At 10kg, it arrives like a statement. Dense, deliberate, and wired for war against sonic compromise.

Overview

Kenwood marketed this as a far higher grade stereo amplifier than any previous Kenwood model. The idea was that only the finest components and most advanced circuitry can produce the finest sound. It is solid-state engineering pushed hard. At 10kg and 408mm wide, it dominates any rack it sits in. It draws 275W at maximum output, so it makes demands on the wall socket as well as the speakers.

Owners report a machine built for purity. The entire signal path, from preamp to main amp, is directly connected, so there are no coupling capacitors to color or degrade the signal over time. It also has a vertically symmetric power supply and a differential amplifier circuit using transistors selected for stable temperature performance. The aim is near-perfect DC stability. A zener diode further stabilizes the first stage, and 100% DC feedback tightens control across the board.

Despite its complexity, the KA-7002 is modular in practice. The preamp and main amp sections can be used independently, which gives some flexibility in system configuration. The inputs are well covered too: dedicated sensitivity settings for Phono1, Phono2 (including a 0.06mV setting for low-output cartridges), Mic, and multiple line-level sources. It was clearly engineered for the serious enthusiast who might be running reel-to-reel, tuner, and turntable at the same time. The head amplifier for low-output cartridges confirms it was aimed at high-end analog setups.

Specifications

ManufacturerKenwood
Product typePre-main amplifier
Original price¥ 86,400 (around 1971)
Power Amplifier Unit Music Power (IHF)196W (4 Ω), 170W (8 Ω)
Effective power80W/80W (single-channel operation, 4 Ω), 70W/70W (single-channel operation, 8 Ω), 68W + 68W (both channel operation, 4 Ω), 55W + 55W (both channel operation, 8 Ω)
Total harmonic distortion factor0.5% (8 Ω at rated output), 0.05% (8 Ω at rated output of -3dB)
Cross modulation distortion factor0.3% (8 Ω at Rated Output), 0.08% (8 Ω at rated output of -3dB)
Output bandwidth2 Hz to 60 kHz (IHF)
Input sensitivity Main in1V/50k Ω
Residual noise0.24 mv (8 Ω)
Damping factor45 (8 Ω)
Preamplifier Section Input Sensitivity / Impedance (for rated input)Phono1 : 2.5mV/30k Ω, 50k Ω switching; Phono2 : 0.06mV/200 Ω 2.5mV/50k Ω; Mic : 2.5mV/50k Ω; Aux1/2, Tuner, Tape : 200mV/100k Ω
Recorded outputTape rec A/B(Pin):200mV; Tape rec A/B(DIN):40mV; Dubbing A-B:200mV
Frequency characteristic20 Hz to 50 kHz ± 1 dB
Maximum Input Voltage310 mv (Phono1, P-P, 1 khz)
Tone controlBass : ± 6 dB (100 Hz, turnover 150 Hz) ± 10 dB (100 Hz, turnover 300 Hz); Treble : ± 6 dB (10 kHz, turnover 6 kHz) ± 10 dB (10 kHz, 2 kHz turnover)
Turnover roll-offBass : 150 Hz, 300 Hz; Treble : 2 kHz, 6 kHz
Loudness contour+ 8 dB (100 Hz), + 3 dB (10 kHz)
Low filter40 Hz, 18dB/oct.; 80 Hz, 18dB/oct.
High filter7 kHz, 18dB/oct.
Equalizer± 0.1 dB to the RIAA standard curve
Signal-to-noise ratioPhono1:70dB(2.5mV); Phono2:50dB(0.06mV) 70dB(2.5mV); Mic:70dB; Aux, Tuner, Tape : 80 dB
Power supply voltage100 VAC, 50Hz/60Hz
Rated power consumption (Electrical Appliance and Material Control Law)15W (No signal); 275W at maximum output
External dimensionsWidth 408x Height 134x Depth 280 mm
Weight10kg

Key Features

Direct-Coupled Complimentary Circuitry

The KA-7002 uses solid-state circuit technology developed in the KA-6000, and advances it with a directly connected pure complimentary service circuit in all stages. By eliminating coupling capacitors throughout the signal path, Kenwood engineers aimed to remove a common source of phase shift and high-frequency roll-off. The direct-coupled design keeps signal integrity from input to output and contributes to the wide frequency response and low distortion figures. The approach was ambitious for its time. It required careful thermal management and DC offset control, which the sturdy power supply and differential front-end design were meant to handle.

Vertically Symmetric Power Supply

In the KA-7002, the power supply is vertically symmetric, meaning the positive and negative rails are independently regulated and mirrored in layout and performance. This symmetry reduces common-mode noise and improves transient response, particularly during dynamic musical passages. It also supports the high damping factor of 45 (8 Ω), which allows tighter control over speaker cones. Neither channel is electrically privileged over the other.

2-dB Step Switching Tone Control with Dual Turnover

The tone control section is a 2-dB step switching type. That allows precise, repeatable adjustments without the drift common in potentiometer-based systems. The bass and treble controls offer two turnover frequency options: bass switches between 150 Hz and 300 Hz, and treble toggles between 2 kHz and 6 kHz. Users can tailor the tonal balance to room acoustics or speaker characteristics. The loudness contour adds +8 dB at 100 Hz and +3 dB at 10 kHz at low volumes, compensating for the ear's reduced sensitivity in the bass and treble ranges.

Null Balance for Channel Matching

The KA-7002 uses Null Balance, a feature that eliminates sound when the left and right channels are perfectly balanced. This allows precise calibration of stereo imaging, so the center image stays stable and free from drift. It is a tool more commonly found on test equipment than on consumer amplifiers.

4-Channel Stereo Input/Output and Control

The KA-7002 has input/output jacks and a dedicated control volume for 4-channel stereo, so it was ahead of its time in supporting quadraphonic sound. During the early 1970s, 4D (quad) stereo was a growing niche, and Kenwood made sure the KA-7002 could handle it natively. It also has DIN standard recording and re-connector jacks for two tape systems.

Tantalum Solid Capacitor in Cut Filter

The cut filter, used to remove unwanted frequencies, employs a tantalum solid capacitor with a leakage current of less than 1 mA. Tantalum capacitors were prized for their stability and low leakage, which suits critical signal-path applications. Filtering circuits are where capacitor performance can affect clarity and transient response.

PC Detection Protection Circuit

The protection circuit uses a PC detection method with a current limiter, designed to safeguard the amplifier against short circuits, overloads, and thermal runaway. It was a sophisticated approach for the era, relying on electronic sensing rather than simple fuses.

Historical Context

The KA-7002 emerged at a time when Japanese audio manufacturers were rapidly advancing solid-state amplifier design. Positioned as a flagship model, it was a significant leap from earlier Kenwood offerings, using circuit innovations from the KA-6000 while pushing power and precision to new levels. Its exact position within the KA series is not explicitly documented. The later success of models like the KA-9100 (1977) suggests the KA-7002 helped establish Kenwood's reputation for combining high power, advanced features, and value in a single chassis.

Collectibility & Value

Current listings show fully restored Kenwood KA-7002 units in mint condition selling for around $1,000. Restoration is often necessary, though. Common issues include output transistor failure, power supply failures, and reports of scratching noises after warm-up. Technicians note the front end as particularly difficult to service, with densely packed circuitry that needs careful handling. Parts support exists in the form of restoration kits, including an "Integrated Ultimate Upgrade Kit" available through aftermarket suppliers.

eBay Listings

Kenwood KA 7002 vintage audio equipment - eBay listing photo 1
Kenwood KA 5002, KA 6000, KA 7002 Function Indicator Jewel
$40.00
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