Luxman RV-357 (1993–1998)
A no-nonsense 90s AV receiver that brought Pro-Logic surround and solid build into the high-fidelity fold—without the flash.
Overview
If you stumbled on the Luxman RV-357 expecting another one of the brand’s revered tube preamps or minimalist separates, you’re in for a surprise. This isn’t a piece of analog nostalgia—it’s a full-blown 1990s AV receiver, built when surround sound was shifting from novelty to necessity and Japanese manufacturers were stuffing every possible feature into a single chassis. The RV-357, produced from 1993 to 1998, sits firmly in that era: a Dolby Surround Pro-Logic-equipped workhorse designed to handle both music and movies with more refinement than most of its peers.
Luxman didn’t chase trends lightly. Even here, in a box loaded with surround modes and digital processing, there’s a sense of restraint. No flashy graphics, no over-the-top power ratings—just a clean front panel, a reassuring heft (10 kg), and a feature set that served real-world needs. It was part of Luxman’s 300 series, a lineup that balanced performance and practicality, and while it doesn’t carry the prestige of the brand’s higher-end separates, it reflects the same attention to engineering detail.
This was a receiver for people who cared about sound quality even in a multi-channel context. It offered a dedicated phono input, a test tone generator for speaker alignment, and a “By-Pass” button to strip away processing for pure stereo listening—features that signaled Luxman wasn’t just phoning it in for the home theater crowd.
Specifications
| Manufacturer | Luxman |
| Model | RV-357 |
| Production Years | 1993–1998 |
| Dimensions | 438 x 170 x 308 mm |
| Weight | 10 kg |
| Input Sensitivity/Impedance - Phono MM | 2.5 mV, 47 kOhm |
| Input Sensitivity/Impedance - CD | 150 mV, 40 kOhm |
| Input Sensitivity/Impedance - Tape Play | 150 mV, 40 kOhm |
| Input Sensitivity/Impedance - VDP | 150 mV, 40 kOhm |
| Input Sensitivity/Impedance - VCR | 150 mV, 40 kOhm |
| Amplifier Dynamic Power (Front, Center) at 8 Ohm | 3x 80 W |
| Amplifier Dynamic Power (Rear) at 8 Ohm | 2x 30 W |
| Frequency Response - Phono MM | 20 Hz - 20 kHz (± 0.5 dB) |
| Frequency Response - High Level | 10 Hz - 50 kHz (- 3 dB) |
| Total Harmonic Distortion | < 0.01 % |
| Signal-to-Noise Ratio - Phono MM | 80 dB |
| Signal-to-Noise Ratio - High Level | 100 dB |
| Tone Control Range - Bass | ± 10 dB at 100 Hz |
| Tone Control Range - Treble | ± 10 dB at 10 kHz |
| Tuner Reception Bands | UKW (FM), MW (AM) |
| Tuner Frequency Range - UKW (FM) | 88-108 MHz |
| Tuner Frequency Range - MW (AM) | 535-1605 KHz |
| Tuner Frequency Response | 30 Hz - 15 kHz, ± 1 dB |
| Tuner Input Sensitivity | 1.9 µV |
| Tuner THD - Mono | < 0.15 % |
| Tuner THD - Stereo | < 0.2 % |
| Tuner Signal-to-Noise Ratio - Mono | 80 dB |
| Tuner Channel Separation | 50 dB |
| Tuner Selectivity | 90 dB |
| Tuner Alternate Channel Selectivity | 75 dB |
| Tuner Image Rejection | 90 dB |
| Tuner IF Rejection | 100 dB |
| Tuner AM Suppression | 62 dB |
| Preset Station Memory | UKW 20, MW 20 |
Key Features
Dolby Pro-Logic and Surround Flexibility
The Luxman RV-357 was built for the surround sound era, and its Dolby Surround Pro-Logic decoding was the centerpiece. It offered multiple listening modes—Pro-Logic, Hall, Studio, and 3ch.logic—giving users control over how ambient effects and center channel information were handled. The center channel itself had three modes: Normal, Wide (full range), and Phantom, allowing fine-tuning based on speaker capability and room layout. For purists, the “By-Pass” button cut through the clutter, disabling surround processing and delivering a clean stereo signal—proof that Luxman still valued two-channel fidelity even in a multi-channel box.
Connections and Integration
Back panel connectivity was comprehensive for its time. It included dedicated inputs for CD, VDP/DBS/DVD, Tape/MD/DAT (with both in and out), Phono, and Video (in/out), plus a Monitor-out. The inclusion of a subwoofer output was forward-thinking, acknowledging the growing role of low-frequency effects in home theater. A video selector button on the front panel made switching sources convenient, and the Tape/DAT button simplified recording tasks.
Remote Control and User Interface
A remote control was included, which was standard but not universal in mid-tier receivers of the period. The front panel featured a Speaker button for toggling speaker sets, a Test tone generator to help align speaker levels—a rare and welcome tool in consumer gear—and controls for adjustable digital delay time, center volume level, and rear speaker level selection. Automatic station tuning made FM setup painless, and with 20 presets each for FM and AM, you could store a full lineup of favorites.
Build and Hidden Quirks
The chassis is solid, weighing in at 10 kg, and was manufactured in Japan—typical of Luxman’s commitment to quality control. It came in black, with a silver variant also available. Inside, the power board (designated RV-357-9) includes a 3.15A fuse at F1, an ICP fuse at IC552 (ICP-N-15), and a 7806A voltage regulator at IC551. One oddity owners report: a switch on the underframe labeled “SUB” with ‘Off’ and ‘On’ positions. At least one user found their unit wouldn’t power up because this switch was off—the standby LED wouldn’t light, preventing startup. Flipping it on resolved the issue. Whether this was a factory test switch left in place or a legitimate user setting remains unclear, but it’s a quirk worth checking if you pick up a non-functional unit.
Collectibility & Value
The Luxman RV-357 isn’t a high-value collector’s item, but it holds steady as a functional vintage AV receiver for enthusiasts who want Pro-Logic decoding with better-than-average build and sound. Recent listings reflect modest demand: one unit sold for EUR 130.00 in top condition, another asked EUR 251.99 on eBay. A listing on Skelbiu in 2022 asked €189, while a Canuck Audio Mart listing sought $194.72. These prices suggest it’s valued more for utility than rarity.
The most commonly reported issue is the standby LED failing to illuminate, preventing power-on—often traced back to the underframe “SUB” switch being in the off position. Beyond that, no widespread failure modes are documented, though a service manual is known to exist and is sought after by repair-minded owners. Given its age, capacitors and mechanical switches may need attention, but the lack of complex digital circuitry (by modern standards) makes it relatively approachable for restoration.
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- Luxman TX-101 (1975)
- Denon DRA-800 (1985)
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