Luxman L-505u (2007)
It hums when you power it up. Not from strain, but from readiness, like a luxury sedan with a V8 idling behind a quiet grille.
Overview
The Luxman L-505u isn’t just another integrated amplifier from the 2000s—it’s the Ultimate edition of a lineage that’s been Luxman’s best-selling single product for over three decades. Released in July 2007, this isn’t some understated workhorse; it’s a statement piece wrapped in Blaster White or limited Champagne Gold, with glowing VU meters under thick acrylic that look like they belong in a high-end watch. It’s “Luxman’s entry-level but heavyweight integrated amplifier,” a paradox that makes sense the moment you lift it—20 kilograms of precision engineering packed into a chassis that feels more like a vault than a stereo component.
Don't let "entry-level" fool you. This model took the L-505 series into flagship territory without being the top of the line. It's the successor to the L-505f (introduced in 2001), with a full overhaul: ODNF 2.2 circuitry, a motorized Alps potentiometer, and a phono stage that handles both MM and MC cartridges. It's built for people who want a single-box solution that can drive demanding speakers, handle vinyl, and still look like a piece of industrial art on the shelf.
Specifications
| Manufacturer | Luxman |
| Model | L-505u |
| Year of Release | 2007 |
| Type | Integrated Amplifier |
| Continuous Effective Output | 100W + 100W (8 Ω), 140W + 140W (4 Ω) |
| Total Harmonic Distortion | 0.008% (8 Ω, 1 kHz), 0.04% (8 Ω, 20 Hz – 20 kHz) |
| Frequency Characteristic | Phono: 20 Hz – 20 kHz ±0.5 dB; Line: 20 Hz – 100 kHz +0 -3.0 dB |
| Damping Factor | 110 |
| Input Sensitivity / Impedance | Phono MM: 2.5mV/47kΩ; Phono MC: 0.3mV/100Ω; Line: 180mV/47kΩ; Bal. Line: 180mV/47kΩ; Main In: 1V/51kΩ |
| Signal-to-Noise Ratio (IHF-A) | Phono MM: 91 dB or more; Phono MC: 77 dB; Line: 106 dB |
| Tone Control Maximum Change | Bass: ±8 dB (100 Hz); Treble: ±8 dB (10 kHz) |
| Subsonic Filter | 15 Hz (-6 dB/oct) |
| Power Consumption | 190W (max), 82W (no signal), 1.2W (standby) |
| External Dimensions | 440 × 156 × 428 mm |
| Weight | 20.0 kg |
Key Features
ODNF 2.2: The Heart of the Matter
The L-505u runs on Luxman's ODNF 2.2 circuit, short for "Only Distortion Negative Feedback." This design feeds back only the distortion component from the output and leaves the music signal untouched. Luxman claims "ultra-wide range, ultra-high slew rate, and ultra-low distortion" without needing phase compensation in the signal path. Most amps need phase compensation to stay stable. Luxman's engineers tuned this one to run without it. Whether you hear that is subjective, but the spec is plain: 0.008% THD at 1 kHz into 8 ohms, which is exceptional for a Class A/B integrated.
Class A/B with Muscle and Manners
It's not pure Class A, since those run hot and thirsty. The L-505u runs warm, not scorching, and delivers 100 watts per channel into 8 ohms (140 into 4). That's enough for all but the most insensitive speakers. Reviewers have driven Magnepans and Joseph Audio Pulsars with ease, praising its "bombast and delicacy" in the bass and "copious air and sparkle" in the highs. The midrange was "nailed," according to one listener. It's balanced, never shouty, never reticent.
Phono Stage That Punches Above Its Weight
A built-in phono stage that handles both MM and MC is a big deal in a box this size. The MM input gives 35dB of gain and the MC gives 55dB, with impedance switching on the back panel. Reviewers call it "excellent," with enough clarity and low noise (77 dB S/N for MC) to compete with standalone phono preamps. There's also a subsonic filter at 15 Hz to clean up rumble from warped records or turntable resonance.
Build Quality That Feels Like Legacy
It's built like a bank vault. It has glass fiber circuit boards, OFC internal wiring, a high-capacity EI transformer, and a layout that isolates the power supply, output stage, and sensitive preamp sections with shielding panels. The volume control is a motorized Alps pot, the kind you'd expect on a preamp at twice the price. The input selector is a trickle-down from the flagship C-1000f preamp, using an IC-based electronic switch to avoid contact wear. The meters are calibrated from -60dB to +3dB, covered in 8mm acrylic, and glow blue or yellow depending on the finish.
Tone Controls That Don’t Ruin Everything
Most high-end amps skip tone controls and assume you want a straight wire with gain. Luxman included them anyway, at ±8 dB at 100 Hz and 10 kHz. They're implemented well enough that you can use them without degrading the signal path. They're not for drastic EQ, but for fine-tuning room anomalies or speaker voicing. And they're defeatable, of course.
Historical Context
The L-505u arrived in 2007 as the "Ultimate edition" of a series that had been Luxman's sales leader for over 30 years. It replaced the L-505f and kept the DNA of the line. It wasn't the biggest Luxman, since bigger models had larger power supplies and more headroom, but it was the sweet spot: a full-featured, high-performance integrated that didn't require a second mortgage. It offered balanced XLR inputs and solid digital-era build quality while still catering to analog lovers with its dual phono inputs.
Collectibility & Value
At release, the L-505u carried a price of ¥225,750 in Japan, about $3,700 in 2009. Stereophile's John Marks considered it a screaming bargain and called it "addictive" and "sonic authority in spades." Reviewers noted it outperformed even the $10,000+ Class A L-590a Mark II in some systems, preferring its balance and drive. One even said, "when compared to the $10k+ Class A Luxman L-590a Mark II, I dramatically prefer the $4k Class A/B Luxman L-505u."
Today it's discontinued, succeeded by the L-505uX and later the L-505uXⅡ. Used units have been listed around $1,795, though prices vary by condition and market. It's not a rare unicorn, but it's respected, a "fantastic anchor for a high quality, no fuss, hifi system." The build quality is identical to Luxman's flagship models, and the phono stage alone makes it a contender for vinyl lovers. One catch: it was originally configured for 100VAC operation. Some units have been modified for 115V, so if you're buying one, check the power supply setup. Biasing may need adjustment for stable long-term use.
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