Scully

Explore Scully vintage audio equipment in the Vintage Technology Archive.

Other Models

• 100-16 — Scully 100-16 sixteen-track tape machine — rare pro studio gear documented only in 1977–1981 classified ads. No factory specs survive.
• 280-16 — Scully 280-16: the 16-track workhorse of the 280 family. 76/38/19 cm/s, 62 dB S/N, and a tape-cleaning roll the trade press loved.
• 280B — Scully 280B pro recorder/reproducer — 72 dB S/N, OPTAC optical motion sensing, ±2 dB 30 Hz–18 kHz. The mastering-speed tape deck Scully advertised by number.
• 280B-2 — Scully 280B-2 stereo two-track reel-to-reel, $3,795 net with AC motor. Professional mastering deck with optional DC servo capstan.
• 280B-4 — Scully 280B-4 half-inch four-track reel-to-reel — studio workhorse of the late '70s/early '80s, console-mounted, now a condition-dependent collector deck.
• 284B-8 — Scully 284B-8: one-inch 8-track master recorder with optional DC servo capstan to 30 in/s and 14-inch reels.
• 288-16 — Scully 288-16: a £11,655 sixteen-track tape machine, 50mm tape, 30Hz–18kHz, named by a 1980 period source as the 1970 multitrack benchmark.
• LS-76 — Scully LS-76 The Lathe — a Bridgeport-built disc-cutting lathe with 95–600 grooves/inch variable pitch and remote control, paired with the Auto/Master console.
• MODEL-280 — Scully Model 280 (1968) professional tape recorder — motion-sensing brakes, modular 1/2/4-amp console, $4,723.50 stereo list.
• MODEL-280-2 — Scully MODEL-280-2 two-track tape recorder — a late-1970s studio workhorse documented in period Mix studio directories. Specs remain unconfirmed.