Kenwood KT-815 (1979-1981)
It weighs 8.5 kg. Selectivity is the strong point, and it takes some patience to use.
Overview
The Kenwood KT-815 is an AM/FM stereo analog tuner from the stretch when dials were giving way to digital tuning. It came out in 1979 with a launch price of $440 (approximately 1,098 DM), into a market that wanted synthesized tuning and presets. It wasn't the flashiest tuner on the shelf. It was built for listeners who cared about lock-on stability and clean signal extraction. It is 440 mm wide, draws 17W, and is solid and dense.
Owners report a machine built for performance, not showmanship. The flywheel tuning mechanism gives the knob a smooth, damped feel. Quartz PLL synthesized tuning locked stations solidly at a time when drift still plagued lesser tuners. Eight presets were generous for the era. The digital display is plain by today's standards, but it showed Kenwood moving toward modern usability. It was designed to work within a system, notably alongside the Kenwood KA-801 amplifier, though it works fine on its own.
It has quirks. One owner review calls it a "damned nice tuner - hardly their best," which tells you where it sat in Kenwood's lineup. Another praises its "very high sensitivity and a beautiful piece, inside and out." A shootout commentary is harder on it: "Bass thin, treble forward. It cries out for a new audio stage." That's subjective, but it points to a known weak spot. The audio output stage may need restoration or modification to suit modern expectations.
Specifications
| Manufacturer | Kenwood |
| Product type | AM/FM Stereo Analog Tuner |
| Production years | 1979-1981 |
| Original price | $440 |
| Power consumption | 17W |
| Dimensions (W x H x D) | 440 x 150 x 340 mm |
| Weight | 8.5 kg |
| Frequency response | 20Hz - 15kHz |
| THD (mono) | 0.15% |
| THD (stereo) | 0.3% |
| Signal-to-noise ratio (mono) | 70dB |
| Signal-to-noise ratio (stereo) | 65dB |
| Capture ratio | 1.0dB |
| Selectivity | 80dB |
| Sensitivity (IHF, mono) | 10.3dBF (1.8uV) |
| Sensitivity (IHF, stereo) | 17.2dBF (3.5uV) |
| Image rejection ratio | 80dB |
| IF rejection ratio | 100dB |
| Spurious response rejection | 100dB |
| AM suppression | 55dB |
| Stereo separation | 40dB |
| Output level | 0.5V |
| Muting threshold | 5uV |
| Tuning method | Quartz PLL synthesized tuning |
| Presets | 8 |
| Inputs/Outputs | DIN REC OUT |
| Multipath outputs | Vertical: 0.02V, 1 kOhm; Horizontal: 0.35V |
| Sub Carrier Product Ratio | 70dB |
Key Features
Quartz PLL Synthesized Tuning with 8 Presets
The KT-815 drops the old variable capacitor approach for quartz PLL synthesized tuning, which improves accuracy and stability. The phase-locked loop locks onto stations with minimal drift, a big help in urban areas with crowded signals. The 8 presets store favorite stations, a convenience that was still fairly premium in the late 1970s. The digital display gives clear frequency readouts, with no guessing on an analog scale.
Flywheel Tuning Mechanism
Despite the digital internals, the KT-815 keeps a physical tuning knob with a flywheel mechanism. It gives a smooth, inertia-damped feel for fine-tuning. The flywheel reduces overshoot and gives precise control, which helps when hunting for weak stations or avoiding adjacent-channel interference.
PLL MPX Decoder Circuit Topology
The tuner uses a PLL MPX decoder for stereo demodulation, a design known for stable stereo imaging and reduced crosstalk. The circuit locks onto the 19kHz pilot tone with high accuracy, which contributes to the reported 40dB of stereo separation. That isn't the highest in its class, but it's enough for clean channel distinction under normal reception conditions. The PLL here fits Kenwood's focus on stability across the signal chain.
Electronic Equivalent of 4 Gangs
It has no physical ganged capacitors, but the synthesized design achieves the functional equivalent of a 4-gang tuning system. That allows precise alignment across the RF, oscillator, and mixer stages. It improves tracking accuracy and reduces the need for manual alignment, which makes maintenance easier.
DIN REC OUT and Multipath Outputs
The DIN REC OUT connector is a compact multi-pin type common in that era, and adapters are now essential for modern setups. More interesting are the dedicated multipath outputs - Vertical at 0.02V (1 kOhm) and Horizontal at 0.35V. They let users monitor signal phase issues and optimize antenna placement. This level of diagnostic access was rare in consumer gear.
Collectibility & Value
No official data exists on current market value or collectibility trends, but used units appear regularly on second-hand hi-fi markets. A service manual is available for $34.97, which suggests active support among restorers. The most consistent owner feedback points to the audio stage as a potential weak link - "cries out for a new audio stage," one reviewer notes - implying that capacitor aging or op-amp degradation may be common. Buyers today likely want its selectivity (80dB) and sensitivity (1.8µV mono) more than sonic warmth, and should treat it as a restoration project or a precision tool rather than a plug-and-play classic.
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