in the best way—its 158.0 x 167.6 x 82.6 mm chassis is dense, balanced, and sealed against dust and moisture, though the weight (approx. 1340 g body only, resolved: weight) demands a sturdy grip. The camera’s engineering centers on speed: a 20.2-megapixel full-frame CMOS sensor paired with dual DIGIC 6+ image processors enables continuous shooting at up to 14 frames per second through the viewfinder and 16 fps in Live View mode. That pace, combined with a deep buffer, allows sustained bursts even with RAW files—critical for capturing split-second athletic peaks or avian flight.
Autofocus is where the EOS-1D X Mark II flexes its muscle. The 61-point AF system, with up to 41 cross-type sensors, covers a broad swath of the frame and operates down to EV -3, meaning it can lock focus in near-darkness. Users describe the tracking as relentless, especially in AI Servo mode, where predictive algorithms keep moving subjects sharp even during erratic motion. The viewfinder, a pentaprism with 100% coverage, offers a bright, lag-free optical experience, while the 3.2-inch, 1.62-million-dot LCD supports touch input and detailed Live View focusing via Dual Pixel CMOS AF.
Video shooters get a surprisingly capable tool. The camera captures 4K at up to 60p in both Cinema (4096 x 2160) and UHD (3840 x 2160) resolutions, with bit rates peaking around 800 Mbps in ALL-I compression. Dual Pixel AF works continuously during video, a rarity in DSLRs of its era, and the inclusion of headphone and microphone jacks gives audio control often missing in stills-first bodies. Still, recording is capped at 29 minutes 59 seconds per clip, a limitation rooted in tax classifications rather than technical constraint.
Storage relies on a dual-slot system: one CFast 2.0 and one UDMA Mode 7 CompactFlash card. CFast 2.0 delivers high write speeds, essential for maintaining burst rates and 4K video, but the format was never widely adopted and remains expensive and scarce today. The camera is powered by the LP-E19 battery, rated for approximately 1210 shots when using the viewfinder at room temperature. While robust, battery life drops sharply in Live View and video modes, a trade-off inherent to the sensor’s power demands.
Specifications
| Manufacturer | Canon |
| Product type | digital SLR camera |
| Sensor | 35mm Full-frame CMOS |
| Effective Pixels | Approx. 20.2 megapixels |
| Total Pixels | Approx. 21.3 megapixels |
| Aspect Ratio | 3:2 |
| Low-Pass Filter | Built-in/Fixed |
| Dust Deletion Feature | Self Cleaning Sensor Unit, Dust Delete Data acquisition and appending |
| Recording Media | CFast card (CFast 2.0 compatible) and CompactFlash card (UDMA Mode 7 compatible) |
| File Size | (1) Large: Approx. 20.0 MP (5472 x 3648), (2) Medium: Approx. 11.1 MP (4104 x 2736), (3) Small: Approx. 5.0 MP (2736 x 1824), (4) S1 (Small 1): Approx. 2.50 MP (1920 x 1280), (5) S2 (Small 2): Approx. 350,000 pixels (720 x 480) |
| File Format | JPEG, RAW (14-bit Canon original), M-RAW, S-RAW, C-RAW, Dual Pixel RAW |
| JPEG Compression | Fine and Normal |
| Colour Space | sRGB and Adobe RGB |
| Picture Style | Auto, Standard, Portrait, Landscape, Fine Detail, Neutral, Faithful, Monochrome, User Defined (x3) |
| Viewfinder | Pentaprism |
| Coverage | Approx. 100% vertically and horizontally |
| Magnification | Approx. 0.76x (-1m-1 with 50mm lens at infinity) |
| Eyepoint | Approx. 20mm (from eyepiece lens centre) |
| Dioptric Adjustment Correction | -3.0 to +1.0m-1 (dpt) |
| Focusing Screen | Interchangeable (Ec-C VI standard), with others optional |
| Mirror | Quick-return half mirror (transmission: reflection ratio of 40:60) |
| AF Points | 61 points (max. 41 cross-type points) |
| AF Working Range | EV -3 - 18 (at 23°C, ISO 100) |
| AF Modes | One-Shot AF, Predictive AI Servo AF, AI Focus AF |
| AF Point Selection | Manual selection: Spot AF, Manual selection: 1-point AF, Manual selection: AF point expansion (4 points: up, down, left, right), Manual selection: AF point expansion (surrounding 8 points), Manual selection: Zone AF (9 zones available), Auto selection: 61-point automatic selection |
| Selected AF Point Display | Superimposed in viewfinder and displayed on LCD panel |
| AF Assist Beam | Emitted by optional dedicated Speedlite |
| Metering Modes | (1) Evaluative metering (linked to all AF points), (2) Partial metering (approx. 6.2% of viewfinder at centre), (3) Spot metering (approx. 1.5% of viewfinder at centre), (4) Centre-weighted average metering |
| Metering Range | EV 0 - 20 (at 23°C, ISO 100, Evaluative metering) |
| Exposure Control | Program AE (shiftable), Shutter-priority AE, Aperture-priority AE, Manual exposure, Bulb exposure |
| ISO Speed Range | ISO 100-51200 in 1/3-stop or whole stop increments. ISO can be expanded to L: 50, H1: 102400, H2: 204800, H3: 409600. |
| Exposure Compensation | +/-5 stops in 1/3 or 1/2-stop increments |
| AE Lock | Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved. Manual: With AE lock button. |
| Shutter | Vertical-travel, mechanical, focal-plane shutter with all speeds electronically-controlled |
| Shutter Speed | 1/8000 sec. to 30 sec., Bulb, X-sync at 1/250 sec. |
| Shutter Release | Soft-touch electromagnetic release |
| Self-Timer | 10-sec. delay, 2-sec. delay |
| White Balance | Auto (Ambience priority), Auto (White priority), Preset (Daylight, Shade, Cloudy, Tungsten light, White fluorescent light, Flash), Custom (approx. 5000K), Colour temperature setting (approx. 2500-10000K), Personal white balance (x5) |
| White Balance Correction | Blue/Amber +/-9, Magenta/Green +/-9. |
| White Balance Bracketing | +/-3 levels in single-level increments. 3 images per shutter release. |
| Built-in Flash | None |
| External Flash | Compatible EX-series Speedlites, wireless multi-flash support |
| Flash Metering | E-TTL II autoflash |
| Flash Exposure Compensation | +/-3 stops in 1/3 or 1/2-stop increments |
| Flash Exposure Lock | Yes |
| PC Terminal | Yes |
| Drive System Modes | Single, Continuous High, Continuous Low, Silent single shooting |
| Continuous Shooting Speed | Max. approx. 14 fps (viewfinder shooting), Max. approx. 16 fps (Live View shooting) |
| Live View Shooting | Still photo shooting and movie shooting |
| Live View Focusing | Dual Pixel CMOS AF (Face detection + Tracking AF, FlexiZone - Single, Zone AF, Large Zone AF), Manual focusing (magnified possible) |
| Live View Metering | Real-time evaluative metering with image sensor |
| Live View Metering Range | EV 0 - 20 (at 23°C, ISO 100) |
| Silent Shooting | Mode 1 and Mode 2 |
| Movie Recording Format | MOV (MPEG-4 AVC/H.264, Variable (averaged) bit rate, Audio: Linear PCM), MP4 (MPEG-4 AVC/H.264, Variable (averaged) bit rate, Audio: AAC) |
| Video Compression | ALL-I, IPB |
| Colour Sampling | YCbCr 4:2:2/8-bit (MOV), YCbCr 4:2:0/8-bit (MP4) |
| Movie Size & Frame Rates | 4096 x 2160 (4K Cinema): 59.94p/50p/29.97p/25p/24p/23.98p, 4096 x 2160 (4K Cinema) crop: 59.94p/50p, 3840 x 2160 (4K UHD): 59.94p/50p/29.97p/25p/24p/23.98p, 1920 x 1080 (Full HD): 119.9p/100p/59.94p/50p/29.97p/25p/24p/23.98p, 1280 x 720 (HD): 59.94p/50p |
| Compression Method | Intra frame / Long GOP |
| Bit Rate | 4K (59.94p/50p): Approx. 800 Mbps, 4K (29.97p/25p/24p/23.98p): Approx. 500 Mbps, Full HD (119.9p/100p): Approx. 360 Mbps, Full HD (59.94p/50p): Approx. 180 Mbps, Full HD (29.97p/25p/24p/23.98p): Approx. 90 Mbps, HD (59.94p/50p): Approx. 64 Mbps |
| Recording Time | Max. clip length: 29 min. 59 sec. |
| Movie AF System | Dual Pixel CMOS AF |
| Movie Metering | Real-time evaluative metering with image sensor |
| Movie Metering Range | EV 0 - 20 (at 23°C, ISO 100) |
| Movie ISO Speed Range | ISO 100-25600 in 1/3-stop or whole stop increments. ISO can be expanded to H1: 51200, H2: 102400. |
| Time Code | Supports drop frame, non-drop frame, and recorder run |
| Video Snapshot | Yes |
| LCD Monitor | 8.11 cm (3.2”) TFT, approx. 1.62 million dots |
| LCD Coverage | Approx. 100% |
| Brightness Adjustment | Adjustable to one of seven levels |
| Touchscreen | Capacitive type |
| Playback Display Formats | Single, Single+Info (Basic, Detailed, AF points, RGB histogram, Shooting info), 4-image index, 9-image index, 36-image index, 100-image index, Jump display (by 10/100 images, by shooting date, by folder, by movies, by stills, by rating) |
| Highlight Alert | Overexposed highlights blink |
| Magnification | Approx. 1.5x - 10x |
| Movie Playback | Enabled |
| Slideshow | Enabled |
| Image Erase/Protect | Erase: Single image, Select and erase, All images in folder, All images on card. Protect: Single image, Select and protect, All images in folder, All images on card. |
| Custom Functions | 33 |
| Camera User Settings | Register up to 2 combinations of camera settings under C1 and C2 on mode dial |
| My Menu registration | Up to 5 top-tier menu tabs and up to 6 items per registered menu |
| Digital terminal | SuperSpeed USB (USB 3.0), for computer connection and direct image printing (PictBridge compliant) |
| HDMI mini OUT terminal | Type C (Auto switching of resolution), CEC compatible |
| External microphone terminal | 3.5 mm stereo mini-jack |
| Headphone terminal | 3.5 mm stereo mini-jack |
| Remote control terminal | N3 type |
| Ethernet terminal | RJ-45 |
| Battery | Battery Pack LP-E19 |
| Battery Life (Viewfinder Shooting) | Approx. 1210 shots at 23°C / Approx. 1020 shots at 0°C |
| Battery Life (Live View Shooting) | Approx. 260 shots at 23°C / Approx. 220 shots at 0°C |
| Battery Life (Movie Shooting) | Approx. 2 hours at 23°C / Approx. 1 hour 50 minutes at 0°C (actual shooting time) |
| Battery Life (Movie Shooting) | Approx. 3 hours 20 minutes at 23°C / Approx. 2 hours 50 minutes at 0°C (maximum time) |
| AC Power | AC Adapter Kit ACK-E19 (optional) |
| Power Saving | Power turns off after 1, 2, 4, 8, 15 or 30 minutes |
| Dimensions (W x H x D) | Approx. 158.0 x 167.6 x 82.6 mm |
| Weight | Approx. 1340 g (body only) |
| Operating Temperature Range | 0°C - 45°C |
| Operating Humidity Range | 85% or less |
Key Features
20.2MP Full-Frame Dual Pixel CMOS Sensor
The heart of the EOS-1D X Mark II is its 35mm full-frame CMOS sensor with approximately 20.2 effective megapixels. While resolution may seem modest compared to later models, it was a deliberate balance—high enough for large prints and cropping, but low enough to maintain excellent noise performance and fast readout speeds. The sensor employs Canon’s Dual Pixel CMOS AF technology, meaning every pixel on the sensor contributes to phase-detection autofocus, enabling fast, smooth focusing in Live View and video modes. This system allows for face detection and tracking, a significant leap for a DSLR in its class.
Dual DIGIC 6+ Image Processors
Processing the massive data stream from the sensor and enabling high-speed operation are dual DIGIC 6+ image processors. These chips handle everything from image rendering and noise reduction to autofocus calculations and video encoding. Their parallel architecture is key to the camera’s 14 fps burst rate and 4K video capabilities. They also support advanced features like Dual Pixel RAW, which captures additional focus data for post-capture micro-adjustments to sharpness and bokeh.
61-Point High-Density AF System with EV -3 Sensitivity
The 61-point autofocus array, with 41 cross-type points, offers wide coverage and exceptional precision. It operates reliably in lighting as dim as EV -3, a level where most cameras struggle to focus at all. This makes the EOS-1D X Mark II effective in dimly lit arenas or early morning wildlife shoots. The AI Servo AF mode predicts subject motion with high accuracy, maintaining focus on fast-moving athletes or birds in flight. The system’s responsiveness and consistency are frequently cited by professionals as a primary reason for choosing this camera.
CFast 2.0 and CompactFlash Dual Card Slots
Storage is handled by two card slots: one for CFast 2.0 and one for UDMA Mode 7 CompactFlash. CFast 2.0 offers significantly faster write speeds than standard CF cards, essential for sustaining 14 fps bursts and recording high-bitrate 4K video without buffer limits. However, CFast cards are expensive, power-hungry, and now largely obsolete, making long-term ownership a logistical challenge. The dual-slot design allows for overflow, backup, or separate storage of RAW and JPEG files.
4K Cinema and UHD Video at Up to 60p
The EOS-1D X Mark II was one of the first Canon DSLRs to offer uncropped 4K video, recording at up to 60p in both 4096 x 2160 (Cinema) and 3840 x 2160 (UHD) resolutions. With bit rates up to 800 Mbps in ALL-I compression, the footage is highly detailed and suitable for professional editing. The inclusion of timecode support and headphone monitoring further elevates its video credentials, making it a rare DSLR that could credibly serve as a cinema camera in certain workflows.
Historical Context
The Canon EOS-1D X Mark II was introduced as the successor to the 2012 Canon EOS-1D X, marking the second generation of Canon’s flagship action DSLR line. It was unveiled as Canon’s most advanced professional camera for sports and action photography, representing a significant upgrade in speed, autofocus, and video capability. Positioned at the top of Canon’s DSLR hierarchy, it competed in a niche dominated by Nikon’s D5 and later the D6, though no direct competitors are named in the fact sheet.
Collectibility & Value
The original retail price is not documented in the fact sheet, though its professional positioning suggests a premium cost at launch. As of mid-2025, renewed units are available for approximately $1800, while used models are listed around £900, indicating a substantial depreciation but ongoing demand. Common issues reported by owners include oil-splatter on the sensor and soft focus problems, sometimes linked to firmware or calibration. Error 20, a shutter-related fault, has also prompted repair debates, and the camera’s reliance on CFast 2.0 cards adds ongoing cost and complexity. Despite these concerns, its build quality and performance ensure it remains a respected tool among professionals transitioning to mirrorless.
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