ADOX START
The Adox Start is a compact 120 film folding camera introduced in the early 1950s as an entry-level model in Adox’s line of medium format cameras. Designed for amateur photographers seeking affordability and portability, the Start represents a simplified version of the more advanced Adox Sport and Adox Flex models.
Overview
Manufactured by Fotochemische Werke GmbH in Leverkusen, Germany—the same company that produced Agfa-branded photographic materials—the Adox Start was released between 1950 and 1955 as part of a broader postwar effort to provide accessible photographic equipment to a growing consumer market. The camera was positioned as an economical alternative within Adox’s folding camera lineup, which included higher-end models like the Adox Sport and Adox Flex. Unlike those models, the Start omitted features such as coupled rangefinders and high-speed shutters, focusing instead on basic functionality and ease of use.
The Adox Start produces 6×6 cm images on 120 roll film, yielding 12 exposures per roll. It features a fixed-focus lens and a simple scale-focus system, making it suitable for snapshot photography at typical daylight distances. Its compact folding design, with a collapsing bellows and hinged front standard, allows the camera to fit easily into a coat pocket when closed. Constructed primarily of metal with leatherette covering, the Start reflects the utilitarian design ethos of postwar German engineering, prioritizing durability and function over luxury.
While lacking the precision optics and mechanical sophistication of its siblings, the Adox Start played an important role in democratizing medium format photography during a period of economic recovery in Western Europe. It appealed to casual photographers who desired better image quality than 35mm box cameras could offer but were not ready to invest in more complex or expensive systems.
Specifications
| Specification | Value |
| Type | Folding viewfinder camera |
| Film Format | 120 roll film |
| Image Format | 6×6 cm (12 exposures) |
| Years Produced | 1950–1955 |
| Lens | Adox Anastigmat f/4.5, 75 mm |
| Aperture Range | f/4.5 to f/22 |
| Focus | Scale focus (3 ft to ∞), zone focusing via distance markings |
| Shutter | Compur-Rapid shutter |
| Shutter Speeds | B, 1 – 1/400 second |
| Shutter Release | Threaded side-mounted lever with mechanical cocking |
| Metering | None (manual exposure) |
| Exposure Modes | Manual only |
| Viewfinder | Optical frame-type viewfinder with parallax correction marks |
| Bellows | Leather bellows with folding metal struts |
| Film Advance | Red window on back for frame counting |
| Tripod Socket | 1/4"-20 threaded socket (standard) |
| Dimensions (Closed) | Approx. 110 × 90 × 50 mm |
| Weight | Approx. 550 g (without film) |
| Flash Sync | No flash sync |
Key Features
- Compact folding design with rigid struts and leather bellows enables portability while maintaining structural integrity.
- 75 mm f/4.5 Adox Anastigmat lens provides sharp, well-corrected images for its class, delivering performance comparable to contemporary Zeiss and Schneider lenses.
- Compur-Rapid shutter with speeds up to 1/400 sec offers versatility in various lighting conditions and allows use of flash synchronization at all speeds via PC terminal.
- Simple scale focusing system with preset distance settings (3 ft, 6 ft, 15 ft, ∞) enables quick snapshot photography without rangefinder complexity.
- Red window film advance with frame numbers visible through the back ensures accurate frame spacing on 120 film.
Historical Context
The Adox Start was introduced during a period of rapid expansion in amateur photography in West Germany and export markets. In the early 1950s, consumer demand for affordable yet capable cameras surged as economies recovered from World War II. Adox, already established as a supplier of photographic paper and film under the Agfa umbrella, leveraged its manufacturing infrastructure to produce a range of cameras that filled gaps in the market between basic box cameras and professional-grade folding models.
The Start was clearly aimed at budget-conscious buyers who wanted medium format image quality without the cost or complexity of rangefinder integration or high-speed lenses. It competed directly with models like the Kodak Brownie Starlet, Wirgin Edinex, and early Zeiss Ikon Nettar series. While not as refined as the top-tier Adox Sport (which featured a coupled rangefinder and faster lens), the Start offered a reliable, well-built platform with a quality shutter and solid optical performance.
Despite its simplicity, the Adox Start benefited from German engineering standards of the era, including precision machining of the shutter mechanism and high-quality lens coatings. However, by the mid-1950s, the rise of 35mm cameras and integrated light meters began to erode the market for simple medium format folders. Production of the Start ceased around 1955, likely due to shifting consumer preferences and increasing competition from Japanese manufacturers entering the European market.
Collectibility & Value
Today, the Adox Start is a modestly collectible camera, valued more for its historical significance and mechanical charm than for rarity or investment potential. Complete examples in working condition typically sell for $80–$150 USD on secondary markets such as eBay or specialized camera forums. Cameras with original cases, instruction manuals, or unblemished leatherette may command slightly higher prices.
Collectors should inspect several key areas when acquiring an Adox Start. First, the bellows must be free of pinholes and light leaks; deteriorated bellows are common due to age and improper storage. Second, the Compur-Rapid shutter should fire cleanly across all speeds, particularly the faster ones (1/250 and 1/400 sec), which can stick if the shutter is gummed up. Third, the red window should be intact and free of clouding, and the frame numbers visible through the back must align correctly with the film gate.
Common issues include stiff focusing levers, misaligned folding struts, and worn film spindles. While repair parts are scarce, the camera shares components (especially the shutter and lens assembly) with other German folding cameras of the era, allowing for donor-based repairs. Due to the lack of electronics or batteries, the Adox Start remains fully mechanical and usable with proper servicing.
Similar Cameras
- Kodak Brownie Starlet 127 – A simpler, lower-cost folder for 127 film, though with smaller negatives and inferior optics.
- Zeiss Ikon Nettar 515 – A comparable 6×6 folding camera with similar features but often equipped with Tessar-type lenses.
- Wirgin Edinex 55 – A German-made folder with interchangeable lenses, targeting a slightly more advanced user.
- Agfa Record III – A premium folding camera with coupled rangefinder, representing the higher end of the market.
- Rolleicord Ia (Type 2) – A TLR alternative offering similar image quality but in a different form factor.
Repair & Maintenance
The Adox Start requires no batteries and operates entirely mechanically. The Compur-Rapid shutter must be manually cocked before each exposure using the side-mounted lever, which also advances the shutter timing. Regular maintenance includes periodic cleaning of the lens elements, inspection of the bellows for light leaks, and lubrication of the focusing mechanism and shutter blades if they become sluggish.
Common repair challenges include disassembling the shutter without specialized tools and replacing damaged red window plastic. Replacement bellows can be hand-crafted by skilled technicians, though original parts are rare. Given the camera’s all-metal construction and high-quality materials, a fully serviced Adox Start can remain functional for decades, making it a practical choice for enthusiasts of vintage medium format photography.
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