Fisher EQ-275 (1984–1985)

A 12-band-per-channel stereo graphic equalizer made in Japan during Fisher’s late-era high-fidelity equipment run.

Overview

The Fisher EQ-275 is a stereo graphic equalizer released in the mid-1980s as part of Fisher’s Studio Standard line. It features analog circuitry and a sleek black design, built in Japan. Designed for precise sonic control, it was marketed as a high-quality component for audiophiles seeking detailed frequency adjustment. The unit includes stereo RCA inputs and outputs and is noted for its 12-band-per-channel equalization. It was part of a system that included the CA-275, CR-275, and MT-275 components.

Specifications

Product type	Graphic equalizer
Model alias	Fisher Studio Standard EQ-275
Production years	1984 – 1985
Original price	698 DM
Frequency response	20Hz - 20kHz
Output Level	10V (max)
Gain	± 0dB
Power consumption	8 W
Dimensions	440 x 105 x 298 mm (WxHxD)
Weight	4.5 kg
Input/Output	Stereo RCA line input and output
Equalization bands	12 bands per channel
Color	Black
Manufacturing location	Japan
Remote	Yes (no details available)

Design

The EQ-275 uses analog technology with 12-band-per-channel stereo graphic equalization, allowing precise control over frequency response. It features a sleek black front panel and was built in Japan.

Context

The EQ-275 was part of a product series that included the Fisher EQ-272, EQ-273, EQ-274, and EQ-275. It was designed to integrate with other Studio Standard components such as the CA-275 amplifier, CR-275 tuner, and MT-275 tape deck.

Market

Listings describe the EQ-275 as a rare and hard-to-find model, often labeled "vintage" and "fully tested." A service manual is available, indicating ongoing support for restoration and repair. Units are occasionally found on eBay and Reverb, typically priced according to condition.

eBay Listings

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